Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm
Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Maria Patounas
The cotton quilt top is blue featuring a floral design in the centre and a matching border. The main quilting pattern relates to this. There is a wide gold cotton border with a quilting pattern of parallel lines and diamonds. The backing is plain red cotton. The padding is cotton wadding.
2040 x 1750mm
Daphne Akehurst
Cotton quilt of hexagons in 'Grandmother's Flower Garden' pattern. Hand stitched. Machined to a cotton backing. There is no padding.
2480 x 1950mm
Mare Carter
Patchwork quilt, all cotton including cotton filling. "8 pointed star" with turkey red surround, white background. Hand stitched and hand quilted.
2109 X 1727mm
Mrs. F.A.C.Clemons
Quilt made from blocks in a fan pattern, 5 blocks across by 6 down. Fans are set on a black background, materials are wool and cotton in a mixture of plains and patterns. Edges of fans are decorated with cream herringbone stitch. Machine pieced with hand stitched repairs.Cream cotton backing folded over to make binding, stitched with pink herringbone stitch. Tied regularly with pink thread. The quilt is padded with wool.
2000 x 1720mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm
Fred Wood
Patchwork quilt made from a variety of printed cottons over 70 prints, using shirting and dress fabrics, fabrics also from pyjamas, curtains, aprons, tablecloths. The centre medallion is a square within a square with white borders, the inner frame made of sawtooth triangles. This is surrounded by pieced triangles, square within a square and crosses. Outer frame of sawtooth triangles, and outer border pieced of squares and triangles. Colours are pinks, blues, burgundy and pastels, with floral, stripe and check prints. Lining of cotton. Backed with a printed cotton. Quilt is bound on all edges.
2430 x 2250mm
Effie Kalenderidis
Wholecloth quilt made from blue satin with turquoise blue cotton backing. The padding is cotton wadding. The quilting pattern is a large central motif of a daisy with a fan design in each corner. The in fill pattern is of curved and straight parallel lines and the border straight parallel lines. It is all hand quilted.
2000 x 1660mm
Hazel Jarmyn
Patchwork quilt made from cotton hexagon patches in the 'grandmother's Flower Garden' pattern, in bright prints and plains, with cream 'paths' made from dress material. Padding is flannel sheeting, and backing is the same cream material as the 'paths'. The centre of the 'flower' patches are autographed with friends' names and dates, as are some 'petals' and cream patches, in black ink.
1550 x 1400mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Eileen Dinning
Double sided silk quilt. One side is paisley designs and the reverse plain silk . Machine pieced. There is a thin padding possibly sheeting.
2694 x 2287mm
Flora Noyce
Hand worked wholecloth Chinese quilt. Background is cream with a central motif of a dragon embroidered in various shades of orange. The border has floral and leaf decoration at each corner joined by a stem interspersed with leaves, berries and butterflies. The border is dull gold satin finished cotton with a fine gold braid machined on. The backing is fine brown cotton.
1730 x 1700mm
Annette Gero
Quilt top of hexagons in silks and satins, pieced over papers in the English tradition. Some paper templates still in place. One states: 'Semi - Monthly Regular Clipper packets to New Zealand, Port Phillip, Sydney�2nd of each month..Adelaide' suggesting it may have been from a shipping timetable.
1580 x 1830mm
National Trust of Australia (NSW)
Quilt of small silk and rayon rosettes of hexagons in prints and plain materials including velvet, voided velvet, chine, printed silk, brocades, taffeta, satin, crepes. Many of the materials are from Japanese kimono and wrapping silks. It is pieced over papers, one paper has a typed date '1930'. The backing is black silk satin and is turned to the front to form a border.
1695 x 1390mm
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.

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