Quilt No.96MM - Muriel Mackenzie

Owner: 
Muriel Mackenzie
Location: 
QLD South East
Maker
Maker: 
Ella Constance Mackenzie
Made in
AUSTRALIA QLD
Patterms
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Date: 
1921 - 1940
Description: 
Wholecloth utilitarian quilt with velour type material top and cottage weave curtain material on the back. The padding is a 'bush blanket'. The quilt has been tufted with green wool. Machine sewn.
1626 x 1093mm
History: 

Made by Ella Constance Mackenzie (born Canning) during the late 30s or early 40s, at Killarney, Queensland. Ella was the mother-in-law of the present owner.
The quilt is stored in a tin trunk and not used.

Story: 

"These quilts were made out of necessity to help keep a family warm during very cold winters in Killarney. When I was first engaged and used to go to Killarney I used to hope that these quilts would not be put on my bed as they were very heavy. Within the family they were referred to as 'hug me tights".
[ Muriel Mackenzie 3.8.96]
"My Mother had 4 sons,( no daughters) born in Killarney. Her father built the first hotel in Killarney after migrating form Bath at the turn of the century. My Mother was about 5' 2" always sewing, mending and crocheting. My Father was a commercial traveller representing Thomas Brown, D. & W.Murray, A.M.Hartzberg, general wholesalers. A room in the hotel was used for commercial travellers to lay out their merchandise for the shop keeper to order from."
[Bill Mackenzie 3.8.96]
Bill's mother was not a sewer of clothing for herself or her sons.

Muriel Mackenzie with the quilt
Muriel Mackenzie with the quilt

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Diana Cameron
Quilt No.530DC - Diana Cameron
Small patchwork piece possibly made from salesman's samples. There is no opening in the back so it is not a cushion cover. There is no padding. The backing is green polished cotton. There is a 40mm fringe around the edge.
520 x 520mm
Patchwork, Mosaic, Square, Typically Australian, Tailors' samples
Powerhouse Museum
Quilt No.756PHM - Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Wholecloth, Embroidered and/or Appliqued
Muriel Hartmann
Quilt No.112MH - Muriel Hartmann
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
Patchwork, Pieced Random, Typically Australian, Re-used clothing or blanket
Kereake Wray
Quilt No.1040KW - Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Wholecloth, Quilting as major design element