Quilt No.127MOV - Museum of Victoria

Owner: 
Museum of Victoria
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Hawkey
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
History: 

Made by Elizabeth Hawkey in Clunes, Victoria. The quilt remained in the Hawkey family and was owned by Mrs Nancy Vibert, great grand-daughter of Elizabeth Hawkey. Mrs Vibert gave the quilt to Beth Chamberlain of the Goulburn Valley Quilters Group, Shepperton, in 1988. The Group donated the quilt to the Museum of Victoria in 1992.

Story: 

Elizabeth Hawkey was born in Cornwall in 1829 and died in Clunes (Vic) in 1909. She married Simeon Hawkey in Cornwall in 1850. Elizabeth came to Australia with four children on the 'Royal Standard' on 27th September 1866 and arrived on 17th December 1866. Simeon was already in Australia.
Simeon and Elizabeth had a store in Clunes and it is here she made the quilt.
"The quilt was the property of Mrs Nancy Vibert of Shepparton, great grand-daughter of Elizabeth Hawkey. Mrs Vibert recalls sleeping under the quilt as a child, as did her mother, it was well loved and used. However Mrs Vibert felt it had reached the end of its useful life and was preparing to 'throw it out' when her grand-daughter protested and said she thought it was of historical interest and 'surely someone would want it'! Mrs Vibert contacted Beth Chamberlain of the Goulburn Valley Quilters Group and eventually gave her the quilt.
Beth took the quilt to a meeting of the G.V.Q.G towards the end of 1988 and some of the members took it to a meeting of the Australian Quilters assn in Melbourne. Everyone thought it was a wonderful old quilt but nobody quite knew what to do about it.
In 'Quilts Down Under' Beth read about the conservation of the Elizabeth MacArthur quilt and discovered that the conservator, Glennda Susan Marsh, was now living in Yarrawonga. She visited Glennda with the quilt and subsequently received the � report.
Shortly afterwards Beth arranged for the qult to be seen by Elizabeth Willis, Curator, Social History, Museum of Victoria at a seminar in Benalla. Elizabeth wrote to say that it was a most interesting piece and well worthy of conservation.
The information was conveyed to the Goulburn Valley Quilters Group and several members indicated that they would like to take part in its conservation. It was decided to ask Glennda to join us � to advise us on how best to go about the conservation. ���.
After an initial meeting to plan our 'attack' and subsequent decisions were made, work really began on 4th Sept. People were able to come and go as they pleased bearing in mind Glennda-Susan's advice that an hour at a time was possibly long enough to work on it, as it was very painstaking. Fine long beading needles were used and very fine synthetic thread. Every tiny piece of worn fabric was carefully stitched down on to the blanket. Much of the blanket had to be darned before the pieces could be stitched down and this darning was done by Beth using unravelled threads of an old blanket that had been her mothers.
The quilt conservation was finally completed in December, 1990.
On Australia Day 1991 it was displayed on a bed in the Shepparton Museum, for a special Australia day Ceremony. During the year it was displayed at various quilting events including our own Exhibition in November.
We would have liked the quilt to stay in Shepparton but realized our Museum did not have the necessary facilities to store such a precious piece we were overjoyed when it was accepted by the Museum of Victoria.
[Extract from notes supplied by Museum of Victoria. Original source, The Goulburn Valley Quilters]

Related Quilts:

National Trust of Australia (NSW)
The body of this quilt is hexagons. This centre piece is surrounded by an applique border of birds and flowers and donkeys on see-saws. The flowers have been elaborately pieced from a great variety of materials. Some of the birds have pres studs for eyes.
Gwen Cordinglay
Patchwork quilt made from hexagon patches in silks and rayons, in pinks, blues, red, yellow mainly, with pastels. No padding. Bordered and backed with green satin.
1829 x 1372mm
Mare Carter
Patchwork Quilt, all cotton including filling. Pattern is "squares and diamonds". Quilt is faded but blue is probably the predominant colour. Hand stitched and hand quilted.
1624 x 1194mm
The Queensland Women's Historical Assoc.
Quilt top of plain, floral and printed cotton hexagons in a diamond pattern, separated by plain white hexagons. Hand written letters have been used as templates and some are still in position but the ink is faded and the writing now illegible. Tacking stitches are still in place.
3048 x 2210mm
Amanda Smith
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
National Trust of Australia (SA)
Patchwork frame quilt made from cotton prints. Quilt centre has four pieced squares set within a star shaped border of square patches, set within a square frame (74cm square) edged with half triangles, then set within a red frame (114cm x 114 cm), diamond shaped or 'on point'. In the 4 triangles are double diamond shapes, then a wide border of squares and 'square within a square' patches with red triangles. Red binding. Padding is probably wool. Backing is a cotton print in browns in a floral paisley. All over quilting. Handsewn.
1880 x 1850mm