Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Western Australian Museum
Kangaroo skin cloak of seven gores is made from the skins of seven grey kangaroos (Macropus fuliginosus). The skins vary in size and shape, the inner five are roughly triangular. The cloak is edged with a series of loops, through one of these near the collar is a piece of cloth which appears to have tied the cloak together. The skins are sewn together with two sorts of linen or cotton thread. In a small diamond-shaped gusset at the back of the neck there are some stitches of sinew. The skins are sewn together by means of a small hem which was turned back on to the fur, so stitches went through two layers of skin on each gore. There are some small holes in the skins. The skins are very soft and pliable, and greyish in colour; they vary in size and shape. Longest part: 800mm Ref: MA Thesis 1973, S.Meagher 'A Reconstruction of the Traditional Life of the Aborigines of the S.W. of Western Australia.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
N.S.W. Parks and Wildlife Service
The top is strips of mainly wools in blue, maroon and purple. The backing is imitation fur in brown and grey. They is no quilting. The padding appears to be a double sided pieced quilt from men's suitings or tailors' samples.
1500 x 1130mm
Nancy Dunlap
Quilt top in block design based on hexagons in a variety of patterned cotton with a plain pink hexagon in the centre. The hexagons are linked by triangles of pink cotton. Cottons include florals, stripes, checks, tartans and novelty prints. 2080 x 2300mm
King Cottage Museum
Hand sewn hexagons over paper templates in a pattern known as 'Grandmother's Flower Garden'. Materials are printed dress cottons, patterned and plain, mainly in pinks, blues and browns. The border and backing is grey linen and is machine stitched on. There is no padding. 2060 x 1579 mm.
Margery Creek for Eugene Creek
Wholecloth polyester and cotton quilt in deep orange with centre frame of Creek family crest. The crest is machine zig zag appliqued to white background and has a black border. The quilt is machine sewn, hand quilted, has a white backing and a thin black binding on the border. The padding is polyester.
2235 x 1854mm
Marjorie Treasy
Machine sewn quilt made from 125mm squares of scraps left over from dressmaking, joined in strips and then the strips joined. There is a border of fawn cotton and the backing is the same material. The padding is an old blanket and the border is padded with sheep's wool.
1400 x 925mm
Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
1740 x 1300 mm.
Gwenneth Miller
Rabbit skin rug hand stitched. Originally had no backing but a fawn felt backing has been added. 1480 x 1180mm
National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Marie Thomas
150mm squares of old material scraps, mostly cotton, including some curtain material. There is no padding and the backing is brown lawn.
2540 x 2370mm
With held as requested
Wholecloth quilt with top and backing made from coarsley woven linen. The edges are bound with paisley printed material. The quilting pattern consists of a series of whorls in different sizes. The padding is fleece wool.
1920 x 1756mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
South Australian Museum
Rabbit Skin Cloak. Rectangular pieces stitched together with sinew and later repaired with fishing line.
Una Braby
Cotton quilt made from squares of patterned and plain materials. It has a mauve cotton flounce around the border and a mauve cotton backing. There is no padding.
2700 x 1350mm
Rozanne Andrew
Patchwork crazy quilt of late 40s and early 50s. Pieces are from curtains, tablecloth,other kitchen type fabrics in cotton, seersucker and linen. Colours are mainly reds, greens, blues, and pastels, in prints and plain. Herringbone stitch is worked around the edge of each patch. No filling. The backing is calico with one edge in a piece of coloured cotton from the front; the calico was a little small for the top.
2020 x 1400mm
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
N.S.W. Parks and Wildlife Service
Crazy patchwork on to foundation material with the edges of the pieces turned under and machined. It is not quilted. A 25mm red binding has been machined on. There is no padding. The backing is red wholecloth cotton.
1940 x 1540mm
Beth Hoskins
Fox skin rug made from centre backs of pelts. 16 skins running the width of the rug and a 40mm fur border. The backing is tan felt with a pinked edge (traditional in this type of fur rug) and this is joined to the rug with a doubled blue felt binding. The skins are very fine quality winter skins.

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