Quilt No.702BW - Beryl Warne

Beryl Warne
Owner: 
Beryl Warne
Location: 
VIC Melbourne
Maker
Maker: 
Beryl Warne
Made in
AUSTRALIA VIC
Date: 
1941 - 1970
Description: 
The quilt's construction is cotton patches about 170mm square joined in strips and then the strips joined. The border and backing are pale lemon coloured cotton lawn. The padding is an old woollen blanket. There is ric-rac braid around the border of the top.
2180 x 1420mm
History: 

The quilt was made by Beryl Warne in 1960-1961 at the Methodist Parsonage in Dunolly Victoria. It was made for their son Mark when he went from his cot to a bed. It was used at the Dunolly Parsonage and later at the Boort Parsonage. It is not used now.

Story: 

The patches for the quilt were cut from Beryl's dressmaking scraps including from her 'going away dress' and scraps from toddler's clothes and furnishing scraps. Her mother, Ruth Holman, gave her the old wool cream blanket. The pale lemon lawn for the border and backing was purchased at the 'Beehive Emporium' in Bendigo and Beryl made matching curtains for the nursery window. "The family lived happily in comfort but to a budget" [BW]
"I have many memories when I look at this piece. A very humble and functional quilt but treasured by me. I was most happy to live in Dunolly for a couple of years but when the church (Methodist) appointed my husband to Boort, I found the Mallee climate very trying. When, after a severe dust storm this quilt was completely brown with dust - no patches visible- and after only 2 years in Boort we decided to move. The quilt decided it! We moved to the lovely Mornington parish, Westonport area churches."
[Beryl Warne 9.10.2000]

Related Quilts:

Ruth Flett
Quilt is made of wool tailors' samples, each measuring 6 x 3 1/2 inches. The colours are predominantly navy and grey. Most pieces are striped but some more distinctly than others. Both sides are mad eof smaples, one side being mainly grey and the other almost exclusively navy. There doesn't seem to be another layer of material as padding. There is no added decoration. Made on a treadle sewing machine.
1703 x 1423mm
Mrs. L. M. Chick
Hexagon quilt made by hand from a wide variety of cotton materials. There is no padding and the backing is calico.
2286 x 915mm
Valinda Gale
Patchwork quilt made from squares of cotton prints in florals, stripes, spots and checks, joined together in rows. Colours are predominantly blues, reds, yellow and pastels. Binding is of turquoise blue fabric. Materials appear to be from the 40s or 50s. Patches caught in the middle with a woollen knot - red, yellow, blue wool. No quilting. Backed in blue fleecy flannel.
Single bed length and width.
National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
National Gallery of Australia
"A medallion or framed quilt in design. There is a central field of small patchwork diamonds, and from this radiates plain stripes of fabric bordering areas of patchwork panels. The edge of the quilt carries bands of red cotton, which are slightly larger at the top and bottom edges, and here the band is additionally decorated with appliqué diamonds. The fabric of the patchwork is cotton in fine plain weave of pale coloured florals and small geometric designs. The framing and border stripes are of bright red twill weave cotton. The small diamonds of the central field are hand sewn, with more use of machine stitching around the outer edge of the quilt.
The quilt is not padded. The patchwork is fully lined with a printed plain weave cotton fabric with a design commemorating Queen Victoria's Jubilee. The design is based on a repeated grid of circles. In the centre of each circle is a cameo of Queen Victoria, surrounded by images of the national flowers of England, Scotland and Ireland: the rose, the thistle and the shamrock. The edge of the front face of the quilt is trimmed with a red and white cotton braid." [NGA] 2380 x 2220mm
Barbara McCabe
"A single bed cover made up of squares and recrangles of woollen fabric pieced together by a Vicker Sewing Machine from Myer Melbourne. The fabrics are either new (left over scraps) or used (unpicked woollen garments). The backing is an old (used) candlewick bedspread. There is no padding. It is faded and worn due to being used for other purposes later. There is a 66 cm high clown that ahs been appliqued on mainly by hand using blanket stitch. It is also made from scraps of fabric. The hands were cut from an old felt hat."
2400mm x 1660mm