Quilt No.926ESA - The Embroiderers' Guild of S.A.Inc Museum
Owner:
The Embroiderers' Guild of S.A.Inc Museum
Location:
SA Adelaide
Maker
Maker:
Anna Blackmore
Made in
ENGLAND
Date:
pre 1850
Description:
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
History:
The quilt was made by Anna Blackmore in England and thought to have been started c.1828 and taken many years to complete. It was later owned by Miss Eva Tazewell who received it from her father George who was related to Miss Blackmore. George received it after he emigrated to Australia from Somerset. It was donated to the Embroiderers' Guild of SA.
Story:
Anna Blackmore was the sister of Robert Blackmore who wrote 'Lorna Doone'. Eva Tazewell was state hockey coach in the 1940s.
Related Quilts:
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Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm
2400 x 1500mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Old jute wool pack opened out and joined together selvedge to selvedge. Ends bound with recycled curtain material.
1550 x 1321mm
1550 x 1321mm
Hexagon quilt with rosettes centred in an all over diamond pattern. It is hand pieced and hand quilted. All the materials are either linen or pure cotton. The quilt is padded with batting (American) and the backing is floral cotton.
2360 x 1800mm
2360 x 1800mm