Quilt No.732HV - Helen Varoxis

Owner: 
Helen Varoxis
Location: 
NSW Hunter
Maker
Maker: 
Helen Varoxis
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
History: 

The 2 parts of this quilt were made in Cessnock NSW c.1960 by Helen Varoxis. It is still owned by Helen and is still used in winter.

Story: 

"A Cessnock Quilt
Although this quilt was made in Cessnock, its origins are really in the NSW country town of Cootamundra where Helen Varoxis was born in 1916, and where, as a young woman, she began sewing and making quilts!
Helen's parents, Minas and Maria Coombes came to Australia from the small Greek island of Kythera in 1911, part of the pre-WW11 Greek migration which is now being recognised as an important part of Australia's history. They settled in Cootamundra where their children Kate, Jim, Helen and Ourania were born. Helen worked for several years in their family business, the 'Popular Cafe', after attending Cootamundra Intermediate High School. As with so many Greek Australian women of her generation, Helen's upbringing was as Greek as her parents were able to make it; despite the isolation of the small country town, Greek language and customs were strongly taught.
Among the few other Greeks in Cootamundra were Socrati and Maria Behlevanas and Socrati's close friend Ignatios (Tom) Varoxis; both from the same village of Aghia Paraskevi, on the Greek island of Mytilini (Lesvos). It was Socrati who went to Helen's father on behalf on his friend to ask permission for Helen to marry Tom. They married in 1940, with Socrati as their 'koumbaro' (best man), and with the traditional Greek Orthodox wedding ceremony being conducted, in the local Anglican church, by a priest from Sydney.
Helen and Tom worked hard in their 'White Rose Café'; in 1946 they moved to the mining town of Cessnock, where they bought the 'Ritz Milk Bar' which they owned until retirement in 1973. Helen still lives in their traditional Australian house with its wide verandah, where they raised their son Peter. Peter and his wife Sandra have two children, Jason and Jessica.
Australians who lived through the Great Depression, learnt never to waste anything, and Helen was no exception. So, over the years, all sorts of fabric pieces have been used to make many quilts. For this one, with its lovely rich colours, Helen used squares of velvet which were once part of a fabric sample book. Because of the weight of the velvet, she had to make it in two separate pieces. Helen still uses her quilt in Cessnock's cold winters."
[Written by Lula Saunders, adapted from interview 16/4/00 for the National Quilt Register]

Helen with part of the quil, 2000
Helen with part of the quil, 2000
Helen and the house where the quilts were made.
Helen and the house where the quilts were made.

Related Quilts:

Mare Carter
Patchwork quilt, all cotton including cotton filling. "Wedding Ring" pattern in variety of materials in plains and patterned, many pinks and blues.
Hand sewn and hand quilted.
2236 x 1804mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Pam Clifford
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
Jeanette McGeoch
Crazy patchwork quilt made from pieces of silk, velvet, silk ribbon and brocade in a variety of patterns and plains, in a range of colours. All patches are edged with embroidery, in blanket, feather, herringbone and other stitch variations. Many patches are embroidered with flowers, butterflies, leaves and initials of family members, and there is some beading. 1901 is embroidered in one corner. Quilt has a wide border of gold velvet. Patches are stitched to a base fabric. Backing is dark green sateen.
1470 x 1060mm
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
Gundagai Historical Museum
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm