Quilt No.958NGA - National Gallery of Australia

National Gallery of Australia
Owner: 
National Gallery of Australia
Location: 
ACT
Maker
Maker: 
Convict Women
Made in
SHIPBOARD England
Date: 
pre 1850
Description: 
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth...
History: 

"Convict women made the quilt en route to Australia, in 1841, on board the Rajah. The ship left Woolwich on 5th April and arrived in Hobart 19th July �.. with 179 women prisoners. There were possibly twenty-nine convict women on board the ship who worked the quilt. Extensive information is held at the NGA on the details of the voyage and the women who were transported to Australia upon the Rajah." [NGA]
"Little is known of the past owners of the quilt. It is believed that the quilt was presented to a government official soon after the Rajah's arrival. In 1987 the quilt was discovered in a private collection in Scotland. In 1989 it was purchased and donated to the National Gallery of Australia by Les Hollings and the Australian Textile Fund" [NGA]

Story: 

"The fabrication of the Rajah quilt was organised by prison reformer Elizabeth Fry and the 'British Ladies Society for the Reformation of Female Prisoners', who were all members of the Quaker religious order. A woman listed as a free passenger of the Rajah, Miss Kezia Hayter is conjectured to have been the supervisor of the creation of the quilt and the needleworker of the most skill in its fabrication; she probably did the inscription panel." [NGA]
"One of the border bands carries an inscription in very fine cross stitch (18 stitches/cm). The inscription reads:
TO THE LADIES Of the Convict ship committee This quilt worked by the Convict of the ship Rajah during their voyage to Van Diemans Land is presented as a testimony of the gratitude with which they remember their exertions for their welfare while in England and during their passage and also of proof that they have not neglected the Ladies kind admonitions of being industrious * June * 1841 *" [NGA]

Related Quilts:

Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
National Trust of Australia (WA)
Hand sewn quilt (possibly child's or table top) of crazy patchwork in silk, silk ribbon and cotton velvet. The top has surface decoration of embroidery on all seams, feather stitch and blanket stitch variations. Many of the crazy patches are also embroidered. The centre patch has a rooster embroidered in lame thread. Embroidered motifs are hearts, butterflies, guitar, cow, Little Red Riding Hood, horseshoes, crown, clover leaf. Stitches are feather, stem, satin and blanket. Embroidered initials are 'B', 'R', and 'S'. The backing is dark grey silk.
840 x 840mm
National Trust of Australia (NSW)
Hand pieced and quilted quilt in silks, wool and cotton dress materials. The centre is a hexagon star in pink and yellow with black points. Most of the body of the quilt is pieced in Tumbling Blocks with an outer border of triangles. The backing is pieced from large rectangles of blue satin, rust-brown moire taffeta and brown-grey silk in a 'rectangle within a rectangle' pattern. The quilting is all over and finely done in yellow thread in a variety of patterns including snails, petalled flowers and hearts.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm