Quilt No.59MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1921 - 1940
Description: 
Child's Patchwork quilt of pieced repeat blocks in red print and white cotton, in 'Bow Tie' pattern. Qult has cotton backing, and wool filling. Some patches are fraying. The quilt has 'Mary Lactitia Thompson' embroidered on it.
1905 x 1296mm
History: 

Made by Eva Leota Towe, in USA, between 1930 and 1932 for her granddaughter Mary Lactitia Thompson. Mare (Mary) came to Australia in 1950. In 1953 Eva died. "In 1960 my mother brought me grandmother's legacy, her hand-works including the quilts when she came to Australia". The quilts were frequently used as family quilts and are now used occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability.
[Mare Carter, Foxground NSW]

Eva Leota Towe c 1940
Eva Leota Towe c 1940
Eva Towe with grand-daughter Mary Lactitia 1930
Eva Towe with grand-daughter Mary Lactitia 1930

Related Quilts:

National Museum of Australia
A 'Farm Life Quilt' made from alternate squares of beige linen and brightly coloured cotton headcloth. The coloured squares are farm animals and birds in a variety of embroidery stitches. The beige squares have a cornucopia design embroidered in dark brown stem stitch. There is a wide border front and back of beige linen. The backing is brown and white check cotton. There is no padding.
Fleur Margaret Lehane
Unfinished cotton frame quilt. The centre square is 4 triangles and this is surrounded by a border of smaller triangles. Most of the other borders are of triangles in a wide variety of materials, printed and plain.
2286 x 1829mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
The Pioneer Women's Hut
Machine pieced cot quilt made from squares of material including tweed, wool, blanket and pyjama material. The squares are joined in rows with colours randomly placed. There is a pink satin edging. The backing is part of a pale pink blanket.
1150 x 900mm
Tasmanian Museum and Art Gallery
The quilt consists of a central field within a main field within a narrow border a main border and then an outer border. The centre field consists of embroidered Prince of Wales feathers with 4 embroidered motifs, parrot, duck, open fan and 4 playing cards within an appliqued sunburst border. The quilt has many embroidered and appliqued motifs, some just abstract shapes, many with a Chinese Japanese theme. It is quilted and padded but the type of padding is unknown. The backing is red cotton sateen.
2280 x 2240mm