Wholecloth Quilts

Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Julie Atkinson
Reversible wholcloth quilt with elaborate hand quilting. One side is rose pink and the other black with quilting done in black thread. It is padded but the type of padding is unknown,
2250 x 2100mm
Narryna Heritage Museum
Cotton applique quilt in 'Kentucky Rose' wreath pattern. Cream background with applique flowers in deep pink with green stems and leaves. The wreaths, each with 4 flowers, are repeated across the quilt. It is extensively hand quilted. The backing is cream finished cotton and the padding is cotton.
2300 x 2250
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
National Gallery of Australia
"This all white quilt has a front face of fine white plain weave cotton. The quilt is lined with brushed cotton twill. The two layers are quilted with white cotton thread across the entire surface with rows of zigzag stitching 16-20mm apart.
The edges of the quilt have been cut to form scallops and the raw edges here are secured with a binding of fabric similar to that used on the front face of the quilt. All work on the quilt appears to be hand sewn." [NGA] The quilt is not padded. 2655 x 2150mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm
Mare Carter
Patchwork quilt made for a child. All cotton with cotton padding. White blocks have embroidery depicting different nursery rhymes eg Mary, Mary, Quite Contrary ; Old Mother Goose. These blocks are separated by rectangular strips of teal cotton. The quilt is hand stitched and heavily quilted.
1677 x 1271mm
Julie Atkinson
Reversible wholecloth cotton quilt with elaborate hand quilting. One side is cream patterned material and the other plain pale yellow. It is padded but the type of padding is unknown.
2450 x 2000mm
National Trust of Australia (TAS)
Unfinished small quilt top of pale blue linen with squares of embroidery and silk patches appliqued and embroidered. The centre has embroidered coat of arms of the Baillie (or Bayley)family. Embroidered motifs are flowers, domestic items, anchor, butterfly, fan, basket, gardening implements. Total of 99 patches in silk, linen and cotton.
873 x 845mm
Robert Constable
Hand embroidered pink silk quilt with white embroidery. Wide border of hand made lace thought to be French late 18th century. Cream silk backing and very thin padding.
2700 x 2400mm
Effie Katianos
Wholecloth quilt of golden brown cotton sateen, the backing of a lighter yellow cotton sateen. Hand quilted with an allover repeatingr pattern of a cross within a square. The border is quilted with 4 parallel rows of stitching at the sides, and 5 at the top and bottom. Padding is cotton wadding. 1920 x 1440 mm.
1920 x 1440mm
Sharon Stacy
Wholecloth quilt with white cotton centre, sky blue cotton border and dark blue binding. There are 9 repeat designs of cross stitched flowers and leaves in the centre section. Around the blue border there are 18 cross stitched flowers. Blue on blue and white on white cotton quilting of diagonal lines and curls pattern the quilt. The backing is white cotton and there is a very light padding.
2338 x1981mm
Queen Victoria Museum and Art Gallery
Wholecloth quilt with one side cream wool and one side faded red wool. Red wool is joined with 3 seams by loom length; red appears to be cochineal dyed. Cream wool side appears to have been made from a hand woven blanket with blue selvidge on 2 sides. It is hand quilted in red wool thread; Welsh patterns including clamshell, Welsh pear, snail or spiral. Centre frame has 2 cable borders and the centre corners have fans. The outer quilted border has alternate 4 petal flowers, clamshell, and spirals.
It is padded with hand carded wool.
1950 x 1935mm
National Gallery of Australia
" The quilt is a patchwork of red cotton fabric. Each piece is decorated with embroidery in thick white cotton thread and with cotton appliqué. The edge of the quilt is decorated with a red cotton unlined border strip decorated with cutwork daisies, producing a scalloped edge. The images and inscriptions carried on each of the pieces of various sizes are a time capsule to notions and everyday life at the turn of the century.
In the centre is Queen Victoria surrounded by a garland of floral emblem of the Empire. (This square is dated 1901) Other squares carry scenes of daily life, farm animals and mottoes. "When a woman throws herself at a man head she seldom hit the mark." There are several spelling errors within the inscriptions. The latest dated piece is 'Dec 1903'. The embroidery is quite crude and large, and shows the work of two hands." [NGA]
The quilt is not padded. It is lined with pink cotton flannelette. 2230 x 1910mm
Jenny Martin
Welsh flannel quilt in fine wool wholecloth. Red on one side and turquoise on the other. Hand quilted in a traditional Welsh pattern. The padding is carded wool and the backing is flannel. 1970 x 1910mm.
Narelle Grieve
Wholecloth silk Welsh quilt. "The overall design containing the border, the central motif and corner motifs within lines of quilting is also typically Welsh. The bent leaf and leaf motifs used as mirror image pairs between the tulips in the outer border and inner border help to distinguish this Welsh quilt from those made in other parts of Britain. The scroll patterns contained within the inner border also help to establish this as a Welsh quilt." [Extract from unidentified magazine article supplied by the quilt owner.] 2560 x 2240 mm
Dorothy Kinloch
Miniature eiderdown or quilt made for a doll's bed. Wholecloth in polished cotton medium pink floral with rose pink plain frill. Machine made. The front is a floral rectangle with mitred corners and a floral border finished with a plain frill. The back is all floral including the frill. The quilt is filled with feathers. It is quilted. 4350 x 6150mm
Joyce Lacey
Wholecloth utility quilt, the top made of good quality cotton printed with posies of pink, blue and green flowers and leaves, the backing of plain cream cretonne, with a flap of plain cretonne, coming over the top side. Padding is made from blanket and jumper pieces stitched to a blanket base. Cretonne has signs of wear, and the cream backing has some staining. Top and backing machine sewn.
1840 x 1220mm
Annette Gero
Machine sewn wholecloth quilt with padding of several layers of part army blankets. The cover has been made from fabric widths of 700mm. Machine quilted.
2100 x 1800mm
Mavis Roberts
Wholecloth quilt, with applique patterns in printed coloured cottons, of a entral flower basket in an oval leaf border, appliqued leaf and flower branches, a twisted cable border, wider band of leaf and flower branches, and a final border of applique Greek key motif.The base material is linen or similar with all applique very finely hand sewn. As the quilt grew the background material has been extended with tiny hand stitches.

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