Quilt No.759PHM - Powerhouse Museum

Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Kathleen Parker
Made in
AUSTRALIA NSW
Date: 
1921 - 1940
Description: 
"A wagga quilt machine-pieced from old woollen suiting fabrics; some hand stitching is visible along a few of the joins. The quilt has 3 layers: the top layer has a rectangular centre composed of randomly-pieced woollen patches in grey tonings with a border composed of irregular navy rectangles; the lining is made from corn bags, and the backing is a striped cotton fabric. The three layers are machined together at the edges, thus holding the filling in place. There is no quilting."
1660 x 1610mm
History: 

The quilt was made by Mrs Kathleen (Kitty) Parker at Woonona, NSW, in early 1936 . She was born Kathleen Ward in 1913 in Coledale on the south coast of NSW. The quilt was made for her husband William Parker and was kept in the family. Kathleen Parker donated it to the Powerhouse Museum.

Story: 

"Kathleen met her husband William Parker in 1933 during a queen competition for the Woonona School of Arts and Ambulance. She was a candidate for the competition and says 'I had a wonderful but busy 3 months and won a gold watch which is still working today'.
Bill (who was born in Mt Kembla) and Kathleen (Kit, as her husband called her) were married in 1935 at St. Paul's Church of England, Woonona. The quilt was made soon after their wedding. Bill and Kit went to live in Corrimal where Bill owned his own grocery store and was later a coal miner. They had one daughter." [PHM]
In 1985 Kathleen Parker wrote to the Powerhouse Museum:
"I have a Wagga Rug which I made for my husband in 1935 (just after I was married) to take to Robertson camping and rabbiting. I didn't want to use my new blankets so made the rug using ideas I had heard my grandmother talking about years earlier. It has 3 corn bags opened and stitched together and covered with pieces cut from old coats and trousers stitched together (by machine for quickness) and some cotton material on the other side.
"Years ago I think most people in our area had heard about my husband's Wagga Rug as he was so proud of it and used it until he passed away 10 years ago. It is not an elegant thing, slightly water stained��.There's quite a story about it as the patches were cut from clothes stored in my Mother-in-law's laundry, kept for patches on borders' work clothes. My brother bought me an old second-hand Singer treadle sewing machine with box top and I had fun using it to sew the patches together.
"Rabbiting and camping were only hobbies for Bill, his main one being homing pigeons which he had all his life. He had horses for years and hired them out at a riding school at Windang Camping area during holidays, and always took the wagga. Friends and neighbours over the years had heard him speak of his old wagga many times and he used it consistently until 1974 when he passed away. He thought so much of [it] because no-one else had one.
"As near as I can remember I made it early 1936, really as a novelty, and as a new bride wanted to make something to please him and also to save my new blankets. I remember re-lining it some years ago , but can't recall the original lining, but maybe it was unbleached calico flour bags.
"I think it took about a week to make and although I had never seen one, my paternal garndmother, who later moved to Newcastle, told me how they were made when she was young. I think the practice had long since ceased as by then they seemed to be more financial than in the days when from necessity they had to be thrifty."
[Kathleen Parker for the Powerhouse Museum 1985]

Kit 21 and Bill 23, Sydney 1934
Kit 21 and Bill 23, Sydney 1934

Related Quilts:

N.S.W. Parks and Wildlife Service
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliqued to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet.
The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.

1450 x 1230mm
Marion Coleman
Quilt made of Tailors' wool samples in stripes, checks and plain,, rectangles in different sizes machined together in strips. Colours are grey, navy, brown, light grey and cream. Lining or backing is of patterned cotton, in three layers as it has worn and been replaced. Machine and zigzag quilting.
1626 x 1271mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from diamond patches in a variety of cotton materials set in a 'tumbling block' pattern. Patterns include geometrics, stripes, a 'Kate Greenway' print and colours are largely soft pastels, dark browns, with some reds and blues. The quilt has been cut down and a later border added. There is no padding and the backing is cream cotton.
2279 x 2000mm
Barbara McCabe
Patchwork quilt made from rectangles and squares of woollen fabrics from dress making projects. Colours are mainly grey, blue, brown, green, with some red and yellow. Fabrics are plain, cheks and stripes. No padding or quilting. Backing is made of white flannelette sheets. The quilt has been lengthened after it was completed, and the backing sheet has been added to at the same place.
2470 x 1320mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Yass & District Historical Society
Patchwork quilt made of approx. 730 Suffolk Puffs, using mainly cotton materials in florals and plains. Each puff is 45mm diameter. The quilt centre has a square of 16 pink puffs outlined with a single row of blue puffs. Each corner of the quilt has a square of 9 puffs in a single colour. No padding. Quilt is edged and backed with a red and white tartan cotton.