Quilt No.112MH - Muriel Hartmann

Muriel Hartmann
Owner: 
Muriel Hartmann
Location: 
QLD South West
Maker
Maker: 
Elsie Hartmann
Made in
AUSTRALIA QLD
Date: 
1941 - 1970
Description: 
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
History: 

Made by Elsie Hartmann , 1910-1996, at Blackall Queensland. It is typical of many she made for warmth and of necessity. Now owned by her daughter-in-law Muriel Hartmann.

Story: 

"With the wool pack Wagga I may not have used two side pieces. One piece formed the top and side and the other piece side and bottom. The two pieces stitched together and the ends bound with coloured material to stop the ends unraveling. I think that's how it went. We could not afford to buy blankets. At the time my husband worked for a sheep farmer in northern N.S.W and we had 3 small children and it got very cold in the winter then. The frost hung in icicles off the fences and off the cows noses, the wind was very cold blowing through the house. I used wheat bags opened up under the mattress with newspaper to keep the cold air from coming up and the Waggas on top. Some of the old army blankets I used for Waggas belonged to my great uncle Ben Stephens who had come out to Australia as a teenager from England. He worked on properties , living in old huts, fencing and so forth.
My mother in law could not afford new blankets and was a very thrifty person and made do with what she could and made the rugs out of old jumpers cut up and crocheted around with wool unpicked from other old jumpers. Some she had picked up from the town dump. Some were jumpers she had knitted for her grand children and had shrunk as well as growing out of them. I had given them back to her for the rugs. I think the last one she made and the one I have were made about 1975. She had made Waggas with bags and blankets too.
My Mother did too as during the war and with coupon rationing she had to make do with what she could. She made all our underclothes from white flour bags boiled up to get the name off the bags. Mum made all her own bread so she had plenty of bags.
My great aunty Adelaide did too and made us children strip corn husks to make mattresses. They made plenty of noise when one turned over on them. The old saying hard work never killed anyone as my aunt lived well into her nineties, nearly made 100 and so did her sister. They lived on the land working dairy farms through two world wars and the depression.
P.S. I did not use the Wagga to cover up plants from the frost this winter, have packed it away."
[Muriel Hartmann 1997]

Related Quilts:

Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Barbara Levy
"The quilt is made up of many cotton hexagons of various colours, patterns and designs, finely sewn by hand, making a very attractive bedspread. Each patch is lined with lawn. It is quite a heavy quilt, with its plain border, and backing of home-spun cotton or cesarine. The family always called it a 'cottage design'."
No quilting.
2312 x 1905mm
Val Ireland
The top of this utility quilt is machine pieced rectangles of woollen materials joined in strips. It includes corduroys and velveteens and woollen tartan. The backing is an Indian cotton blanket.
1651 x 1271mm
Annette Gero
This quilt consists of many blocks of different colours with etchings and verse from the bible machine appliqued on to a red backing material. It is a kit quilt.
2580 x 24100mm
The Pyramid Hill Historical Society Inc.
This unfinished cover has a centre frame of a simple block. There are alternating plain and patterned borders including sword tooth, flying geese and squares on point. It is hand pieced with plain and twill weave cottons, variety of stripes, checks, florals and plains. There is no backing.
1800 x 1800mm