Quilt No.13JHS - Junee & District Historical Society

Junee & District Historical Society
Owner: 
Junee & District Historical Society
Location: 
NSW Riverina
Maker
Maker: 
Amelia Cuttle
Made in
ENGLAND
Date: 
1851 - 1880
Description: 
Pure silk hand sewn Tumbling Block quilt incorporating a great variety of silks in plains, florals and stripes. The backing is large rectangles of striped silks or polished cottons. It is hand quilted in a simple square cross hatch.
790 x 1470mm
History: 

The quilt was made in England by Amelia, the wife of the Reverend William Cuttle before they came to Australia. The Rev. William and Mrs Cuttle were grandparents of Dr. Ronald Cuttle. His wife Mrs Ronald Cuttle donated the quilt to the Junee and District Historical Society NSW.

Story: 

Label reads: 'Hand made box pattern patchwork quilt. Made in England by the wife of the Reverend William Cuttle before they came to Australia in 1884. The Rev. William and Mrs Cuttle were grandparents of Dr Ronald Cuttle M.B. B.S. (Melb) FRCS. Presented by Mrs Ronald Cuttle.'
"Enclosed is a photo of a Quilt which we have always believed came to Australia in March 1863 with my great grandparents - Rev William & Mrs Amelia Cuttle. Whether she made it on the way out, or had made it before she left, we are not sure. Unfortunately some parts of it have begun to deteriorate - it is made from mostly silk materials. Some years ago my mother gave it to the Junee Museum where it's displayed in a glass case which my mother provided for its protection. �..Rev William Cuttle came out from the Whitfield Tabernacle Congregational Church, Kingswood Bristol, to be minister of the Geelong (Vic) Congregational Church in 1863."
[Letter from Anne Carter, 1996]

Related Quilts:

Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
Margery Smith
Patchwork quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. The 'set included a large cot cover, a pillow cover and a circular stool cover. No padding. Backing of unbleached calico. Hand sewn.
2300 x 1840mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Irma Whitford
Pieced repeat block in 'Dresden Plate' pattern in a variety of fabrics with pink and pale blue predominating. Scalloped outer edge. Machine pieced and hand quilted, with echo quilting of four petals between the 'Dresden Plates'. The padding is polyester, and the backing is white calico. 2600 x 1630 mm.
Fran Williams
150 x 210mm pieces of bound suiting samples overlapped and machined together then herringboned with gold/yellow thread. Each piece has an embroidered motif, using single thread, mainly non Australian birds and animals. '1903' is embroidered on a centre piece. It is hand quilted. The backing is a black floral print. There is no padding.
1800 x 1940mm