Quilt No.488WHS - Wangaratta Historical Society

Wangaratta Historical Society
Owner: 
Wangaratta Historical Society
Location: 
VIC North East
Maker
Maker: 
Marianne Gibson
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
9 large blocks of crazy patchwork in silks and velvets. The blocks are divided by strips of deep ruby coloured silk. There is a wide ruby border with peaks to which is attached cream lace. The backing is beige silk. The main blocks are outlined with feather stitch in gold thread and many individual patches are outlined in fancy stitches and have embroidered motifs some of which are Australian eg centre patch has Sturt's Desert Pea flowers, parrots, wattle. There are also English flowers, Japanese motifs, flags, domestic objects and Marianne's initials. Embroidery is in a variety of...
History: 

The quilt was made about 1891 in Wangaratta by Marianne Gibson (1837-1911). It remained in the family until it was presented to Miss Alma Gard and on Alma's retirement she presented it to the Wangaratta Historical Society. It is carefully stored and exhibited occasionally.

Story: 

"Marianne was born in Armagh, Ireland in 1837, and as a young woman she and her sister accompanied their uncle to Australia. They eventually made their way to Wangaratta Victoria where in 1864, Marianne married Alexander McCullen Gibson.
Mr. Gibson was to become a prominent business man in Wangaratta, establishing a handsome brick building in Reid St, which he operated as a general store and Wine Merchants. The ground floor of the building became the business premises and the first floor which included a pretty balcony became the home of the Gibson family.
Marianne's Obituary which was published in the "Wangaratta Chronicle" in 1911 stated that 'She attended her household in a truly motherly and womanly manner, rearing a family of 3 sons and two daughters.' Unfortunately her Obituary does not identify her daughters by their Christian names.
She also involved herself with women's organisations in the town, particularly the 'Wangaratta Women's Benevolent Society'.
Like many women of her generation she was an experienced needlewoman. The beautiful quilt, known in our society as the 'Gibson quilt' being an example of her considerable skill and pride in her work. This particular quilt was made in 1891."
[Joan Wood, Research Officer, Wangaratta Historical Society 28.10.1996]

Centre patch with Sturt's Desert Pea
Centre patch with Sturt's Desert Pea

Related Quilts:

Thelma Lithgow
Repeat block quilt top based on hexagons, each 350 mm diameter. Six hexagons and a centre one make a 'flower' and these are set in rows against a plain calico background. Patterned cotton fabrics are used for the hexagons, small prints, fine stripes and tiny flowers. As it is a quilt top only, there is no lining or padding. 2100 x 1800 mm
Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
Mare Carter
Patchwork quilt with diagonal arrangement. All cotton including cotton padding. Hand sewn and quilted.
2109 x 1702mm
Christine Barnes
Cotton quilt . Blue squares with evry alternate square cream with an appliqued butterfly. Blue border. Completely hand quilted. Light weight padding and cotton backing .
2743 x 1829mm
Jean Winchester
Patchwork quilt of hexagon patches with a large central group of 14 rows, then groups or 'flowers' of 6 patches placed over the rest of the quilt. The colours are red, black, white and blue, in a mixture of stripes, florals and plains. No padding. Backing is a double bed sheet. Hand sewn.
2591 x 2566mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm