Quilt No.753PHM - Powerhouse Museum

Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Ethel Kirsop
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a...
History: 

The maker was Miss Ethel Kirsop who lived in Chatswood Sydney. The quilt was commenced c.1944 and took about 8 years to complete. Ethel Kirsop gave the quilt to the Powerhouse Museum in 1980. It is used for research and exhibition purposes only.

Story: 

"Ethel Kirsop was a resident of Chatsood for many years and a patron of the Australian Federation of Business and Professional Women Incorporated. A special award was established called the Ethel Kirsop Memorial Award, to provide support for a post-graduate female student of political journalism." [PHM]
When Ethel Kirsop gave her quilt to the Powerhouse Museum in 1980, she wrote the following statement:
"First saw a patchwork quilt in 1930s - two made by Women's Institute in England for Princesses Elizabeth and Margaret. Learned history of quilt making. Quilt is of half inch hexagons. It is estimated (by a mathematician friend) to be made of 7300 (+) hexagons. I set out to show design in a quilt rather than haphazard squares. It is entirely hand stitched. It was made over a period of 8 years, although not continuously worked on.
"Front is made entirely of scrap material. The main colour scheme ie centre and corners were off-cuts from dresses, dressing gowns made in a small factory owned by a friend. The rest of medallions are scraps from my friends' dresses - all my friends can recognise their dresses even now.
"The unbleached calico background is made entirely from scraps remaining after parcels for soldier friends (Middle East and New Guinea) had been sewn in calico (as was the practice) and later food parcels for relatives in Britain.
"Templates of brass were used - papers cut from old used shorthand books (ideal texture). When tacking was removed papers did not fall out as expected and had to be removed individually!!
"Expected to back the quilt with a standard unbleached sheet, I still had some ration coupons but found I had made the quilt too long. I wrote to the Actil Company and they very kindly cut a piece of sheeting to the correct size - no charge, still wartime restrictions, no coupons. I had this dyed pale blue and blind stitched the quilt to the backing.
"By this time friends had persuaded me to enter it in the Royal Sydney Show. Two days before the quilt had to be taken to the Showground for exhibition I finished the stitching and found to my horror that the front sagged away from the back.
"It was then I had to purchase the only bought material used - the rosette and diamond on the back - bought at (then) Farmers with my coupons - made in 2 nights - stitched through to the front to hold it and next morning met the deadline at the Showground.
"The quilt was exhibited in the first Royal Agricultural Show held after World War II, 4th/15th April 1952 and won first prize. An article on it was written in the Sydney Morning Herald.
"The Ku-Ring-Gai Agricultural Scty wrote to me and asked me to exhibit and also gave it 1st prize. It was also exhibited at two or three private exhibitions, but I ceased to do so because the Public were inclined to soil it and even pull patches apart."
[Ethel Kirsop for the Powerhouse Museum, 1980]

Related Quilts:

Elsie Shephard
Double sided patchwork quilt/rug constructed from squares machined together in strips and then the strips joined. It is made in one piece and then doubled over. The materials are mainly wool, worsted, part cream machine made jumper, pink and blue mohair, blue and white spotted flannelette and cream blanket and all are scraps or from worn clothing.
1690 x 1370mm
Margery Creek
Cotton quilt made in the USA. The pattern is 'Double Irish Chain'. It is machine pieced and hand quilted. The backing is calico and the padding is cotton,
2134 x 2134mm
Fiona Gavens
Hexagon quilt constructed over papers; all seams oversewn with featherstitch embroidery. Materials are vyella and clydella scraps from childhood dresses of the maker's first four children, augmented with scraps from a dressmaker and a book of samples. There is no padding; backing is plain, pale blue, brushed cotton.
2200 x 1720 mm.
Christine Barnes
Cotton quilt with rosettes of hexagons. There is a centre hexagon with a surround of 6 hexagons in a contrasting pattern and then an outer row of 12 hexagons in a different pattern. Between each rosette is a single row of hexagons in a print common to the whole quilt. The materials are typical of the 60s period. There is a deep aqua border. It is machine quilted. The backing is cotton.
2515 x 1829mm
Julie Pearce
Rectangular quilt of print and plain cottons pieced in squares and rectangles, the centre group of pieces surround a larger piece of pale blue fabric, within a frame or border, of bright pink material, then 3 rows of squares and rectangles. Backing of plain fabric. Machine stitched on a treadle machine.
Gillian Sullivan
Quilt made of 9120 very small Suffolk Puffs, each one about the size of a 20 cent piece. "Each piece backed and the front of it drawn up like a reticule. It was not backed and was rather fragile, so I backed it on to a sheet, as it was heavy and in danger of tearing when lifted." [Gillian Sullivan]
2360 x 2230 mm