Quilt No.732HV - Helen Varoxis

Owner: 
Helen Varoxis
Location: 
NSW Hunter
Maker
Maker: 
Helen Varoxis
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Quilt, in 2 parts, made from samples of different coloured velvets. It has 2 layers and is machine made. It became too heavy to sew on a domestic sewing machine so was constructed in two separate pieces. There is no padding.
2370 x 1550mm and 2230 x 800mm
History: 

The 2 parts of this quilt were made in Cessnock NSW c.1960 by Helen Varoxis. It is still owned by Helen and is still used in winter.

Story: 

"A Cessnock Quilt
Although this quilt was made in Cessnock, its origins are really in the NSW country town of Cootamundra where Helen Varoxis was born in 1916, and where, as a young woman, she began sewing and making quilts!
Helen's parents, Minas and Maria Coombes came to Australia from the small Greek island of Kythera in 1911, part of the pre-WW11 Greek migration which is now being recognised as an important part of Australia's history. They settled in Cootamundra where their children Kate, Jim, Helen and Ourania were born. Helen worked for several years in their family business, the 'Popular Cafe', after attending Cootamundra Intermediate High School. As with so many Greek Australian women of her generation, Helen's upbringing was as Greek as her parents were able to make it; despite the isolation of the small country town, Greek language and customs were strongly taught.
Among the few other Greeks in Cootamundra were Socrati and Maria Behlevanas and Socrati's close friend Ignatios (Tom) Varoxis; both from the same village of Aghia Paraskevi, on the Greek island of Mytilini (Lesvos). It was Socrati who went to Helen's father on behalf on his friend to ask permission for Helen to marry Tom. They married in 1940, with Socrati as their 'koumbaro' (best man), and with the traditional Greek Orthodox wedding ceremony being conducted, in the local Anglican church, by a priest from Sydney.
Helen and Tom worked hard in their 'White Rose Café'; in 1946 they moved to the mining town of Cessnock, where they bought the 'Ritz Milk Bar' which they owned until retirement in 1973. Helen still lives in their traditional Australian house with its wide verandah, where they raised their son Peter. Peter and his wife Sandra have two children, Jason and Jessica.
Australians who lived through the Great Depression, learnt never to waste anything, and Helen was no exception. So, over the years, all sorts of fabric pieces have been used to make many quilts. For this one, with its lovely rich colours, Helen used squares of velvet which were once part of a fabric sample book. Because of the weight of the velvet, she had to make it in two separate pieces. Helen still uses her quilt in Cessnock's cold winters."
[Written by Lula Saunders, adapted from interview 16/4/00 for the National Quilt Register]

Helen with part of the quil, 2000
Helen with part of the quil, 2000
Helen and the house where the quilts were made.
Helen and the house where the quilts were made.

Related Quilts:

Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Diana Cameron
Square quilt top. Floral centre piece with borders of squares set in a diamond pattern. Squares are in plain colours and patterns. There is no padding or backing.
920 x 920mm
 Dianne Gorringe
Patchwork quilt/cloth with strong overall design of very small squares. The colours are navy, red, cream, green (khaki) and fawn. There is a wide fringe on all sides. There is no padding. The backing is cotton sateen.
1240 x 126mm
Phyllis Dowling
Hand pieced cot quilt made from small rectangular shapes of a great variety of materials including cottons, silks, wools and velvets. The backing is cotton sateen in 3 colours and is brought to the front to form a border of pink, cream and yellow.
1170 x 920mm
Kaniva District Historical Society
Crazy patchwork quilt, mostly velvet, with two rectangular frames or borders of green fabric. All patchwork pieces have embroidery over the seams, mostly herringbone. Quilt is edged with a cream cotton ruffle. Cotton backing.
1625 x 1625mm