Quilt No.734MF - Maria Finlayson

Maria Finlayson
Owner: 
Maria Finlayson
Location: 
NSW Sydney
Maker
Maker: 
Margaret Smith
Made in
AUSTRALIA Sydney
Date: 
1921 - 1940
Description: 
Crazy patch with frame centre set on point; worked in silks. Surrounding area pieced mainly in velvets and corduroys, with some more silks. A wide border of bright turquoise corduroy. Seams are covered with feather stitch. Quilt includes boy sout badge, union jack badge, Indian type medallion and initials 'IOR' in metallic thread. There is no padding and it is backed with green gingham.
1730 x 1325mm
History: 

The quilt was made by Margaret Smith (1857-1950) probably in Sydney and probably in the 1920s or 1930s. The quilt was owned in the past by Victoria Caines (maker's daughter) then Walter and June Caines (maker's grandson) and now Maria Finlayson, great-grand-daughter of the maker.

Story: 

"My Father (maker's grandson) was in the Boyt Scouts, so I suspect the Scout badge on the quilt was his. Margaret Smith was the generation that was devoted to the royal family and thought of England as the Mother country, though they were born and bred in Australia and had never been there. This could explain the union jack.
She had a hard life. She returned to Australia with her only child (my grandmother) after some time in New Zealand. Her husband was supposed to meet her on the wharf but her didn't show up and was never heard of again. She worked as a cleaner to support herself and her daughter. She was a strict Methodist and a very gentle person. My father had very fond memories of his tiny grandmother."
[Maria Finlayson 28.4.00]

Margaret Smith c.1940
Margaret Smith c.1940

Related Quilts:

Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
2045 x 1940mm
Kaniva District Historical Society
Crazy patchwork quilt, mostly velvet, with two rectangular frames or borders of green fabric. All patchwork pieces have embroidery over the seams, mostly herringbone. Quilt is edged with a cream cotton ruffle. Cotton backing.
1625 x 1625mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm