Quilt No.13JHS - Junee & District Historical Society

Junee & District Historical Society
Owner: 
Junee & District Historical Society
Location: 
NSW Riverina
Maker
Maker: 
Amelia Cuttle
Made in
ENGLAND
Date: 
1851 - 1880
Description: 
Pure silk hand sewn Tumbling Block quilt incorporating a great variety of silks in plains, florals and stripes. The backing is large rectangles of striped silks or polished cottons. It is hand quilted in a simple square cross hatch.
790 x 1470mm
History: 

The quilt was made in England by Amelia, the wife of the Reverend William Cuttle before they came to Australia. The Rev. William and Mrs Cuttle were grandparents of Dr. Ronald Cuttle. His wife Mrs Ronald Cuttle donated the quilt to the Junee and District Historical Society NSW.

Story: 

Label reads: 'Hand made box pattern patchwork quilt. Made in England by the wife of the Reverend William Cuttle before they came to Australia in 1884. The Rev. William and Mrs Cuttle were grandparents of Dr Ronald Cuttle M.B. B.S. (Melb) FRCS. Presented by Mrs Ronald Cuttle.'
"Enclosed is a photo of a Quilt which we have always believed came to Australia in March 1863 with my great grandparents - Rev William & Mrs Amelia Cuttle. Whether she made it on the way out, or had made it before she left, we are not sure. Unfortunately some parts of it have begun to deteriorate - it is made from mostly silk materials. Some years ago my mother gave it to the Junee Museum where it's displayed in a glass case which my mother provided for its protection. �..Rev William Cuttle came out from the Whitfield Tabernacle Congregational Church, Kingswood Bristol, to be minister of the Geelong (Vic) Congregational Church in 1863."
[Letter from Anne Carter, 1996]

Related Quilts:

Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
National Gallery of Australia
" A wide range of cotton fabrics have been used to make this quilt in the traditional log cabin style. The strips of the log cabin are joined by rows being hand sewn onto a small square backing fabric, each square of strips has then been hand sewn together to form the quilt. The work is backed with a sateen printed fabric decorated with paisley design. A strip of the lining trims the edge of the front face of the quilt. The lining is attached with machine stitching. There are numerous tacking stitches that remain in the front face of the quilt. There are approx 9000 pieces in the quilt, most being only 5mm in width.
The quilt is of three layers because the strips of the log cabin are attached to a backing piece, and then the quilt is lined; however it is not padded." [NGA]