Quilt No.584NP - Nini Priestely

Owner: 
Nini Priestely
Location: 
NSW Riverina
Maker
Maker: 
Lillian furze
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Cotton quilt of rectangles (150 x 100mm) of patterned materials in various colours and textures. Many patterns in different colourways as quilt was made from a bag of material samples. The plain off white backing has been machined to the top of the quilt and turned through then a row of zig zag sewed to the top edge. There is no padding.
2440 x 2120mm
History: 

The quilt was made by Lillian Furze in Melbourne for the marriage of her daughter Nini in 1959. It is still owned by Nini. It is not used now.

Story: 

"Lucy Lillian Cock was born at Baringhup in April, 1908, horse and buggy days. Family moved to Camberwell then to William Street, Brighton near 'Castlefield', a grand home and property owned by her grandfather. She attended 'Firbank' Grammar school, later became a dressmaker and model. At 30 she married William (Bill) Crivelli, they moved to Cranbourne. He took Lord Casey's place in Parliament while Lord Casey went to War. Bill died 1949. Lilly then ran a boarding house in Brighton. They had 2 daughters. Margaret married and lives in England and Nini who attended Yooralla in Carlton. The quilt was made for Nini when she married Les Baxter in 1959. Les died 1996, Nini remarried in 1998. Lillian remarried in 1960 to Noel Furze, she died on 4/11/1997."
[Valda Martin 1999]

Nini Priestely holding the quilt made by her mother 1999
Nini Priestely holding the quilt made by her mother 1999
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971
Lillian Furze, Centre, Nini Baxter (Priestely) left, Valda Martin, 1971

Related Quilts:

Susan Shannon
This hand pieced and hand quilted hexagon quilt is in a pattern often called 'Grandmother's Flower Garden'. The background is white and there are concentric rows of double rosettes each with a yellow centre. The colours start in the centre of the quilt with pink and then follow the rainbow. Paper templates were used. The padding is cotton (American) and the backing is cotton floral poplin.
2360 x 1730mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
Mildura and District Historical Society
Quilt of 2025 hexagons stitched together to form diamond patterns. Hand sewn using paper templates. Materials are cottons and plains typical of the thirties period. The backing is blue cotton and the quilt is bound with many rows of coloured bias binding through which is treaded window cord. There is no padding. The quilt is called 'Grandmothers' Flower Garden quilt'.
2439 x 1829mm
Fran Williams
Frame quilt with the centre frame featuring stars. These are English pieced and then appliqued on to the background using straight stitch on the machine. Borders are squares, rectangles and truangles. Mainly cottons. There is no padding. The backing is an old white bedspread similar to a Marcella.
1900 x 1930mm