Quilt No.762PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Elizabeth Garrett
Made in
AUSTRALIA VIC
Date: 
1901 - 1920
Description: 
"A double-sided patchwork quilt machine-pieced from plain and patterned rectangular woollen patches, each 130 x 200mm. The fabrics came from a tailor's swatchbook of men's, and possibly women.s, suiting samples and are mainly in tonings of olive green, brown, blue and cream. The two layers are bound together with a pieced border strip that forms the outside edge. There is no filling or quilting." [PHM]
2140 x 1660mm
History: 

The maker was Elizabeth Garrett , born Elizabeth Butler about 1870 and died 1946. It was made about 1910 at Box Hill Melbourne. The quilt was passed from Elizabeth Garrett to her daughter Elsie Garrett Hanna, and then to Elsie's daughter Mrs. Val Skinner of Mosman. Val Skinner gave the quilt to the Australian Costume and Textile Society and it subsequently came to the Powerhouse Museum when the ACTS collection was transferred there in 1983. It is used for research and exhibition purposes only.

Story: 

"The family landed at Portland and joined the gold rush; later they moved to James Street, Box Hill, where this quilt was made and later still moved to the bush outside Melbourne. Elizabeth was one of seven girls and one boy and was the dressmaker for the family. Elizabeth was married and had three children at the time the quilt was made, around 1910. Her first daughter Elsie was born in 1893."
"In January 1986 Val Skinner, the maker's granddaughter, said that everyone in the family used the quilt when they went camping and that later on, when they could afford to buy bed covers, it went under the bed." [PHM]

Elizabeth Garrett c.1910
Elizabeth Garrett c.1910

Related Quilts:

National Gallery of Australia
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
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