Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Val Wilkinson
Scrap quilt made from a myriad of different materials, cottons, silk types velvets etc. Alternate rows have triangles and odd shaped pieces with in between rows of squares and rectangles in smaller pieces. It is completely machine pieced. There is no padding. The backing is blue slub rayon and is brought to the front to form a border.
2200 x 1520mm
Kaniva District Historical Society
Crazy patchwork quilt, mostly velvet, with two rectangular frames or borders of green fabric. All patchwork pieces have embroidery over the seams, mostly herringbone. Quilt is edged with a cream cotton ruffle. Cotton backing.
1625 x 1625mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
Effie Kalenderidis
Wholecloth quilt made from blue satin with turquoise blue cotton backing. The padding is cotton wadding. The quilting pattern is a large central motif of a daisy with a fan design in each corner. The in fill pattern is of curved and straight parallel lines and the border straight parallel lines. It is all hand quilted.
2000 x 1660mm
Marian Russell
Patchwork quilt made from squares of wool, cotton, tweed, corduroy, tartan and stretch knit fabrics. Colours are mainly reds, greens, blues, pink and orange, mostly solid colours with some checks, stripes and florals. Padding is an open weave hessian material. Backing is a loosely woven cotton, pieced, buff coloured with a woven red and orange thread. Machine pieced, machine quilted in a large rectangle.
1601 x 915mm
The Pioneer Women's Hut
Machine constructed log cabin quilt using a wide variety of strips of used clothing including cottons, men's suitings and wools. Each square is about 250mm and arranged in the 'light and dark of the fire' variation of log cabin. There is no padding. The backing is brown twill with an orange pattern and is probably a replacement backing.
2180 x 1710mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Dora Andonaros
Wholecloth quilt made from deep cherry red satin with a backing of red cotton. The padding is cotton wadding. It is hand quilted and the pattern is a central motif of a large diamond with diamond fill. Each corner has a pattern of curved lines and the quilt border is created by four parallel lines.
2070 x 2000mm
June Johnson
Hand sewn cotton cot quilt with pattern of red and white lozenge shaped hexagons measuring approximately 65mm from top to bottom. A centre flower is constructed from 2 circles of 19 hexagons in red and white. This is surrounded by 8 smaller hexagon flowers. Additional single red hexagons are scattered at random on the white background around the rows of flowers. The quilt is not quilted or tied but is attached at all 4 edges. Writing on the back of the quilt (probably added later) reads "Made by Sarah Hodge, Newport, Wales UK for her first child John." There is no padding and the backing is white cotton. 1000 x 1250 mm.
National Trust of Australia (QLD)
Hexagons appliqued onto sheeting. 5 groups of 6 hexagons in centre of sheet and continuous row of hexagon rosettes around border.
2261mm x 1664mm
Inverell Pioneer Village
Wholecloth quilt made of red floral crinoline cotton material. Quilting is in vertical rows, alternating cables with orange peel patterns. Padding is of cotton flock. Backing is of white cotton. Quilt is edged with a self fabric ruffle on three sides. Hand sewn.
2236 x 2236mm
Kaniva District Historical Society
Patchwork quilt of hexagons in 'Grandmother's Flower Garden' pattern, consisting of a dark centre hexagon, a row of light patches, then a second row of dark patches in the same colour as the centre. Each group of patches or 'flower' is joined by white paths. Colours are predominantly red, blue, brown and pale or faded colours. Some fading; some dark colour fabrics have deteriorated. Backing. Hand sewn. Border of quilt and backing sewn edge to edge.
2236 x 1829mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Ida Blenkiron
Wholecloth quilt made from turquoise and red plaid brushed cotton, with a filling of a marcella bedspread with cut up pieces of knitted and crocheted garments stitched on top by hand and machine. Garment pieces are pink, red, yellow, black and pastels. Sleeves, collar and pockets can be clearly seen. Backing is an old blanket.
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
Santa Maltese
Wholecloth quilt with top of red sateen. Hnad quilted with a large central rosette in a 'gothic' border then square on point border and outer border with rosettes in rectangular corner panel. The backing is cotton sateen with printed floral bouquets. The thick padding is cotton. This type of quilt is called 'cuttunina' in the Sicilian dialect which means 'has cotton inside'.
2360 x 2310mm
National Trust of Australia (SA)
Double bed patchwork coverlet of pieced blocks in a pinwheel or dresden plate pattern of prints on a cream ground, each block with a 1 3/4" border or sash. Each pinwheel has 10 pieces, and the quilt is constructed 8 blocks by 6. Cotton fabrics are in florals, checks and stripes, in blues, greens browns, pinks, purple. The quilt was in poor repair and has been reduced in size. Conservation work has been done by the State Conservation Centre.
Backing or filling unknown.

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