Quilt No.252HS - Helen Sparkman

Helen Sparkman
Owner: 
Helen Sparkman
Location: 
SA Adelaide
Maker
Maker: 
Clara Pitt
Made in
AUSTRALIA SA
Date: 
1941 - 1970
Description: 
Patchwork quilt made of Suffolk Puffs mainly in cottons. It has a light green wholecloth backing.
2100 x 950mm
History: 

This quilt was made by Clara Pitt, daughter of Matilda Pitt, probably during the 1950s. It has always been in the family and Clara was the great aunt of the present owner, Helen Sparkman. It is not used now.

Story: 

"Clara May Pitt 1892-1985 (Daughter of Matilda Pitt)
Clara made many quilts mainly during the 1950s and 1960s, not out of need but because of her love of patchwork. Her quilts were mainly Hexagons and Suffolk Puffs. Clara was a single lady who had five neices and a nephew, and quite a number of great neices and nephews. As each quilt was completed it was presented to a family member. These family members now cherish her gifts, even though all have often smiled and queried her fabric selection, placement, neatness and her continual use of white thread over the years. Clara was over 80 years of age when she made her last quilt (Hexagons of course) for a private museum."
[Helen Sparkman Dec.2000]

Clara Pitt c.1960
Clara Pitt c.1960

Related Quilts:

National Trust of Australia (WA)
Hexagon quilt in dress and shirting cottons constructed in frame style with a centre rosette of 7 patches surrounded by 4 borders of patterned hexagons alternating with cream patches. The quilt has an inner border of triangles then rows of rosettes alternating with cream patches. The outer border is triangles. There is no padding. The backing is cream linen and has had a 20th century white cotton sateen slipstitched to it.
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Brenda Bird
Suffolk Puff quilt made from a variety of scraps of dress materials including cottons and terylene. It is backed with white cotton sheeting and edged with a frill of white terylene. There is a matching pillow sham.
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Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
National Gallery of Australia
" Reversible patchwork quilt of woollen suiting/upholstery fabrics in khaki, greys, blues and browns. Both sides have different designs. The front of the quilt has 13 rows of 12 vertical rectangles flanked on either side by a column of 22 horizontal rectangles. The reverse has a more interesting and complex design of small and very large rectangles, squares and triangles; with khaki contrasting with the duller greys and blues. The patchwork layers are joined at the edges with machine stitching and the quilt is machine quilted along 3 horizontal lines following joins in the patchwork; therefore not being totally straight. These lines are more noticeable on the reverse. The reverse face has been on display at the NGA." [NGA] There is a cotton blanket used as padding. 2054 x 1451mm
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm