Quilt No.1010MA - Maria Alexakis

Maria Alexakis
Owner: 
Maria Alexakis
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
GREECE Peloponnesus
Date: 
1941 - 1970
Description: 
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
History: 

Quilt made for Eleni Kritikos in the village of Sikea, south Peloponnesus, Greece, by a local quilt maker, name unknown, in about 1949/50. Eleni gave it to her daughter Maria, who brought it to Australia in 1956. It is not used.

Story: 

"From Sikea to Sydney.
Maria Alexakis grew up in the village of Sikea, in the southern Peloponnesus area of mainland Greece. She was the youngest of the six children born to her parents, Pericles and Eleni Kritikos. The family's 'horafia' (fields) provided much of their food - wheat, figs and the all-important olives and olive oil.
In about 1949, Eleni decided that her eldest daughter Katerina, should have a traditional 'paploma' (quilt) for her 'prika' (dowry), in preparation for getting married. She probably went to the nearby village of Molai to purchase the lovely, burgundy-coloured sateen, with its damask weave, and the bright red cotton fabric for the quilt backing. The raw cotton used for the wadding came from Skala, another village close by, where relatives of the family grew cotton. This was all given to the local 'paplomatas' (quiltmaker) who made the quilt and hand-stitched the striking 'thistle' design.
In the meantime, arrangements were being made for Katerina's wedding, but the 'paploma', which Eleni had ordered, was not ready in time. So Katerina was given a different quilt, and Maria, the only other daughter, ended up with this one. It travelled to Australia in 1956, in Maria's 'baoulo' (trunk), along with other trousseau items, a beautiful, red-and-black wool rug (or blanket) which had been made from home-grown wool, dyed, then woven on the family's own 'argalio' (loom).
Maria had been engaged for about a year or so to Spiro Alexakis, also from Sikea. Soon after her arrival, they were married in Sydney's Aghia Sophia Greek Orthodox Church. The went on to have four children : Effy (Eftihia), Helen (Eleni), Loula (Theodora), Theo (Theodoros). Eleni and Spiro worked at various jobs until buying their own fish-shop in Padstow in 1967. As with the thousands of other post-war migrants, they worked hard to establish themselves and to provide a good education for the children - one is a well-known photographer, two are teachers and one a public servant. Sadly and unexpectedly, Spiro died in 1983. Maria stayed on until 1994 when she moved to the house she lives in today. Here she enjoys the comings and goings of the families, and in particular, her eleven grand children. Her 'paploma' is still in excellent condition. [Written by Lula Saunders; adapted from interview 1/8/01 for the National Quilt Register]

Maria Alexakis in the family olive grove, Greece, mid 1950's
Maria Alexakis in the family olive grove, Greece, mid 1950's
People of the village of Sikea early 1950's. Maria is 7th from right, Eleni is 3rd from right.
People of the village of Sikea early 1950's. Maria is 7th from right, Eleni is 3rd from right.

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm