Quilt No.555NPW - N.S.W. Parks and Wildlife Service

N.S.W. Parks and Wildlife Service
Owner: 
N.S.W. Parks and Wildlife Service
Location: 
NSW Sydney
Maker
Maker: 
Sarah Marshall?
Made in
AUSTRALIA NSW
Date: 
1901 - 1920
Description: 
Large centre rectangle of hexagons in various colours of patterned and plain cottons. It is surrounded by a wide border in a checkerboard of red and white cottons. There is a wholecloth cotton backing. The front and the back have been turned under at the edge and machined. There is no padding.
1829 x 1372mm
History: 

At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'.

Story: 

James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW.
In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy.
The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet, in various forms was important and some of the women made their own hats. At least in the later years it appears to have been a thrify household with many quilts made over and patched.
Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well know locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.

[Sources: N.S.W National Parks and Wildlife Service brochure on Hill End, Sue Stephens daughter of Charles Marshall, Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]

Related Quilts:

Elsie Shephard
Double sided patchwork quilt/rug. Mainly squares machined together in strips (8 across). Average square 22 to 24cms. One side has a large piece of dark grey woollen material. The materials for the squares include tweed, mohair,many woollens, tartans and cream blanketing all of which were scraps or from used clothing.
1820 x 1680mm
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
The Pioneer Women's Hut
Patchwork top with a centre frame of a mauve cross outlined in black within a square bordered with pink. The rest of the top is rectangles and squares in a wide variety of materials. There is no padding. The backing is brown, possibly curtain material.
1910 x 1480mm
Robyn Gallaway
Machine made cotton quilt with 100mm cotton squares placed diagonally with peaks running around the edge. The colours are mainly autiumn tones and the patterns include checks, tartans, florals, geometric and plains. Materials were scraps left over from sewing projects such as children's clothes. There is a matching valance.
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
Julie Pearce
Rectangular quilt of print and plain
cottons pieced in squares and rectangles within 2 frames, the inner border or frame of blue/green check material, then 2 rows of squares and rectangles, the outer frame of a grey and red geometric pattern and 2 rows of squares or rectangles. Backing of plain fabric. Machine stitched on a treadle machine.