Quilt No.183AHS - Arapiles Historical Society Museum

Arapiles Historical Society Museum
Owner: 
Arapiles Historical Society Museum
Location: 
VIC North West
Maker
Maker: 
Mary Keyte
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
History: 

Made by Mrs Mary Keyte in the Natimuk area (VIC) in the 1880s. Handed down through the Keyte Families, now owned by the Arapiles Historical Society.

Story: 

Letter from Arapiles Historical Society:
"Mrs Mary Keyte made the quilt from hand me down clothes, and any scraps she was able to collect, mostly used materials. Mrs Mary Keyte passed away on 23-3-19 at the great age of 95 years. A typical English woman she was born at Harbury England 1819, and came to Australia with her husband in 1855, landing at Adelaide, and settling later at McLaren Vale. They came to the Natimuk area in 1872, when most of the early settlers arrived. Her husband conducted a Blacksmith Shop. He died two years after their arrival, so she went to reside with her son Charles, and stayed there until her death. As we can see, Mary was an industrious woman, and could turn her hand to anything., as she would need to be thrifty in that era.
She and her husband are both buried int eh Natimuk Cemetery. Keyte in our area is pronounced at (Keet) Jennifer on TV has a different pronunciation pronounced as (Kyte).
The Keyte families still live in this area. They were highly respected residents, and were ever willing to give a hand where needed.
Mr Keyte had other brotherand sisters, and these folk farmed their land successfully. Mrs Keyte regularly visited Natimuk until 2 or 3 months prior to her death. �"

Related Quilts:

Albury Regional Museum
Patchwork quilt or cloth made from pieces of woollen material used for regimental uniforms in England last century. Star pattern in colours, red, pale blue, green, maroon, yellow [white] and brown. Hand pieced probably by more than one person. Red fringe machined on. Red flannelette backing in poor condition. Two layers, not quilted.
1780 x 1700mm
Army Museum Victoria Barracks
Almost square top made of military colour patches of woollen material machine sewn on to blanket pieces, then each piece hand stitched together. The top is a frame style with central group of patches in a star motif with colour patches set in borders around the centre. There is no padding and the backing is the blanket pieces.
2143 x 2090mm
Alison Tunney
Quilt in mauve, pale blue and white squares, with wide borders of floral and off white. The quilting is a centre medallion with leaves on the border, and cross hatched over all. The padding is cotton batting, and the backing is plain white cotton. 2180 x 1900 mm.
Christine Barnes
Cotton quilt . Blue squares with evry alternate square cream with an appliqued butterfly. Blue border. Completely hand quilted. Light weight padding and cotton backing .
2743 x 1829mm
Teona Smith
Suffolk Puff or puff-ball quilt is made from scraps of dresses and pyjamas, mainly cottons, but also taffeta lining fabric, net, lurex, flocked organdie. The quilt is in bright clear colours, the fabric mostly in small prints, ginghams, different size spots, a few large prints, Chinese brocade, nylon. Puffs are 5cm across, and set 31 puffs across by 45 down. Puffs are squared off when whipstitched together, so corner holes are smaller than usual.
2180 x 1500mm
National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm