Quilt No.359MS - Margery Smith

Margery Smith
Owner: 
Margery Smith
Location: 
NSW Riverina
Maker
Maker: 
Margery Smith
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
History: 

Made in the late 1960s - early 1970s by Margery Smith of Tumut (NSW), and owned by her.

Story: 

"The quilt was completed on 23/7/1973 when the date was stitched on. The project took about three years using what time I had available.
At that time I had a terminally ill daughter. Each afternoon when the weather was suitable I laid her on a bean bag with her legs in the sun to strengthen them. Whilst I sat talking to her I made the patchwork quilts.
I had bags of scraps from many years of sewing for my daughters and myself. This was a way to utilize them.
First I cut a stiff cardboard template then using it as a pattern I cut hundreds of stiff paper hexagons (I had all my family saving stiff paper, glossy magazines were great.) Next all the material scraps were sorted and pressed. The template was again used to cut each piece to shape leaving a turning all round.
Each piece of material was carefully turned in and tacked to a prepared paper pattern. As all pieces of a material were used they were put into boxes. I had decided to keep to a theme in order to distribute the various materials through the quilts. This stage seemed to take forever. I had worked out approximately how many 'patches' I would need.
So to the more interesting part, and it really did take forever! A centre was chosen usually checked gingham as I had a lot of those, six patterned pieces were hand stitched around each centre. I soon got back to using a thimble as the finger developed a 'hole'.
When these were done all had to be joined and the missing patch inserted, again usually the checked gingham. Removing all the tacking and papers was no small chore but the quilts were taking shape.
After that came the unbleached calico linings, stitch, stitch, stitch, then presto all was done.
I had made a separate 'sham' to cover the pillow for the bedspread, a large cot cover and also a top for a bedroom stool.
Nowadays my daughters look at the quilts and pick out their school uniforms, dresses they wore to birthday parties, socials and other nostalgic occasions. Their sister's frocks too, especially a blue one that matched her eyes. When she had her black curls tied back with a matching ribbon my middle daughter used to say, 'Oh you do look nice when you are all clean and paid for'. That saying came from my Grandmother. Really a patchwork quilt is one way of recording family history."
[Notes from Margery Smith, 1998.]

Margery Smith with grandchild
Margery Smith with grandchild

Related Quilts:

Queen Victoria Museum and Art Gallery
Unfinished patchwork top made from hexagon patches in the 'Grandmother's Flower Garden' pattern, in glazed and unglazed cottons and some twill fabrics. 7 patches for flowers with white and some cream patches forming paths. All fabrics are patterned and date from c.1825-1840, including pieces of toile de jouy, stripes and florals. Colours are predominantly reds and blues with some green, brown, purple; one flower is in chrome yellow, 8 flowers are in turkey red indicating probably the latest fabric. The quilt is hand sewn and the papers are in tact in most patches.
1508 x 940mm
Albury Regional Museum
Log cabin patchwork pieces (2) with each block approximately 120 x 120mm. They are diagonally divided into light and dark side. Materials are mainly silks including silk velvets. Each block is stitched on to a backing square, pieces of old blanket, woollens, cottons, many very worn. There is no other backing.
Quilt is hand pieced.
1000 x 1000mm
Joyce Lannin
The centre of the quilt is a small blue 6 pointed star surrounded by a larger blue star. Blue stars also form a border to the quilt. The background material is a multicoloured small floral pattern on white cotton. The quilt is all hand worked over templates. The padding is cotton and the backing is polyester sheeting with a border of stars.
2650 x 2475 mm
Pauline Munro
Quilt of woollen rectangles, probably tailors' samples. Machine pieced. The backing is floral cotton similar to curtain material.The backing has a french seam down the centre back and is folded over to the front to form a binding. There is no padding.
1440 x 1260
Lyn Uppill
Patchwork quilt in crazy pattern, with pieces of silks, corded silks and velvets in prints, plaids and plains. Nearly all pieces are edged with embroidery, and many pieces have embroidered names and motifs. There are a variety of embroidery stitches. The backing is of slub cotton in a plaid pattern in yellow, grey, red and white. No padding. Quilt has a gathered edging of dark red organdy and silk. Names and dates embroidered are: Bert, Milly, Toots, Verdi, Ida, and 1893, 1895, 1894.
1550 x 1420mm
Lois Ryan
Log Cabin quilt made from a variety of cottons and silks. There is no padding and the backing is calico bags. 1500 x 1250 mm.