Quilt No.381FB - Fay Burgess

Fay Burgess
Owner: 
Fay Burgess
Location: 
NSW Sydney
Maker
Maker: 
Eliza Hillyard and Ellen Page-Knight
Made in
ENGLAND
Date: 
1901 - 1920
Description: 
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
History: 

Eliza Hillyard commenced the cover in England pre 1914. It was brought to Australia in 1914 when Eliza's daughter Ellen and her husband Tom (Thomas Montague Page-Knight) emigrated with their 4 children, Alice Maude, Vera, Beatrice Lucy and Charles Arthur. Ellen added rows of velvet and silk hexagons to Eliza's work. Ellen's daughter, Alice Maude , continued the work adding additional rows of hexagons. These are now the outer layer and still have some basting threads and papers in place. It is thought that Maude's work was in the 1930s and 1940s. The present owner, Fay Burgess, was given the work by her aunt Maude (Keage). Fay is the daughter of Vera May McGeachan (born Knight).

Story: 

Eliza Worth (later Hillyard) b. 1886 was a needlewoman to Queen Victoria, mending linen. Her daughter Ellen (later Knight) made corsets and it is thought that some of the silk hexagons were from off cuts of corsets. Maude, born 1911, had a business as a dressmaker and made dresses for women married at Elizabeth Bay House in Sydney.
The present owner has a basket of pieces from the quilt and also Eliza's work bag with her initials embroidered on it.

Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth
Rt: Ellen Knight c.1905, Centre: Alice Keage c.1932, Lt: Eliza Worth

Related Quilts:

Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
Mare Carter
Patchwork quilt. All cotton with cotton filling. Entirely made of hexagons, patterned and plain. 6 hexagons surround a central one. Colours, red, blue, yellow and white. Hnad stitched and hand quilted.
2108 x 1702mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Irene Treneman
Cotton quilt, checks, plains and patterns. Machine construction. Rectangles stitched together in strips and then strips joined. The backing is a cotton print. There is no padding and no quilting.
2420 x 1220
The Pioneer Women's Hut
The quilt is constructed from machine pieced diamond shaped striped flannel materials. The backing is the same. The padding is not visible but is thought to be worn out woollen clothing, unpicked and ironed flat.
1520 x 970mm
Albury Regional Museum
Patchwork cot quilt, machine pieced, rectangular, 5 x 4 squares. Assorted fabrics including seersucker, corduroy, printed and plain cottons. White ric-rac braid and zigzag machine stitching accentuate rows. Edge of white cotton tape. Backing is single flour bag, calico, with maker's printing visible through patchwork: 'Tiger. Best Australian Roller Flour. Mala Foot. Sole Supply. Part of Kuala Lumper' and Chinese characters.
674 x 540mm