Quilting as major design element Quilts

Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Maria Kirke
Wholecloth quilt made from deep pink satin. The quilting pattern is a centre circle with a stylised flower surrounded by crescent shapes. This is set in a square and there is a fan design in each corner. Parallel lines create a border. There is a frill on all sides of the quilt. The padding is raw cotton.
2000 x 1770 mm
Julie Atkinson
Reversible wholcloth quilt with elaborate hand quilting. One side is rose pink and the other black with quilting done in black thread. It is padded but the type of padding is unknown,
2250 x 2100mm
Inverell Pioneer Village
Wholecloth quilt made of red floral crinoline cotton material. Quilting is in vertical rows, alternating cables with orange peel patterns. Padding is of cotton flock. Backing is of white cotton. Quilt is edged with a self fabric ruffle on three sides. Hand sewn.
2236 x 2236mm
Stavroula Ioannou
Rose pink satin wholecloth quilt with lighter pink cotton backing. Hand quilting forms large diamond pattern in the centre with a border of parallel lines.
2000 x 1800mm
Sam Genovese
Wholecloth quilt, bright crimson cotton. Hand quilting is in thick cotton with a medallion design in the centre, vases of flowers in each corner, and some cross hatching. Padding is thick flock, possibly compacted fabrics, and backing is yellow cotton. 2250 x 1930 mm.
Julie Atkinson
Reversible wholecloth cotton quilt with elaborate hand quilting. One side is cream patterned material and the other plain pale yellow. It is padded but the type of padding is unknown.
2450 x 2000mm
Jenny Martin
Welsh flannel quilt in fine wool wholecloth. Red on one side and turquoise on the other. Hand quilted in a traditional Welsh pattern. The padding is carded wool and the backing is flannel. 1970 x 1910mm.
Narelle Grieve
Wholecloth silk Welsh quilt. "The overall design containing the border, the central motif and corner motifs within lines of quilting is also typically Welsh. The bent leaf and leaf motifs used as mirror image pairs between the tulips in the outer border and inner border help to distinguish this Welsh quilt from those made in other parts of Britain. The scroll patterns contained within the inner border also help to establish this as a Welsh quilt." [Extract from unidentified magazine article supplied by the quilt owner.] 2560 x 2240 mm
Aliki Kretsis
Greek wholecloth quilt of hand woven cotton with one side red and white check and the other pink. Hand quilted in an all over pattern of parallel lines about 100mm apart. The padding is raw cotton.
2100 x 1900mm
Robyn Oliver
Wholecloth quilt, brown (tan) sateen both sides. Edges turned in and finished with fine running stitch. Hand quilted, simple cross hatched design with two linear borders. Has had flower shaped hole cut from the centre of one side. 5cm thick.
2290 x 1350mm
Mrs. Agata Vecchio
Whole cloth quilt in rose coloured cotton sateen. The backing is the same material. Hand sewn and hand quilted. The quilting is in a medallion style. The padding is kapok.
2250 x 2200mm
Wanda McPherson
Wholecloth quilt, made from dusty pink 'Francis Burke' cotton fabric. Quilt has square tailored corners at the bottom, the outer part of the quilt has piping and is quilted in 1" lines on a sewing machine. The centre has a decorative 'H', quilted and filled with heavy cotton cord, and sits 53cm down from the top. A quilted diamond pattern fills the centre of the quilt. Cotton padding, backing made from joined cotton army sheets. The fabric has faded and some stitching has come undone at upper left edge.
2340 x 2000mm
Patricia Sheahan
Wholecloth quilt of [cotton], red on one side and browny fawn on the other. Each side is made from three large strips of material sewn together. Qulted in red thread, with intricate patterns of squares, circles, spirals etc. Centre quilting motif is a spoked or segmented circle. Closely quilted. Padding is thin.
2000 x 1840mm
Margaret Moloney
Wholecloth quilt of white polished cotton, hand quilted in an elaborate design. The backing is the same material as the top. The type of padding is unknown.
2330 x 206mm
Lily Katakouzinos
Wholecloth quilt with the top of red satin and the other side of faded red cotton. All hand stitched. The quilting pattern is a five petal flower in the centre of a circle with parallel lines radiating to the border. The padding is raw cotton.
1900 x 1850mm
A.C. O'Sullivan
Wholecloth quilt of thickly woven white cotton, with an overall raised floral design. The wide border has a diamond pattern and is finised by a deeply scalloped edge. The floral design appears to be a type of raised or trapunto quilting, where the stuffing is placed under the design area only.
2080 x 1820mm
Jenny Gianoula Zounis
"Greek whole cloth quilt. Completely reversible. One side is sky blue satin and the other is coral pink satin. Is machine quilted with a central medallion of a circle with points surrounded by scallops. There is a fan shape in each corner. There is a border all around with scallops and three defining border lines. Is machine quilted with blue on the blue side and pink thread on the pink side." [Jenny Zounis] There is 2 cm thick padding, thought to be kapok. 2000 x 1720 mm.
Dulcie Williams
Wholecloth quilt made from cotton japara, a feather proof fabric, printed with a blue floral and check pattern on white. Machine quilted in rectangles, and filled with feathers. Originally two small quilts, and joined together later. Quilt is reversible, the backing the same as the front.
991 x 610mm
Powerhouse Museum
"A wholecloth hand quilted Northumberland quilt made from fine white cotton. The design features a large centre medallion of flowers, shells and leaves with more foliate designs in the corners and edges; the remaining area is quilted in a diamond pattern. The blue lines of the quilting pattern are still visible on the surface. The quilt has been machine finished with cotton wadding and a cotton backing. A label with the words 'Mrs L McFadyen/Inverell' is sewn to the edge." [PHM]
This is one of three quilts by Hannah Reed in the Powerhouse collection.
2395 x 2220mm

Pages