Quilt No.1009FG - Fiona Gavens

Fiona Gavens
Owner: 
Fiona Gavens
Location: 
NSW North Coast
Maker
Maker: 
Deborah Gavens
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
History: 

Quilt made by Deborah Gavens in Colac, Victoria, from the late 1950's to early 1960's (took about five years to make). Deborah owned and used the quilt until she passed it on to her daughter Fiona in the late 1980's. Quilt is not used.

Story: 

"My mother, Deborah Gavens (nee Lee), arrived in Australia as a war bride in 1946, having married Philip Gavens, an Australian pilot, in London just before his departure.
Five daughters were born between 1948 and 1958 and the oldest four in particular were dressed in beautiful, matching vyella dresses embellished with smocking and embroidery. Mum made most of these dresses, which reflected her well-heeled British background.
Mum loved sewing but had very little time to do no-utilitarian work when we were young. I have strong memories of her mainly sewing this quilt at meal times when we were having dessert (which she rarely ate). That is why it took about five years to create!
When Mum finished piecing the quilt and started embroidering it, it was our job to find the seams that she had missed, and we would often talk about who wore what dress and whom the dresses had been passed on to.
The quilt was used as a comforter when we were sick and, later on, when grandchildren visited.
I have the original book containing the instructions on how to piece and embroider the quilt, entitled 'Pictures and Patchwork' by Priscilla M. Warner, the Dryad Press, Leicester, 1950. Mum still has a set of metal hexagon templates made for her by Dad.
I have no doubt that this quilt contributed to my evolution into a professional quilter (1978 - 1995), as it was obvious that creating something beautiful by hand was of intrinsic importance to Mum. Her father designed and stitched beautiful wool tapestry, and my father was a carpenter/builder, so it was natural to be a designer and maker.
I sewed from an early age and in my late teens embarked on my first quilt of hand-sewn hexagons. This took several years to make, and ensured I would only sew with a machine from then on! It is interesting to look at Mum's quilt and the mix of techniques, as I always felt free to use whatever techniques I needed, and wonder now if that was another subconscious influence." [Fiona Gavens]

Deborah Gavens 1950
Deborah Gavens 1950
Four of the 'Gaven girls' wearing viyella dresses, 1957<br />b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
Four of the 'Gaven girls' wearing viyella dresses, 1957
b-Fiona(6), l-Thalia(9), r-Juliet(4),f-Clare(6)
The Gavens home, where quilt was made. 1964
The Gavens home, where quilt was made. 1964

Related Quilts:

Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
June Loewenthal
Hand made cotton quilt in repeat block with appliqued Iris pattern. It is a kit quilt. "The Iris, Design "R" of the 'Mountain Mist Series' of Quilt Patterns" from The Stearns & Foster Company, Lockland, Cincinnati, Ohio. Copyright 1930. The backing is cotton and the filling also.
2439 x 1981mm
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm