Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Red Cliffs Historical Society
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
National Trust of Australia (WA)
Frame quilt in cottons with a centre motif of pieced 8 point star surrounded by borders, 2 from red/white material printed to represent Tumbling Block patchwork. The remaining borders are, one plain, one of pieced squares, one of pieced large triangles with squares in the corner. The outer border is plain. The padding is wool and the backing is cream cotton. It is elaborately quilted.
2400 x 2260mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
Elsie Roberts
Quilt made of white cotton with a diamond set applique pattern of brown tipped pink dogwood blossoms with green leaves in the centre. Hand appliquéd. The centre is hand quilted with cross hatching and the borders are quilted with feathered cables and circular patterns. Padding is Mountain Mist polyester, the backing is of white cotton. The quilt edges are bound with pink bias binding.
2180 x 1860mm
Jean Gill
Pieced quilt featuring log cabin and tumbling block patterns. It is handsewn and has some appliqued flowers.Materials are mainly velvet with a small amount of cotton. There is no padding and the backing is cotton flannelette.
1525 x 1220mm
Betty Gray
Hand appliqued, embroidered and quilted, 1940s. Cotton quilt with yellow, pink and purple tulips and green leaves, has scalloped edging with green piping. Hand quilted.
2240 x 885mm
Red Cliffs Historical Society
Large hexagon rosettes in a variety of plain colours. 6 form a flower and each hexagon has a contrasting colour for the centre. Machined smaller hexagons give a ruffled effect. Colours of flowers include teal, burnt orange, pink, lime and mauve. The material is nylon and the backing is a single piece of pink bubble nylon. The padding is a single piece of calico.
2050 x 1530mm
Friends of the Hawkesbury Art Society
Patchwork Quilt consisting of diamond shapes forming a Tumbling Block pattern. All cotton, mainly patterned pieces, with signs of blotting paper templates. Hand sewn. The outer border of patches consists of off-cuts from nurses' uniforms of the times as 2 of the maker's daughters were nurses. It is thought most other squares were probably from material samples from large city stores such as Anthony Horderns. Backing is red cotton in a paisley design.
2030 x 1890mm
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
National Trust of Australia (TAS)
Quilt made of hexagons in cotton materials, the hexagons set in the 'Grandmother's Flower Garden' pattern with 6 patterned patches set around a plain coloured centre patch and white hexagons forming 'paths'. There is a white cotton backing with the edges turned under all the way around and top and backing are joined by a blue machine sewn satin stitch. The patches are hand sewn.
2160 x 1830mm
Dorothy Taylor
Patchwork quilt made of hexagons in printed cottons, colours predominantly red, blue pink, brown and yellow. Handsewn. Attached to a white cotton backing. Cotton padding.
1829 x 1829mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Greg Davies
Patchwork quilt, log cabin with central patch plus 2 logs. Many different materials from 1950s and 1960s. Machine pieced. The padding is a woollen blanket and the backing is a flannelette sheet. The quilt is tied with yellow cotton at each corner.
2170 x 1880mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
The Embroiderers' Guild of S.A.Inc Museum
This Adelaide Chronicle wildflower quilt has alternating squares of green and fawn headcloth embroidered with Australian wildflowers on the fawn squares and stylised floral motifs on the green squares. It is bordered and backed with the same green material. It is padded.
2350 x 1530mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260

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