Quilt No.1056PJN - Peter and Jan Newman

Peter and Jan Newman
Owner: 
Peter and Jan Newman
Location: 
WA Perth
Maker
Maker: 
Dulcie Alma Tobin
Made in
AUSTRALIA WA
Date: 
1941 - 1970
Description: 
Suffolk Puff quilt with puffs mainly in patterned cotton pieces saved from 60 years of household sewing. Puffs are formed into rosettes and the holes are on the top making a decorative feature. It is hand sewn.
2700 x 2400mm.
History: 

The quilt was made by Dulcie Alma Tobin at Mount Lawley WA in the early 1970s using scraps of material saved from the 1920s to 1970. Dulcie had the quilt until she died in 1988 and it then passed to her grand-daughter Jan Newman. It is still used and is Jan and Peter Newman's summer quilt.

Story: 

"Dulcie Alma Tobin: (born in Northam, 1897), saved all the material 'leftovers' from 60 years of household sewing and when she was in her mid seventies, began to stitch them into this quilt.
She was assisted by family - husband Jack threaded all the needles (80 at a time, stuck in a pincushion to keep her going), sister Beatty and daughter Dulcie helping to cut and iron the patches. All the sewing and arranging was done by Dulcie Tobin, despite rapidly failing eyesight. She was 84 years old when it was completed, and so they were able to use it on their bed for a few years before Jack died (1986) and Dulcie moved to the Braille Nursing Home. She died in 1988, shortly after handing the quilt on to her granddaughter Janice Newman." [Jan Newman]

Dulcie and Jack Tobin, 1974, their diamond wedding anniversary
Dulcie and Jack Tobin, 1974, their diamond wedding anniversary
The family home at Mt. Lawley where the quilt was made.
The family home at Mt. Lawley where the quilt was made.

Related Quilts:

Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Heather Roobol
Patchwork quilt has three centre squares, one in blue/white/brown in a cross pattern, one in framed square, one with diagonal strips in a pink frame. The rest of the quilt is made from strips of rectangles in different sizes sewn in rows. There is a narrow pieced frame, then an outer border of pieced rectangles. Mostly pastel colours. No padding. Backing is calico. There is a little embroidery.
2160 x 1601mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm