Quilt No.335GM - Gundagai Historical Museum

Gundagai Historical Museum
Owner: 
Gundagai Historical Museum
Location: 
NSW Riverina
Maker
Maker: 
Mary Mclean
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm
History: 

Made in the 1940s by Mary McLean of 'Big Ben', Gundagai (NSW). Previously owned by a great nephew of Marys, now owned by the Gundagai Historical Museum.

Story: 

" Miss Mary McLean of 'Big Ben' died on Friday morning, severing a link with Gundagai's pioneering past.
She was 94 years of age.
The late Miss McLean was the last survivor of one of Gundagai's great pioneering families. She lived all her life in this district, and at the time of her death was still residing at 'Big Ben' at Willie Ploma.
Truly a grand old lady, Miss McLean loved to tell the tales of the early days in this district.
Declining health in the last years kept her out of the public eye, but for many years she had given the people of this district a sterling example of citizenship. The late Miss McLean was a daughter of one of the old teamsters, Johnnie McLean, who used to drive bullock teams from Sydney to Gundagai before the railway had reached out.
In the year 1884 he and another teamster Jack Story, loaded at Pyrmont the cylinders which are in Prince Alfred Bridge, Gundagai.
When John McLean first [?] on Big Ben Creek, he gave it the name from a shepherd known as Big Ben, who was shepherding sheep in the area.
Mary McLean was born at her parents' home, 'Stonefield', on Big Ben Creek on February 2, 1877. She lived on Big Ben Creek all her life.
Her father, John McLean, was one of the pioneer farmers of this district, cultivating some areas, but concentrating mainly on cattle raising.
Upon his death in 1927, Miss McLean and her sister Isabella commenced dairying.
Her main interests included the Red Cross Society for whom she was a tireless worker. Her handwork, knitting and crocheting, was much in demand. A staunch member of the Presbyterian Church, Miss McLean was organist at St David's Church, Gundagai, for many years.
Particular interests she held were in the Burnside presbyterian Homes at Carlingford and the Australian-Inland Mission.
A keen gardener, Miss McLean built the present home on Big Ben in 1931 and planned and built the gardens herself. She was an avid reader and had an active interest in all activities associated with rural development.
Always interested in world events, Miss McLean had one of the first radios seen in this district, a wet battery set.
Her great interest was in her family, and Big Ben was the holiday home for all her nieces and nephews. During school holidays Big Ben was inundated with children.
A brother and sister survive Miss McLean. They are John (Mirool) and Isabella (Sydney).
Miss McLean had twenty-one nieces and nephews, 39 grand nieces and nephews and 34 great grand nieces and nephews. �"
[Obituary from the Gundagai Times, 1971.]

Related Quilts:

National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Narelle Grieve
Folded log cabin, foundation pieced. Machine constructed. Materials are cotton, wool, rayon, flannelette, silk and twill. There is no padding and the backing is cretonne. 2700 x 2100 mm
Annette Gero
This domestic Wagga is two layers of woollen army blankets with the top layer in rectangles joined in rows. The backing is hessian bags that originally contained meat meal.
11650 x 1130mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
National Trust of Australia (NSW)
Pieced patchwork quilt of hexagons in cottons, chintzes and linen. The centre is pieced in 6 point hexagon stars, then radiating out are large hexagons alternating with tumbling blocks, then 6 piece hexagon stars and 4 piece hexagon diamonds. Some pieces have Egyptian patterns dating from 1800 - 1805. The backing is cream linen.
2450 x 2200mm
The Pioneer Women's Hut
Single bed quilt made up entirely of hexagons in 'Granny's Flower Garden' pattern. The rosettes are made up of 8 hexagons and a central one. Native flower prints, including wattle, on a white background. Plain hexagons in white, yellow and blue form a scalloped border. Hexagons are hand stitched and the 2 layers are quilted in running stitch. The backing is a pieced sheet.
2400 x 1500mm