Quilt No.557NPW - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Patterms
Patchwork, Typically Australian, Tailors' samples
Date: 
1921 - 1940
Description: 
Large double sided quilt of rectangles and squares of men's suitings, patterned and plain on both sides. The top has a central motif of a circle of three segmented rings radiating from a single hexagon. The outer ring is all tailors' samples and the inner rings are a variety of materials. There is some featherstitching in red. The quilt is sparsley machine quilted.
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

National Gallery of Australia
Quilt No.969NGA - National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
Patchwork, Pieced Random, Crazy
Queen Victoria Museum and Art Gallery
Quilt No.806QVM - Queen Victoria Museum and Art Gallery
Frame quilt, hand and machine sewn, centre square of squares (7 rows by 7 rows) of 2 triangles, with red border. Alternate rows of triangles, rectangles, 'flying geese' border, squares, squares set on point with triangles, wide red border. Hand quilted throughout in chevrons, single cables and single scallops. The padding is a hand woven cream wool blanket and the backing is cream cotton twill.
2330 x 2030mm
Patchwork, Frame
Annette Gero
Quilt No.848AG - Annette Gero
Cotton frame quilt with a diamond in the centre of the frame and a border of straight pieces. The outer border is diamonds. The quilt is hand sewn and hand quilted.
1910 x 1830mm
Patchwork, Frame
The Pioneer Women's Hut
Quilt No.597PWH - The Pioneer Women's Hut
Continuous 'sleeve' of hand sewn small hexagons, many woollen, some joined, some darned, plain and patterned. Several bands of plain coloured hexagons. The padding is ticking, an old cream blanket and part of a bedspread.
1960 x 800mm
Patchwork, Mosaic, Hexagon
National Gallery of Australia
Quilt No.965NGA - National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Patchwork, Mosaic, Hexagon
Oakey Historical Museum Society Inc.
Quilt No.675OHM - Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
Patchwork, Mosaic, Hexagon