Mosaic Quilts
Quilt of scrap hexagons. Hand pieced over papers with some papers still in place. Materials used include seersucker, plisse, chambray and various other textured cottons used in dressmaking. The owner has restored the quilt. The backing is a soft cotton in indigo blue and the padding is flannelettte. "I machine tied the quilt in its restoration using cream cotton at the intersections so that it doesn't impinge on the interesting fabrics and the overall scrap effects." [Marie Pye]
2590 x 2170mm
2590 x 2170mm
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. The squares average about 27cms. The materials are mainly woollens, fleck tweed, school jumpers, gren check, and chenille and all are from used clothing.
1800 x 1170mm
1800 x 1170mm
Machine sewn reversible quilt. Side 1 is rectangles of men's suiting samples in mainly grey, navy and black, stripes and self patterns. Side 2 is men's suiting samples but also includes woollen rectangular pieces in plain blue and deep pink. There is a hand sewn binding of fine orange-brown wool. The padding is hessian and cotton.
1460 x 1100mm
1460 x 1100mm
Patchwork knee rug made from maroon wool cut up from a garment into different sized rectangles. Pieced by hand, then all edges crocheted with coloured wool thread. The top was then machined and quilted to a pale blue wool backing. No padding.
1080 x 780mm
1080 x 780mm
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
1710 x 1600mm
Cotton quilt top in patter, the owner calls 'Tumblers'. Approximately 590 pieces, with one exception, all different patterns and colours. 2181 x 1980
Machine pieced top of squares of part jumpers, most hand knitted. The padding is a blanket. The backing is an old curtain.
1735 x 1350mm
1735 x 1350mm
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Silk quilt in diamonds with hexagon border. "Toward the edge of the quilt, the design of diamonds made into blocks offers an optical illusion, where the diamonds can be seen to form stars. The border is made up of these stars and half-diamonds, and the entire quilt is trimmed with lace and triangular flaps made of tiny hexagons." [extract unidentified magazine article supplied by quilt owner.]
The backing is maroon cotton. 1600 x 1600 mm.
The backing is maroon cotton. 1600 x 1600 mm.
One of a pair of patchwork quilts machine sewn from squares of cottons and silks in pinks, aquas and blues in plain and print materials. Both quilts are similar. The backing is white cotton. There is no padding.
2200 x 1500mm
2200 x 1500mm
Cotton Hexagon quilt with a wide variety of patterned and plain materials. Blue binding and a cotton backing. The padding is thought to be cotton wool.
1525 x 1220mm
1525 x 1220mm
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Patchwork quilt made from diamond patches in the 'Cotton Box' pattern, in a wide variety of cotton fabrics, including plains, checks, stripes and florals. The patches have blotting paper templates. The quilt is edged with diamond shapes in a red floral cotton. The backing is of the same red floral pattern, featuring yellow, turquoise and white flowers and leaves. Hand sewn.
2135 x 2033mm
2135 x 2033mm
Tumbling Block quilt made from pure silk ribbons, patterned and plain. The quilt edge follows the block shapes. The backing is polished cotton printed with flowers.
2743 x 2439mm
2743 x 2439mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Hand stitched quilt of suiting materials. Centre rectangle also suiting materials but arranged with a smaller scale, is edged with a cord of red fabric covering string. The outer red border has been renewed by the owner and closely matches the original. The backing is ticking. There is no padding.
2390 x 2110mm
2390 x 2110mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.
Rectangular quilt with front and back made of rectangles of cotton samples of shirt materials, in checks, stripes and plains. Colours are soft muted reds, greens, blues, yellows and browns, and pastels. Construction is 3 to 4 rows of rectangles joined across the quilt. Padding is probably an old blanket. There is a row of hand quilting approximately the width of one patch in from the edge, holding the layers together.
1870 x 950mm
1870 x 950mm
Large squares, alternate brown check and blue check, of men's dressing gown material. "Everyone's father had one in 40s and 50s". [Pam Clifford]. No padding. Backing is smaller random shapes of men's grey suiting material. Machine construction. There is no quilting.
2236 x 1550mm
2236 x 1550mm
Pieced hexagons, English paper method. Large hexagons form the centre with a border of smaller hexagons. The fabrics are all cotton in a wide range of colours and patterns. There is no padding. The backing is cotton, large white floral design on dark blue. The hexagons are hand pieced and the edges machined.
2480 x 1420 mm
2480 x 1420 mm