Quilts

Kristine Gray
Machined pieced quilt in random shapes of squares and rectangles. Made in one piece and then doubled over. Materials are mainly corduroys and wools with a large square of boucle. There is no quilting and no padding as the quilt is heavy and warm without it.
1680 x 1020
Beth Hoskins
Cotton hexagon quilt, hand stitched, no filling. All centres, of diamond motifs, are plain lemon. Hand stitched edge on to deep blue backing turned back to the front.
2400 x 1800mm
Bud and Patricia Ford
Cotton quilt made from a wide variety of scraps, patterned and plain, in rectangles and squares. Machine construction with white cotton lining.
2185 x 1829mm
Max Robertson
This traditional Wagga rug is made from 4 jute wheat bags joined lengthwise (upopened) by sewing with a bag needle and twine. It did not have a cover. In the 1950s it was covered with striped cottage twill on both sides. Originally there was no padding and now the bags are the padding.
1950 x 1130mm
Ian Johnson
Pieced kangaroo skin rug. Part skins have been cut into rectangles and stitched in lines. The skins are from 'black scrubbers'. The rug is lined with green felt with the traditional scalloped edge extending beyond the fur. 1200 x 853mm
Jean Gilbert
Rectangular pieces made from tailors' swatches and machine pieced in strips. Some pieces darned. Main colours blue, grey and brown. No padding. Backing is floral cotton with orange and brown flowers.
1879 x 1220mm
Margaret Sheridan
Log Cabin quilt using scraps of cotton, silk, velvet, velveteen, machine pieced on to calico. The backing is cotton printed material. There is red fringing all around the quilt.
2261 x 1296mm
Bud and Patricia Ford
Single bed quilt made from a variety of stud cattle show ribbons won over 20 years. The ribbons are hand stitched together and the quilt is backed with blue taffeta. It has a gold fringe.
1829 x 1220mm
Beverley Edmonds
Patchwork quilt made from Suffolk Puffs in bright and pastel colours in cotton, cotton polyester blend and satin. Patches are a mixture of dark and light prints, set in groups of 4 patches. No lining or backing. Hand sewn. Written in ink on the back of the quilt: "Made by Agnes Emma Vonhoff for G.daughter Beverly Edmond".
2050mm x 1480mm
The Embroiderers' Guild of S.A.Inc Museum
Incomplete quilt top not padded or backed. Variously patterned chintzes and cottons, assembled as patchworked borders to centre frame. There are hexagons and assorted appliqued shapes on calico. There is a small amount of surface embroidery.
2160 x 2500mm
Win Groves
Wholecloth quilt with front and back of green and white check gingham. The filling is made from jumpers, suitings, warm skirts etc. Machine sewn.
1800 x 1050mm
Pat Stevenson
Double sided quilt constructed from large irregular shaped pieces of dress materials from the fifties. They are machine sewn onto old sheeting and there is a turquoise and white print binding 45mm wide. The padding is cotton wadding.
1245 x 712mm
The Pioneer Women's Hut
Skin rug, probably rabbit. Centre backs of 72 fine winter skins used, 6 skins across and 9 in lenth. Exceptionally well matched and very supple tanning. Blue baize backing with traditional scalloped edge. Brown rat tail braid 90mm from the edge on the back and also a centre design with rat tail braid. 1910 x 1700mm
Mrs Noleen Caarthew
Hand stitched quilt top in printed cotton with central frame of elongated diamond of orange/blue squares and triangles. Borders are mainly squares set on point, triangles, strips, pinwheels and log cabin.
2140 x 1850mm
Kristine Gray
The original quilt has had 3 covers, 2 of which are still on it. The first quilt, a domestic Wagga, is made from pea seed bags and an old sheet covered with red paisley cretonne. This has been recovered with a red/yellow/brown paisley cotton twill in a pillow slip construction. One side of the next outer cover has a strong vibrant loosley floral pattern with a black background and a border in black, yellow and aqua. The other side is a large piece of cotton with a pattern of abstract rectangles and there are other floral and geometric cotton pieces. There was a fourth layer, a slip cover that is no longer on the quilt.
Benall & District Historical Society
Crazy patchwork quilt in mostly dark colours made from velvet and silk. Centre panel has a circular piece made from 9 triangles. This panel is in a grey [velvet] frame or border. Seams are stitched over with herringbone stitch in different coloured threads, and some other decorative stitches are used. Quilt is dotted with 'stars'. Backing is a cotton fabric printed with bunches of pink roses on a blue and white ground. Padded, and qulted with widely spaced rows of machine stitching. Quilt is edged with bias.
1520 x 1460mm
Fran Williams
Hexagon quilt top of predominantly roller print cottons. Pieced over newspapers (English) with some still inside dated to early 1880s. The owner commented on the way the maker has used the prints to form secondary designs. Possible later additions around the edges.
1760 x 2150mm
Miles Historical Village & Museum
Patchwork quilt made from hexagon patches and pieces cut to the shape of a rosette of 7 hexagons. Fabrics are cottons and crimplene, all hand sewn. Quilt is reversible. Colours are a mixture of dark and light, with plain fabrics, and florals, stripes, spots and geometrics. No padding. The back is the same as the front.
2007 x 1499mm
Sally Mitchell
Crazy quilt of mainly synthetic dress materials. Top stitched by machine on to a mattress ticking base.
1450 x 1150mm
Fran Williams
Double sided frame quilt. One side has 4 patch triangular design in the centre and then 8 borders. The other side, probably the back, has 8 or 9 borders and the outer one is a very uneven border of blue floral. Mainly cotton materials with a little flannelette. It is not bound. The edges are butted and top sewed. There is a lot of quilting. The padding appears to be an old blanket.
1540 x 1900mm

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