Quilts

The quilt is made from pure silk scraps from Queen Victoria's dresses. The owner estimates there are about 4000 diamond shapes. There is a square of yellow silk as a centrepiece with the initial 'W' on it.
2033 x 1829mm
"This coverlet is of white cheesecloth, decorated with bands of appliquéd patchwork, figures and poetry. The sides carry vertical bands and down the left hand side these are interspersed with small diamonds. Down the centre are several panels of appliquéd images. Animated and floral motifs decorate the top and lower two panels. The upper central panel has a family image: dad with cane, mum with parasol, followed by two daughters, the larger one carrying a small baby. A poem 'A Last Day' is inscribed in the lower LHS�.."Each day is a test day And may decide My fate for aye Beyond deaths tide."
Primarily cotton fabrics have been used for the appliqué work. The embroidery of the inscription is in black wool. All stitching is by hand and quite crudely executed��In addition to the embroidery, there are tassels. Sequins and ribbon embroidery used to decorate the illustrated sections." [NGA]
"The quilt is made of white cotton, slightly padded, and measures 150 x 75cms. The pattern is made up of a large circular design in the centre with smaller circles around the edge, with close lines of running stitches in white cotton outlining the design." [ Victor Harbour National Trust]
Skin rug believed to be platypus pelts, 28 in all. It has a brown cotton backing. 1300 x 900mm
National Museum of Australia
Handsewn patchwork quilt in a mosaic pattern of squares and pentagons. Patches are in very bright coloured print and plain cottons, with 'filler' squares of beige cotton. Quilt is machine stitched to a backing of apricot cotton. There is no padding.
2980 x 1655mm
Quilt made of squares of calico joined together. These have embroidered signatures of army personnel and names of battles zones, from World War I. It is lined with muslin.
2000 x 1500mm
Quilt. White linen, autographed, hand embroidered with names of early Methodist Ministers and parishioners' names in white embroidery cottons.
Patchwork quilt with hexagonal panels of cotton printed with floral and geometric patterns in browns, creams, blues and pinks and with a chinoiserie border. The backing is cream calico.
2720 x 2660mm
Patchwork on canvas lining. Feather stitching around squares. Pattern of cricketers and kangaroos on backing.
1200 x 800mm
Patchwork quilt made of hexagon patches in a variety of materials, including velvets, corduroy, cotton, underwearmaterial. No padding. The backing is made from scraps in squares and rectangles, including voile, cotton and probably old curtain material.
2134 x 1777mm
Helen Sparkman
Patchwork quilt, reversible, with both sides constructed from rectangles of cotton materials. These have been joined in strips and then the strips joined.
1900 x 1680mm
Wholecloth functional quilt. Cretonne type material both sides. Centre is a blanket with sheeting or cotton fabric sewn to both sides i.e. between the blanket and cretonne. It is machine stitched. There are gaps in one side through which the layers are visible.
1677 x 1423 mm
Migration Museum
Wholecloth quilt with top of dark purplish-pink cotton sateen and backing of black sateen printed with pink flowers. Hand quilted all over with a variety of patterns, including spirals and diamonds, parallel lines and hearts in the borders. Centre has a curved diamond shaped motif within a circular border of spirals. Padding is wool.
1990 x 1730mm
Embroiderers' Guild Victoria
Unfinished patchwork quilt top of silks and velvets in 'Tumbling Block' arrangement of diamonds. There is no padding or backing. Template papers are still in place and have been cut from magazines and letters from Melbourne.
1420 x 1210mm

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