Quilt No.805QVM - Queen Victoria Museum and Art Gallery
Description:
Quilt with alternate red and white diamonds in cotton, with wide border of white cotton and a white cotton crochet edging. All diamond patches and edging were joined to white border decorated with feather stitch. White border edged with zig-zag white feather stitch. Centre rectangle of white has 4 red petals edged with white feather stitch and 4 red diamonds each embroidered in white clockwise: '1898', 'R', 'L', 'K'. Diamonds edged with feather stitch. There is no padding and the backing is white cotton.
2420 x 1740mm
2420 x 1740mm
History:
The quilt was made in Tasmania by Rachel Louisa Raspin (1863-1932) c.1898. It was given as a gift to Clarice B. Raspin by Mrs. Miriam Raspin whose husband George was Rachel's brother. It was donated to the Queen Victoria Museum and Art Gallery in 1994 by Mrs. Clarice Raspin.
Story:
Rachel Raspin, the maker, was born at Prosser Plains, east coast of Tasmania near Buckland on 24th. December 1863. She passed away at Buckland where she lived most of her life, on 3rd September 1932. She was the seventh of twelve children born to Thomas and Sarah Raspin of Prosser Plains. Rachel Louisa never married.
Related Quilts:
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Taylor's sample quilt made from men's suit swatches, mainly greys and blues. Edging is 6cms wide, of blue flannelette. Padding is an old grey blanket, and the backing is of printed pattern corduroy. 1680 x 920 mm.
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
2415 x 2110mm
Patchwork quilt made from squares and rectangles of pink, blue and white fabric set with a frame of pink and white print around a centre rectangle made of 4 pink triangles. Four corner squares of blue and white stripes, Many squares are pieced from smaller scraps. The Material is a crepe type, possibly used for underwear. Handsewn and machined. Backing is made from cotton scraps, possibly lawn or similar. Padding is flanellete or similar. Edges are bound in a striped material. Quilt shows signs of wear.
620mm x 520mm
620mm x 520mm
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.
1740 x 1210mm.