Quilt No.581LC - Lorna Calder

Lorna Calder
Owner: 
Lorna Calder
Location: 
NSW Central West
Maker
Maker: 
Jane Calder
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with...
History: 

The quilt was made by Jane Calder (born Bennett) in Melbourne probably just before the turn of the century. Jane was known as 'Mater' in the family. It descended through the maker's family and came to Lorna Calder on the death of her mother-in-law in 1948. The quilt was found in an old tin trunk in the cellar of her Melbourne home in Grey Street, St. Kilda. In 1980 Mrs. Calder had the quilt repaired for her daughter Morella's return to Australia and it was used in her Balmain home. Additional initials relating to Mrs. Calder's family had been added by the Austrian needlewoman, Soula, who did the repairs. The quilt came back into Lorna Calder's hands on the death of her daughter. It is not used.

Story: 

The Calder family were from Edinburgh. Jane Bennett married William Henderson Calder in about 1860 and they went to New Zealand. She had nine children in New Zealand and they returned to Scotland in 1875. After a year or two the family came to Australia and settled in St. Kilda in a large house that still stands in Grey Street. Unfortunately much of the information about the quilt died with Lorna Calder's mother-in-law.
[Based on informal interview with Lorna Calder by Kylie Winkworth 15.9.99]

Jane Calder
Jane Calder
The house is St. Kilda where the quilt was made
The house is St. Kilda where the quilt was made

Related Quilts:

Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
Tasmanian Museum and Art Gallery
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Colleen Whitaker
Quilt top, all cotton. Center frame is 600mm square of calico on to which is appliqued red material in an elaborate cut out design. Radiating rows of mainly red and blue triangles. Other materials include, white with abstract plants scattered across it, pink with pin print white dots, white and maroon herringbone with small white flowers with maroon leaf sprays spread 25mm apart. The border is a strip of red not hemmed but with selvedges on the long sides. The quilt is all hand sewn with small back stitch, running stitch and hemming.
Mare Carter
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm