Quilt No.581LC - Lorna Calder

Lorna Calder
Owner: 
Lorna Calder
Location: 
NSW Central West
Maker
Maker: 
Jane Calder
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with...
History: 

The quilt was made by Jane Calder (born Bennett) in Melbourne probably just before the turn of the century. Jane was known as 'Mater' in the family. It descended through the maker's family and came to Lorna Calder on the death of her mother-in-law in 1948. The quilt was found in an old tin trunk in the cellar of her Melbourne home in Grey Street, St. Kilda. In 1980 Mrs. Calder had the quilt repaired for her daughter Morella's return to Australia and it was used in her Balmain home. Additional initials relating to Mrs. Calder's family had been added by the Austrian needlewoman, Soula, who did the repairs. The quilt came back into Lorna Calder's hands on the death of her daughter. It is not used.

Story: 

The Calder family were from Edinburgh. Jane Bennett married William Henderson Calder in about 1860 and they went to New Zealand. She had nine children in New Zealand and they returned to Scotland in 1875. After a year or two the family came to Australia and settled in St. Kilda in a large house that still stands in Grey Street. Unfortunately much of the information about the quilt died with Lorna Calder's mother-in-law.
[Based on informal interview with Lorna Calder by Kylie Winkworth 15.9.99]

Jane Calder
Jane Calder
The house is St. Kilda where the quilt was made
The house is St. Kilda where the quilt was made

Related Quilts:

Sue Batzloff
Patchwork quilt for a child made from suiting pieces from the Castlemaine Woollen Mills in Victoria. One side has dark rectangles in greys and navy, the other side uses pieces in light browns, cream and rust, with dark grey. The edging is also made from suiting. No padding Machine sewn.
1347 x 1271mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Arapiles Historical Society Museum
Patchwork quilt, reversible, with log cabin blocks on one side, with central red square in each block. Colours predominantly light greys, browns and pastels, and dark grey and blue. Reverse side is made of squares constructed from 2 triangles, in black, patterned pastels, pale blue and dark red. There is a black border along 2 edges on this side. It is quilted.
2058 x 1829mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
Jeanette Marchant
Quilt of hand stitched cotton hexagon patches, the hexagons are in groups of 7 to form flowers, with white or cream 'paths'. The quilt centre has 19 flowers grouped within a single hexagon border of brown and red patches. In each corner of the quilt there are 6 flowers grouped around a larger flower within a single border of darker print hexagon patches. Backing is cream cotton, machine stitched to the top. There is no padding or quilting. Some fabric patches have deteriorated.