Quilts

Dulcie Williams
Wholecloth quilt has a top of green, blue, yellow and white check cotton flannelette. The backing is calico with washed crossbreed fleece stitched to it in rows. Sewn on a treadle machine. A calico flap extends from the base and was used to tuck in the quilt to prevent slipping.
2135 x 1271mm
Samford District Historical Museum Soc. Inc
Remnant piece of a patchwork quilt made from 50mm squares of cotton materials with larger pieces making the border. The material is thought to be lawn or handkerchief linen. It is hand sewn in a variety of stitches.
600 x 600mm
Diana Cameron
Cotton quilt of patterned and plain hexagons with central design and borders of hexagons radiating from it. It is hand sewn and most patterns are of roses. Backing is pink sateen and is a replacement backing put on in 1939. Pieced over papers, remnant love letters were found when the new backing was put on.
1981 x 1525mm
Kristine Gray
The original quilt has had 3 covers, 2 of which are still on it. The first quilt, a domestic Wagga, is made from pea seed bags and an old sheet covered with red paisley cretonne. This has been recovered with a red/yellow/brown paisley cotton twill in a pillow slip construction. One side of the next outer cover has a strong vibrant loosley floral pattern with a black background and a border in black, yellow and aqua. The other side is a large piece of cotton with a pattern of abstract rectangles and there are other floral and geometric cotton pieces. There was a fourth layer, a slip cover that is no longer on the quilt.
Yvonne Murray
Hand pieced over cardboard, hexagon quilt using a wide variety of cotton materials in patterns and plains. Buttons are used as ties and placed at irregular intervals. There are the remains of fluffy appliques thought to have been bunnies. The padding is a blanket and the backing is flannelette.
1030 x 820mm
David Beasley
Pictorial quilt, pieced randomly from wool. Hand appliqued and embroidered. It has a central Miss Muffet theme with the spider and cattle under a tree. There is a 'Centenary Border 1836 - 1936' and an inscription 'Good Times, Let's Look Back'. The backing is 2 pieces of plaid suiting in grey/blues.
2000 x 1490mm
Margery Creek
Polyester/cotton pieced quilt in 'Double Wedding Ring' pattern. Made in the USA. Calico backing and polyester padding.
2819 x 2515mm
Miles Historical Village & Museum
Patchwork quilt made from hexagon patches and pieces cut to the shape of a rosette of 7 hexagons. Fabrics are cottons and crimplene, all hand sewn. Quilt is reversible. Colours are a mixture of dark and light, with plain fabrics, and florals, stripes, spots and geometrics. No padding. The back is the same as the front.
2007 x 1499mm
Dulcie Williams
Wholecloth quilt made from cotton japara, a feather proof fabric, printed with a blue floral and check pattern on white. Machine quilted in rectangles, and filled with feathers. Originally two small quilts, and joined together later. Quilt is reversible, the backing the same as the front.
991 x 610mm
Max Robertson
This traditional Wagga rug is made from 4 jute wheat bags joined lengthwise (upopened) by sewing with a bag needle and twine. It did not have a cover. In the 1950s it was covered with striped cottage twill on both sides. Originally there was no padding and now the bags are the padding.
1950 x 1130mm
Sally Mitchell
Crazy quilt of mainly synthetic dress materials. Top stitched by machine on to a mattress ticking base.
1450 x 1150mm
Margery Creek
Cotton quilt in pattern called 'Feathered Star'. Made in the USA. Hand pieced and hand quilted. The quilting is in a geometric and feather design. The padding is thin cotton.
2540 x 2490mm
Miles Historical Village & Museum
Patchwork crazy quilt with patches of cotton, rayon, velvet and cotton blends. Colours are predominantly pastels. Red herringbone stitch joins each patch and also stitches it to the calico backing. No padding.
2261 x 1525mm
Annette Gero
Wool and flannel quilt, hand pieced and tied. There are 2 log cabin blocks in the centre, also some crazy patchwork blocks and some consisting of strips. Each separate block is attached to a backing material with feather stitch and the backing for the whole quilt is blue and white striped flannel. There is a plain dark border. The quilt is tied with red cotton in many places. Shirt and nightwear materials are included in the top.
2200 x 1730mm
Win Groves
Wholecloth quilt with front and back of green and white check gingham. The filling is made from jumpers, suitings, warm skirts etc. Machine sewn.
1800 x 1050mm
Amanda Smith
Quilt pieced from scraps machine sewn on to calico pieces including printed bags. The backing is wholecloth, cretonne.
1423 x 1347mm
Pat Stevenson
Double sided quilt constructed from large irregular shaped pieces of dress materials from the fifties. They are machine sewn onto old sheeting and there is a turquoise and white print binding 45mm wide. The padding is cotton wadding.
1245 x 712mm
Annette Gero
Utilitarian quilt with both sides made from large pieces of wool, flannel and cotton. Machine construction and the padding is wool.
1750 x 130mm
Margaret Sheridan
Log Cabin quilt using scraps of cotton, silk, velvet, velveteen, machine pieced on to calico. The backing is cotton printed material. There is red fringing all around the quilt.
2261 x 1296mm
Ian Johnson
Pieced kangaroo skin rug. Part skins have been cut into rectangles and stitched in lines. The skins are from 'black scrubbers'. The rug is lined with green felt with the traditional scalloped edge extending beyond the fur. 1200 x 853mm

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