Quilt No.777SI - Stavroula Iouannou

Stavroula Iouannou
Owner: 
Stavroula Iouannou
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
CYPRUS
Date: 
1941 - 1970
Description: 
Wholecloth quilt with both sides in a cotton floral material with a dusty pink background. All over hand quilting is in loose parallel lines.
Stavroula re-covered this quilt with this material about 20 to 25 years ago. Originally the quilt had a yellow gold satin top with yellow gold cotton backing. Padding is cotton wadding.
1900 x 1600mm
History: 

The original quilt was made by a local quilt maker (name unknown) on the island of Cyprus in 1959. It was sent to Australia shortly after this. It was later recovered by the owner Stavroula Ioannou. It is still used today.

Story: 

"Stavroula's Two Quilts
Unlike many other migrants of the time, Stavroula came to Australia by air in 1959, but her two paplomata (quilts) arrived a little later by boat. Stavroula's mother, Efpraxia, anxious that her daughter's prika (dowry) be complete in true Greek tradition even in faraway Australia, purchased the locally-grown raw cotton and the satin and cotton fabrics, and then arranged for the local 'paplomatas' (quiltmaker) to come to their house, in their village of Evrychou, in the district of Lefkosia.
Although she was not in Cyprus when her own quilts were made, Stavroula remembers the 'paplomatas' coming to their house at other times; she recalls how he would assemble the 'paploma' - laying out one layer of fabric, turning the edges like a wide hem, fluffing up the raw cotton with a 'doxari'. 'it's like a large boomerang with a string across it; he would hit it with another piece of wood and the cotton would all fluff up, it seemed to fill the whole house. He would then spread the raw cotton evenly, place the other layer of fabric over and stitch around the edges first, to hold everything in place; then go to the centre, using a very large needle, to begin quilting the pattern. Everyone designs and stitches differently,' she muses.
The island of Cyprus, now an independent republic, has a long and troubled, political history. In those days high school education was not an option for most Cypriot families, so from age eleven, while her parents ran a mixed business Stavroula worked in the family-owned fields (horafia) where they grew olives, grapes, apples, potatoes and other vegetables. The family was certainly not poor, but with four daughters and three sons, her parents had considerable financial responsibilities, particularly with the girls who each needed a dowry, which often included a house, in order to get married.
Stavroula came to Australia and joined her brother and sister in Newtown, Sydney. She began work as a dressmaker and in 1961 married Phoebus, who also had come from Cyprus; they lived in Woollahra. After 16 years they moved to their present house in Bellevue Hill, where to this day the floral quilt is their main bedcover; and the pink satin quilt is often called into service when visitors arrive. Originating in the ancient 'Island of Aphrodite', these two quilts are fulfilling their destiny of usefulness and decoration, in an even more ancient 'antipodes' land!
Stavroula and Phoebus have two sons, John, a secondary maths teacher, and Kim, a nuclear medicine technologist. He and his wife Stamatina have two children, Ilia and Phoebus."
[Written by Lula Saunders; adapted from interview 2/1/01 for the National Quilt Register]

Stavroula with daughter-in-law Stamatina and Ilia and Phoebus 2001,
Stavroula with daughter-in-law Stamatina and Ilia and Phoebus 2001,
Stavroula going to the fields, Cyprus 1950s
Stavroula going to the fields, Cyprus 1950s
Stavroula (right) and her sister Chrystala, Cyprus 1959
Stavroula (right) and her sister Chrystala, Cyprus 1959
Share

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.
Berry & District Historical Society
It is a plain white linen double-bed sheet or bed-cover on which have been embroidered (over autographed signatures) the names of members of various associations and clubs, local MPs, visiting dignitaries etc associated with the Berry Agricultural Show of 1906. There are badges and emblems also embroidered in red or pale gold thread including the central Berry Agricultural Society Association motif surrounded by a wreath of lillipilly leaves and berries, a rebus on the name 'Berry'.
Joan Bradford
This utility quilt/eiderdown has a wholecloth top of faded floral cotton, a frill of the same material and a centre diamond of plain green cotton. The backing is plain green and the padding is kapok.
1753 x 1474mm
Effie Kalenderidis
Wholecloth quilt made from blue satin with turquoise blue cotton backing. The padding is cotton wadding. The quilting pattern is a large central motif of a daisy with a fan design in each corner. The in fill pattern is of curved and straight parallel lines and the border straight parallel lines. It is all hand quilted.
2000 x 1660mm