Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Anne Langford
Hexagon quilt with rosettes centred in an all over diamond pattern. It is hand pieced and hand quilted. All the materials are either linen or pure cotton. The quilt is padded with batting (American) and the backing is floral cotton.
2360 x 1800mm
Joan McGregor
One side of this quilt is large pieces of check and striped material surrounding a small patterned supper cloth with a border of scrap pieces. The other side is small, floral, check, spotted, striped and plain cotton pieces surrounding a tablecloth. It is machine sewn and is not quilted. The padding is an old woollen blanket.
1825 x 1625mm
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
National Trust of Australia (NSW)
Handsewn quilt pieced in red, blue, green and yellow print cottons in 'Lone Star' pattern, with diamond shaped patches. The main star is edged with a red and cream sawtooth border. In each corner is a star made up of 4 rows of diamonds, surrounded by small 8 point stars in red and green. The background material is a cream and brown spot print. The backing is a printed cotton in a small all over purple leaf and bud print on cream. Quilting is in an all over wave pattern.
2320 x 2320mm
Helen Sparkman
Hexagon quilt made from dressmaking scraps from one neice. The quilt top only is complete and a few papers are still attached.
2250 x 2000mm
Mare Carter
Patchwork quilt, all cotton including cotton padding filler. The design is 'Dresden Plate' or 'Friendship Circle'. Background is white with multicoloured and patterned triangular pieces forming circles. Hand stitched and heavily quilted.
2235 x 1778mm
National Gallery of Australia
"The coverlet is of cream cheesecloth, highly decorated with applied figures and pieced fabric bands. The appliqué bands follow the edge of the coverlet for some time and then become circles radiating from the centre. The bands form two framed circular areas that carry appliquéd images. A smaller area lower centre of the cloth depicts birds and insects. In the centre of the work is a bordered oval with two aboriginal figures, an angel, kangaroo, emu and kookaburra, with the words 'Advance Australia Fair' embroidered in black thread. The stitching and construction of the coverlet is quite crude." [NGA] The quilt is not padded or lined. 1640 x 1550mm
Nancy Dunlap
Grandmother's flower garden pattern. All cottons with plain centres to 'flowers' then row of prints and outer row of plains. One hexagon flower has been repaired. Scalloped edges bound with yellow. Hand quilting around the hexagons. The backing is cream cotton and the padding is thin cotton. 2140 x 1780mm.
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Bill & Barbara Meynink
Patchwork quilt made from brightly coloured printed cotton fabrics in hexagon patches hand sewn together in rosettes, and stitched by machine onto a border of green moire taffeta. No padding. Backing is green cotton satin curtain lining. There is a matching pillow sham.
2591 x 2540mm
Flora Noyce
Log cabin quilt consisting of 36 blocks each 200mm square. Light and dark arrangement with a variety of small patterned cotton materials (floral, spotted, striped) and plains. The blocks are hand stitched on to fine cotton and then joined by machine. There is a 120mm double gathered frill of floral cotton with a beige background. The backing is 2 pieces of cream cotton with repeat floral and musical motifs interspersed with forget me nots.
1500 x 1500mm
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
N.S.W. Parks and Wildlife Service
Large centre rectangle of hexagons in various colours of patterned and plain cottons. It is surrounded by a wide border in a checkerboard of red and white cottons. There is a wholecloth cotton backing. The front and the back have been turned under at the edge and machined. There is no padding.
1829 x 1372mm
Pauline Hunter
Patchwork quilt made from hexagon patches in satin and nylon, the nylon overlaid on satin. Fabrics are plain, in a mixture of dark and light colours. No padding. Backing is of pink satin with pink satin ribbon covering the joining seams. Hand sewn with some machine stitching. Feather stitching along the edge. There is no padding.
2211 x 1752mm
Marlene Toomey
Kangaroo skin rug featuring skins cut in diamond shapes. It is stitched with heavy cotton and the seams are oversewn. It is not backed. 1825 x 1290mm

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