Quilt No.958NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Convict Women
Made in
SHIPBOARD England
Date: 
pre 1850
Description: 
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth...
History: 

"Convict women made the quilt en route to Australia, in 1841, on board the Rajah. The ship left Woolwich on 5th April and arrived in Hobart 19th July �.. with 179 women prisoners. There were possibly twenty-nine convict women on board the ship who worked the quilt. Extensive information is held at the NGA on the details of the voyage and the women who were transported to Australia upon the Rajah." [NGA]
"Little is known of the past owners of the quilt. It is believed that the quilt was presented to a government official soon after the Rajah's arrival. In 1987 the quilt was discovered in a private collection in Scotland. In 1989 it was purchased and donated to the National Gallery of Australia by Les Hollings and the Australian Textile Fund" [NGA]

Story: 

"The fabrication of the Rajah quilt was organised by prison reformer Elizabeth Fry and the 'British Ladies Society for the Reformation of Female Prisoners', who were all members of the Quaker religious order. A woman listed as a free passenger of the Rajah, Miss Kezia Hayter is conjectured to have been the supervisor of the creation of the quilt and the needleworker of the most skill in its fabrication; she probably did the inscription panel." [NGA]
"One of the border bands carries an inscription in very fine cross stitch (18 stitches/cm). The inscription reads:
TO THE LADIES Of the Convict ship committee This quilt worked by the Convict of the ship Rajah during their voyage to Van Diemans Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also of proof that they have not neglected the Ladies kind admonitions of being industrious * June * 1841 *" [NGA]

Related Quilts:

National Trust of Australia (TAS)
Quilt made of hexagons in cotton materials, the hexagons set in the 'Grandmother's Flower Garden' pattern with 6 patterned patches set around a plain coloured centre patch and white hexagons forming 'paths'. There is a white cotton backing with the edges turned under all the way around and top and backing are joined by a blue machine sewn satin stitch. The patches are hand sewn.
2160 x 1830mm
Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
National Trust of Australia (QLD)
Crazy patchwork quilt with mainly patterned pieces in a wide variety of designs and colours. Backing is wholecloth patterned cotton. The quilt is edged with a checked bias binding. Machine construction.
2299 x 1449mm
National Trust of Australia (TAS)
Quilt top of hexagonal patches in silk and velvet in colours of brown, black, soft green, maroon, light yellow and blue. Some materials self patterned. Blue backing papers can be seen at edges behind some patches.
Mary Robertson
The suffolk puffs are mainly cotton in a wide variety of colours and plain and patterned materials. The puffs are small squares rather than the more usual circles. The backing is teal satin hand stitched to the top. There is a teal bow at one end. There is no padding.
1570 x 1100mm