Quilt No.381FB - Fay Burgess

Fay Burgess
Owner: 
Fay Burgess
Location: 
NSW Sydney
Maker
Maker: 
Eliza Hillyard and Ellen Page-Knight
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
History: 

Eliza Hillyard commenced the cover in England pre 1914. It was brought to Australia in 1914 when Eliza's daughter Ellen and her husband Tom (Thomas Montague Page-Knight) emigrated with their 4 children, Alice Maude, Vera, Beatrice Lucy and Charles Arthur. Ellen added rows of velvet and silk hexagons to Eliza's work. Ellen's daughter, Alice Maude , continued the work adding additional rows of hexagons. These are now the outer layer and still have some basting threads and papers in place. It is thought that Maude's work was in the 1930s and 1940s. The present owner, Fay Burgess, was given the work by her aunt Maude (Keage). Fay is the daughter of Vera May McGeachan (born Knight).

Story: 

Eliza Worth (later Hillyard) b. 1886 was a needlewoman to Queen Victoria, mending linen. Her daughter Ellen (later Knight) made corsets and it is thought that some of the silk hexagons were from off cuts of corsets. Maude, born 1911, had a business as a dressmaker and made dresses for women married at Elizabeth Bay House in Sydney.
The present owner has a basket of pieces from the quilt and also Eliza's work bag with her initials embroidered on it.

Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth
Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth

Related Quilts:

Lora Busellato
Machine pieced cotton quilt, in random design of geometric pieces. Materials used are cotton sheeting, dress fabrics, broderie anglaise, and seersucker. There is no padding, and backing is white curtain lining.
1540 x 1150 mm.
Muriel Thompson
Quilt in pattern known as 'double weeding ring'. All cotton, using old prints, plaids, checks and solid colours, with plain blues and red squares at the intersections of the circles. White background. Hand pieced. Padding is Hobbs Heirloom: cotton 80%, polyester 20%. Backing is cream quilted cotton. 2500 x 2100 mm.
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Win Oliver
Crazy patchwork quilt made from silk, brocade and velvet pieces, the seams covered with feather stitching in yellow silk. Fabrics are plain, and patterned with tartans, woven spots, stripes and floral brocade. Colours are rich, mainly red, pink, blue, green and cream. Quilt has a patterned velvet or velour border with urns and flowers in pale olive green and black, edged with a fringe in these colours.
1090 x 1040mm
Lyn Cottingham
Single bed quilt hand pieced from silk hexagons using the English method. The border, backing and central rosette of hexagons are black. All other hexagons are a mixture of plain colours, stripes and florals. They are randomly placed. It is quilted in a diamond pattern. The padding is a thin cotton woven material.
1550 x 1330mm
Wangaratta Historical Society
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of threads including chenille.
2250 x 2180mm