Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Ros Wight
One of a pair of patchwork quilts machine sewn from squares of cottons and silks in pinks, aquas and blues in plain and print materials. Both quilts are similar. The backing is white cotton. There is no padding.
2200 x 1500mm
Margaret Hedges
Crazy patchwork quilt with small patches in velvet, silk, brocade and cottons most with hand embroidery over the seams. There are many motifs such as flowers, butterflies, birds also dates, initials and names of local properties. It is padded with a thin soft material and the replacement backing (old) is satin. There is a wide rose coloured frill on all sides.
1680 x 1380mm
The Embroiderers' Guild of S.A.Inc Museum
Yellow and white cotton Durham quilt with centre panel of patchwork blocks in counterchange design called 'Plate'. There is a wide yellow border and square white corner blocks. It is padded and there is a yellow backing. It is quilted all over following the patchwork pattern in the centre panel. Feather pattern border.
2120 x 1720mm
Illawarra Historical Society Inc
Wholecloth quilt, both sides cretonne in different rose patterns. 120mm double frill matches each side. Padding is possibly hessian bags. It is hand quilted in large stitches in white/cream cotton in strips with circles, diamonds and scrolls repeated.
2070 x 2030mm
Jean Winchester
Patchwork quilt in the Log Cabin pattern, made from cotton fabrics in prints and plains in bright colours. There are 185 squares, all sewn on to check gingham. No padding. Backing is of black cotton.
2718 x 2540mm
Narelle Grieve
English pieced hexagonal star quilt in silks, velvets and satins. Commercially made fringe in cotton maroon twill. Some motifs have herringbone stitching around them. There is no padding and the backing is polished cotton twill. 1840 x 1660 mm
Barbara McCabe
Patchwork quilt made from squares of cotton fabrics, from curtains, left over from dress making projects, and new fabrics. Colours are bright primaries and some pastels, prints are checks, florals, stripes and plain. Pieces were stitched together without any particular order. No padding or quilting. Backing is a cotton bedspread in turquoise and blue stripes.
2520 x 1600mm
Billie Briggs
Hand pieced crazy quilt in a variety of plain coloured velvets. All seams are over embroidered in a variety of stitches. There is no padding and the backing is heavy black cotton. 1900 x 1630mm.
Red Cliffs Historical Society
Log cabin pattern, each block dark and light strips. 4 blocks joined with dark strips to centre to make larger block. 30 large blocks and 2 sides with half blocks. Each block is machined on to calico. Materials include velvets, corduroys, interlock, taffetas and silver lame. There is a 170mm bottle green border and a single piece of mid brown synthetic for the backing. The padding is probably dacron.
2400 x 2100mm
Lyn Uppill
Patchwork quilt of hexagons, handsewn, in print and plain cottons and rayon. Central star group has diamond shaped groups of patches, with smaller flower shapes, an inner border of a star shape in yellow hexagons, and an outer border of hexagons in vertical bands. Colours are mainly blues, reds, greens and yellow, the 'paths' and border are a pink print. The backing is herringbone stitched to the border or sashing, which has mitred corners.
2400 x 2340mm
The Embroiderers' Guild of S.A.Inc Museum
4 Pieces of a patchwork quilt which was formerly a whole quilt. It is pieced in cottons in blues reds and browns in many prints. There are whole circles and pieced circles against a plain cream calico background. It is wool lined and is quilted. There are the initials 'A.B.' and '1828' on a central piece. The 4 pieces are various sizes.
Tricia Bowdler
Reversible quilt made of squares and rectangles of mostly wool suiting and some heavy cotton. The borders are of joined brocade. There is no padding.
1600 x 1220mm
Sharon Stacy
Wholecloth quilt of white cotton with hand appliqued flowers in 3 shades of red. The centre of the quilt has 6 separate flowers radiating from a circle and each corner has a separate arrangement of flowers. The white cotton quilting is in diagonal lines and a daisy pattern. There is a narrow red border widely scalloped. The backing is white cotton. There is no padding.
2236 x 1905mm
National Trust of Australia (QLD)
Quilt made of tailors' swatches, machine constructed around a central frame that is mainly mid brown pieces. This is surrounded by rectangles of mainly charcoal greys and the outer border is navy blues. The backing is a heavy cotton with random green and cream and grey stripes.
1651 x 1220mm
National Gallery of Australia
" This is an unfinished section/piece of crazy quilting. Ribbons divide the piece horizontally into three sections; between these are bands of pastel fabrics and embroidery in the crazy quilt tradition. The fabrics and threads employed are very luxurious: laces, satin ribbons and silk velvets. The embroidery is very fine, employing a wide variety of stitches and threads. This patchwork piece is padded with cotton wadding and backed with tarlatan." [NGA] 1170 x 1020mm
National Trust of Australia (SA)
Randomly patched quilt in many different colours and fabrics. There are appliquéd shapes over many pieces including Suffolk Puffs, hearts, hexagons and other shapes. There is an embroidered inscription "A11 to S11 1829" which is thought to mean AN to SN 1829. There is no padding and the backing is white cotton.
2000 x 2200mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm

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