Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Muriel Mackenzie
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. Machine sewn and quilted.
1677 x 1144mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Port Curtis Historical Soc.Inc.
Cotton Hexagon quilt with a wide variety of patterned and plain materials. Blue binding and a cotton backing. The padding is thought to be cotton wool.
1525 x 1220mm
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Maria Patounas
The cotton quilt top is blue featuring a floral design in the centre and a matching border. The main quilting pattern relates to this. There is a wide gold cotton border with a quilting pattern of parallel lines and diamonds. The backing is plain red cotton. The padding is cotton wadding.
2040 x 1750mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
Julie Bos
Allover pattern in woollen dress materials in blue, grey, navy, black and pink. Hand stitched. The owner suggests it was made in the 1950s or earlier. It is not used.
910 x 1250mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Mrs. F.A.C.Clemons
Quilt made from blocks in a fan pattern, 5 blocks across by 6 down. Fans are set on a black background, materials are wool and cotton in a mixture of plains and patterns. Edges of fans are decorated with cream herringbone stitch. Machine pieced with hand stitched repairs.Cream cotton backing folded over to make binding, stitched with pink herringbone stitch. Tied regularly with pink thread. The quilt is padded with wool.
2000 x 1720mm
Rosemary Blake
Single bed quilt made from sugar bags stitched together covered with a ticking type fabric. This inner layer is then covered with muslin, dyed yellow. It is similar in construction to 80RB but much lighter as the sugar bags are lighter than the heavy jute potato bags.
1520 x 990 mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Gundagai Historical Museum
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm

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