Quilt No.276HC - Helen Cornish

Helen Cornish
Owner: 
Helen Cornish
Location: 
SA
Maker
Maker: 
Lillian Adair
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
History: 

Made by Mrs Lillian Adair (1858 - 1945) in Broken Hill (NSW) approx. 1925. Owned by her, then by her daughter Eleanor Symonds (1883-1956), then by Eleanor's daughter Gwenith Byrne (1906-1996), then by Gwenith's daughter Helen Cornish.

Story: 

" have clear memories of the previous owners - my Great grandmother, Grandmother & Mother. I recall the quilt being in daily use until 1960."
[Helen Cornish]

Lillian Adair, approx. 80
Lillian Adair, approx. 80
Eleanor Symonds, 23
Eleanor Symonds, 23
Gwenith Byrne, 82
Gwenith Byrne, 82
Lillian & Eleanor's home, Dulwich (SA)
Lillian & Eleanor's home, Dulwich (SA)

Related Quilts:

Fay Burgess
Hexagonal piece of patchwork made up of 9 rows of rosettes of hexagons in a wide variety of colours and patterns mainly in silks and velvets. It is incomplete. Backing papers are still in the outside rows and also basting threads. Hexagons are joined by fine whip stitching. It is unlined.
1370 x 1220mm
Muriel Thompson
Hexagon quilt in pattern known as 'Grandmother's flower garden'. Hexagons of prints and plains with yellow centre to each flower, and plain pink outlines. It is hand pieced and hand quilted. Padding is cotton, backing is cream cotton. 2200 x 2000 mm.
Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
Alicia Murdoch
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
Oakey Historical Museum Society Inc.
Cotton patchwork cover constructed from hand sewn hexagons (65mm) in cotton and linen furnishing materials. The curved edges are bound with blue and cream printed striped cotton. The backing material is not visible.
941 x 261mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm