Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Kristine Gray
Double sided square quilt. One side is a crocheted rug. The centre of this is 4 triangles joined and from this coloured bands in crochet radiate out to the border. The other side is randomly pieced scraps of mainly woollen material in checks, plains and tartans. Machine construction.
1600 x 1600mm
Ros Wight
One of a pair of patchwork quilts machine sewn from squares of cottons and silks in pinks, aquas and blues in plain and print materials. Both quilts are similar. The backing is white cotton. There is no padding.
2200 x 1500mm
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
National Gallery of Australia
"The Rajah "quilt" is a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800's. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth side. All fabrics used in the Rajah quilt are cotton with the exception of small amounts of linen and silk threads. The quilt shows evidence of being produced by many hands." [NGA] The quilt is not padded or lined. 3372 x 3250mm
Dubbo Museum & Historical Society Inc
"English patchwork pieces. 1110mm x 1500mm. Hand pieced by at least two people. Made from scraps, cut down clothing and sheeting. Backing made from shirtings, dress fabrics, furnishing fabric and ticking. No synthetics. Machine quilted. Condition, fragile�.." [Dubbo Museum]
Catherine Ringwood
The top of this quilt is 6 x 5 alternating squares and rectangles of check woollen material in 12 or more colour ways. Herringbone stitch in yellow stranded cotton is worked along each join and border.The border is plain grey wool. There is no padding and the backing is light blue crepe.
1118 x 814mm
Doreen Carter
The quilt is called 'Loved'. The pattern is log cabin and it is made from dress materials and pyjama flannelette. The original filling was a heavy woollen blanket (now flannelette) and the backing is green headcloth - all government issue. With its restoration, the backing was supplemented with a green floral, and the quilt is now tied. The quilt is machine pieced, some restoration work is done by hand.
2260 x 1920mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm
Verna Doak
Cot quilt made in rows of crochet in treble clusters. Backed with blue cotton fabric. Backing replaced with another backing of blue fabric in 1970. Colours of rows are green,yellow, blue, pink and red.
Red Cliffs Historical Society
Log cabin pattern, each block dark and light strips. 4 blocks joined with dark strips to centre to make larger block. 30 large blocks and 2 sides with half blocks. Each block is machined on to calico. Materials include velvets, corduroys, interlock, taffetas and silver lame. There is a 170mm bottle green border and a single piece of mid brown synthetic for the backing. The padding is probably dacron.
2400 x 2100mm
National Trust of Australia (VIC)
Double sided patchwork quilt. One side has a centre of pieced hexagons enclosed by borders of plain strips and pieced stars and squares. The other side has a printed Royal Coat of Arms (lion and unicorn) 'Honi Soit Qui Mal y Pense, Dieu Et Mon Droit', surrounded by wide borders of plain and printed materials in the style of frame quilts.
2400 x 2300mm
Daphne Akehurst
Cotton quilt of hexagons in 'Grandmother's Flower Garden' pattern. Hand stitched. Machined to a cotton backing. There is no padding.
2480 x 1950mm
Cressida Mary Webb Challis
Quilt of machine pieced squares and rectangles using a wide variety of materials in plain colours and patterns. It is one of a pair. There is no padding and the backing is 90cm strips of calico.
2500 x 2130mm
Jean Gill
Patchwork quilt featuring centre block of log cabin surrounded by borders. Handsewn. Wide variety of materials including some velvet. Appliqued flowers.
1703 x 1575mm
Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Griffith Pioneer Park Museum
Wholecloth quilt, yellow sateen both sides. Hand quilted in geometric and curvilinear patterns. Edges turned in, hand finished. Stuffed with flock-like material said by the donor to be wool. Approximately 2.5cm thick.
2500 x 2000mm.
Virginia Solomon
Log Cabin quilt featuring centre square and 3 outer borders. Evidence of later repairs and additions by machine and hand sewing. There is white paint on it. The log cabin pieces are sewn on to black netting. There is no padding and the backing is a centre piece of gold damask/sateen and green and black sateen borders.
1728 x 1321mm

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