Quilt No.566AM - Alexandra Magloveris

Alexandra Magloveris
Owner: 
Alexandra Magloveris
Location: 
NSW Sydney
Maker
Maker: 
Unknown
Made in
GREECE, Island of Kephallonia
Date: 
1941 - 1970
Description: 
Wholecloth quilt in satin, crimson one side and yellow on the other. Hand quilted in an all over pattern. The padding is wool.
2300 x 1700mm
History: 

Alexandra chose the satin and had the quilt made on the island of Kephallonia in 1952. She has always owned it. It is not used now.

Story: 

"A Quilt from Kephallonia
When Alexandra Magloveris knew she would be coming to Australia in 1956, she paid the local 'paplomatas (quiltmaker), the equivalent of $A30 to make her 'paploma' (quilt). She chose the beautiful satin cloth in two shades of wine red. The wool used as padding was grown on the island of Kephallonia, the largest of the Ionian islands on the western side of Greece.
During the time when Alexandra was growing up, it was not uncommon for Greek girls to be married very young, and at fourteen Alexandra was married to Dionysis, they went on to have two children. This was during the WW2 years and young Dionysis having already spent time fighting with the Greek army, had returned home to organise his passport. Sadly, he was tragically killed through treading on a landmine in Kephallonia.
Although Alexandra found life extremely difficult as a young widow, she vowed never to marry again. As Greece emerged from the ravages of war, the country was engulfed by a bitter civil war, and it was at this time that Alexandra and her sons George and Steve migrated, with the assistance of Dionysis' brother who had come to Australia a few years earlier.
For Alexandra, arrival in Australia was not the positive experience it has been for so many others:
' When we arrived at Circular Quay and I saw the houses with rusted
iron roofs�..I was so upset. It was all so ugly. We left earthquakes
and poverty to come to something better�.but it was terrible. I
wanted to go back!'
At first they lived in one room in a Paddington boarding house. As an attractive young widow in the Sydney of the 1950's and 60's, Alexandra was often at risk for her personal safety. But she persevered and worked hard to house and educate her children, and to make the best of her life in this very different country.
Alexandra's 'paploma' has never been used and is still in near new condition. It remains as a symbol of her journey of life and migration in difficult times and circumstances."

[Written by Lula Saunders; adapted from interview 3/1/98, for the National Quilt Register]

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
Annette Gero
Double sided cretonne quilt, red floral one side, green floral the other. The padding is layers of blanket pieces and pieces of woollen clothes tacked flat. It is machine quilted in squares from the centre outwards.
1270 x 1060mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm