Quilt No.385MC - Marie Colbron Conroy

Marie Colbron Conroy
Owner: 
Marie Colbron Conroy
Location: 
NSW Sydney
Maker
Maker: 
Phyllis ggow
Made in
PAPUA NEW GUINEA
Date: 
1941 - 1970
Description: 
Quilt of 70mm hexagons forming rosettes. Satin material in plain colours. Background is several shades of grey. There is a 135mm silver grey border that is mitred and returns to the back. There is no padding. The backing is a darker grey. The quilt is signed by the maker and dated.
1870 x 1350mm
History: 

The quilt was made by Phyllis Gow in Port Moresby, Papua New Guinea, in 1964 for her Mother, Imelda Johnson. On her Mother's death the quilt passed to Phyllis and on her death to her husband. On his death the present owner bought the quilt.

Story: 

The maker went from Sydney to Port Moresby following her marriage in 1938 to Eric Mitchell on the 'Bulolo'. She was repatriated to Sydney during the war. Her husband died as a POW. Phyllis remarried in Sydney about 1954 and returned to PNG with her husband Allan Gow. They retired to Sydney in the early 1970s. The quilt was made for her Mother who lived with her during her latter years. The present owner, Marie Colbron Conroy, attended the same church as Phyllis and Allan Gow and on Allan's death purchased the quilt.

Related Quilts:

Gloria Martin
Double sided machine sewn patchwork quilt made from clothing scraps, wool blends, corduroy, velvets. Patterns include checks and tartans and there are many plain colours. Shapes are mainly rectangles and squares.
1524 x 1372mm
Art Gallery of South Australia
Frame cot quilt in cotton fabrics, the centre square in a paisley print surrounded by two plain borders or frames, then two frames pieced in alternate light and dark triangles, then a frame in a floral print. Outer border is of red fabric, longer at top and bottom to make a rectangle. No quilting. Machine sewn.
1050 x 770mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Red Cliffs Historical Society
Crazy patchwork quilt pieced from velvets, satins, braids, taffetas, cottons with some decorative stitching. A ruffle and the backing are in ruby red satin. There is a dacron type padding.
1620 x 1200mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Glenda Wilkinson
The quilt consists of 2 layers of random pieces of woollen coating and suiting materials machined together, very dark colours on one side and a mixture of dark and lighter on the other. The 2 layers are quilted together with a row of machining and has a folded and machine stitched edge. There is no padding.
1270 x 950mm