Quilt No.112MH - Muriel Hartmann

Muriel Hartmann
Owner: 
Muriel Hartmann
Location: 
QLD South West
Maker
Maker: 
Elsie Hartmann
Made in
AUSTRALIA QLD
Date: 
1941 - 1970
Description: 
Reused parts of hand knitted woollen jumpers patched together. Wide crocheted edge from wool unravelled from jumpers retrieved from the tip.
1905 x 1525mm
History: 

Made by Elsie Hartmann , 1910-1996, at Blackall Queensland. It is typical of many she made for warmth and of necessity. Now owned by her daughter-in-law Muriel Hartmann.

Story: 

"With the wool pack Wagga I may not have used two side pieces. One piece formed the top and side and the other piece side and bottom. The two pieces stitched together and the ends bound with coloured material to stop the ends unraveling. I think that's how it went. We could not afford to buy blankets. At the time my husband worked for a sheep farmer in northern N.S.W and we had 3 small children and it got very cold in the winter then. The frost hung in icicles off the fences and off the cows noses, the wind was very cold blowing through the house. I used wheat bags opened up under the mattress with newspaper to keep the cold air from coming up and the Waggas on top. Some of the old army blankets I used for Waggas belonged to my great uncle Ben Stephens who had come out to Australia as a teenager from England. He worked on properties , living in old huts, fencing and so forth.
My mother in law could not afford new blankets and was a very thrifty person and made do with what she could and made the rugs out of old jumpers cut up and crocheted around with wool unpicked from other old jumpers. Some she had picked up from the town dump. Some were jumpers she had knitted for her grand children and had shrunk as well as growing out of them. I had given them back to her for the rugs. I think the last one she made and the one I have were made about 1975. She had made Waggas with bags and blankets too.
My Mother did too as during the war and with coupon rationing she had to make do with what she could. She made all our underclothes from white flour bags boiled up to get the name off the bags. Mum made all her own bread so she had plenty of bags.
My great aunty Adelaide did too and made us children strip corn husks to make mattresses. They made plenty of noise when one turned over on them. The old saying hard work never killed anyone as my aunt lived well into her nineties, nearly made 100 and so did her sister. They lived on the land working dairy farms through two world wars and the depression.
P.S. I did not use the Wagga to cover up plants from the frost this winter, have packed it away."
[Muriel Hartmann 1997]

Related Quilts:

Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.
National Trust of Australia (TAS)
Quilt made of hexagons in cotton materials, the hexagons set in the 'Grandmother's Flower Garden' pattern with 6 patterned patches set around a plain coloured centre patch and white hexagons forming 'paths'. There is a white cotton backing with the edges turned under all the way around and top and backing are joined by a blue machine sewn satin stitch. The patches are hand sewn.
2160 x 1830mm
Queen Victoria Musuem and Art Gallery
Quilt with log cabin blocks forming centre rectangle with border of crazy patchwork, in silks and velvets, handsewn on to backing of blue, beige, white woven cotton. Log cabin blocks are in rich dark and light rows forming diagonal stripes. The crazy patchwork has edges decorated with yellow and cream feather stitch. Mostly plain materials with some checks and stripes. The quilt appears to have had the edges cut down. The outer border is a dark blue figured velvet. There is no padding and the backing is maroon silk with a woven yellow motif.
1655 x 1215mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting in grey, blue, navy, maroon and brown. The fabrics appear to be new tailor's sample pieces (the sizing is still present on the fabric, signifying it has never been washed). The patches are rectangular and vary in size. Both sides have different designs. The front of the quilt has 4 rows of 12 vertical rectangles then below this are 4 rows of 7 horizontal rectangles followed below by 4 rows of 11 vertical rectangles. The reverse of the quilt has a section at the top and bottom composed of 5 rows of 9 horizontal rectangles. The central area is made up of a centre section of 6 rows of 5 vertical rectangles; flanked on either side by a column of 10 horizontal rectangles and two columns of 8 smaller vertical rectangles.
The patchwork layers are joined at the edges with machine stitching. The patchwork layers and padding are machine quilted on the front down 2 vertical lines following joins in the patchwork; therefore not being totally straight. The lines are more noticeable on the reverse as the 2 sides do not match. The front face is displayed at the NGA.
Between the patchwork layers is a striped cotton blanket in black, sky blue, white and cream." [NGA]
2082 x 1386mm
Annette Rich
Unlined quilt. Central square of floral chintz with rectangular and chevron border making a larger frame that is set within another square-on-point frame edged with 2 toned red leaf pattererned chintz. This quilt is mainly pieced (squares, triangles, lozenges) but the hexagon rosettes are appliqued. Dress and furnishing cottons dating from the early 1800s. Raw edged, unfinished. All hand stitched.
2400 x 2400mm
The Embroiderers' Guild of S.A.Inc Museum
Wholecloth quilt in white cotton voile with alternating designs of Australian wildflowers worked in multi coloured cottons and shadow work. It is backed with yellow voile. There is no padding.
2010 x 1910mm