Quilt No.44JP - Julie Pearce

Julie Pearce
Owner: 
Julie Pearce
Location: 
NSW South East
Maker
Maker: 
Elizabeth Louise Williams
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
History: 

Made by Elizabeth Louise Williams (nana), great-grandmother of Julie Pearce, in the 1960s, for Julie and her sister. Owned by Julie Pearce and used on her children's beds in Thirroul, NSW.

Story: 

"My paternal great-Grandmother � was a keen sewer in her time and over 30 years ago made my sister and myself a functional quilt for our beds. She made them on her treadle machine and used fabric scraps that my mother had left over from clothing that she herself had made for us. As a child I clearly remember lying on my bed reminiscing over favourite fabrics and special dresses and reliving memories of times and places the dresses were worn. The time spent on those quilts was well appreciated and is still admired as my children now learn the stories behind the quilts I treasured when I was much younger than they both are now. I am so thrilled they are wiling and happy to share these quilts which mean so much to me.
My Great-Grandmother, Elizabeth (Nana) Williams of Canterbury, Sydney throughout her many productive years, kept herself busy with her sewing. No doubt having eight boys, she had little need to sew pretty dresses so put her skills and time to an equally practical use. She regularly made quilts, at times using fabric supplied to her by The Smith Family, which upon completion she donated to the Aboriginal Missions. Some quilts were used by other family members � I can clearly remember several other quilts of hers that I have seen, one using black imitation fur strategically cut and placed to use the play of light as its feature, another, crazy patchwork squares adorned with feather stitch. �Nana Williams made perhaps hundreds of quilts in her time, which she mostly gave away. She lived a very frugal lifestyle herself and lived to be well into her eighties when she was still actively sewing."
"I estimate the quilts I have were made very early in the 60s although these particular 2 would have been nana's most recent."
[Julie Pearce 20.2.98]

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Tasmanian Museum and Art Gallery
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Gabrielle Carter
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Jindera Pioneer Museum
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