Quilt No.359MS - Margery Smith

Margery Smith
Owner: 
Margery Smith
Location: 
NSW Riverina
Maker
Maker: 
Margery Smith
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
History: 

Made in the late 1960s - early 1970s by Margery Smith of Tumut (NSW), and owned by her.

Story: 

"The quilt was completed on 23/7/1973 when the date was stitched on. The project took about three years using what time I had available.
At that time I had a terminally ill daughter. Each afternoon when the weather was suitable I laid her on a bean bag with her legs in the sun to strengthen them. Whilst I sat talking to her I made the patchwork quilts.
I had bags of scraps from many years of sewing for my daughters and myself. This was a way to utilize them.
First I cut a stiff cardboard template then using it as a pattern I cut hundreds of stiff paper hexagons (I had all my family saving stiff paper, glossy magazines were great.) Next all the material scraps were sorted and pressed. The template was again used to cut each piece to shape leaving a turning all round.
Each piece of material was carefully turned in and tacked to a prepared paper pattern. As all pieces of a material were used they were put into boxes. I had decided to keep to a theme in order to distribute the various materials through the quilts. This stage seemed to take forever. I had worked out approximately how many 'patches' I would need.
So to the more interesting part, and it really did take forever! A centre was chosen usually checked gingham as I had a lot of those, six patterned pieces were hand stitched around each centre. I soon got back to using a thimble as the finger developed a 'hole'.
When these were done all had to be joined and the missing patch inserted, again usually the checked gingham. Removing all the tacking and papers was no small chore but the quilts were taking shape.
After that came the unbleached calico linings, stitch, stitch, stitch, then presto all was done.
I had made a separate 'sham' to cover the pillow for the bedspread, a large cot cover and also a top for a bedroom stool.
Nowadays my daughters look at the quilts and pick out their school uniforms, dresses they wore to birthday parties, socials and other nostalgic occasions. Their sister's frocks too, especially a blue one that matched her eyes. When she had her black curls tied back with a matching ribbon my middle daughter used to say, 'Oh you do look nice when you are all clean and paid for'. That saying came from my Grandmother. Really a patchwork quilt is one way of recording family history."
[Notes from Margery Smith, 1998.]

Margery Smith with grandchild
Margery Smith with grandchild

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National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm