Quilt No.753PHM - Powerhouse Museum

Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Ethel Kirsop
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
"The quilt is made entirely from over 7300 hexagons cut from scrap materials, and is hand stitched throughout using the 'English' method of quilting. Scraps of plain unbleached calico were used for the background with the pattern pieces cut from plain and floral fabrics in shades of blue. The design is medallion style, with a large central diamond surrounded by two concentric diamond borders beyond which are scattered different sized hexagonal rosettes, all made from hexagon patches in the same size. The pattern patches were cut from the offcuts of dresses and dressing gowns made at a...
History: 

The maker was Miss Ethel Kirsop who lived in Chatswood Sydney. The quilt was commenced c.1944 and took about 8 years to complete. Ethel Kirsop gave the quilt to the Powerhouse Museum in 1980. It is used for research and exhibition purposes only.

Story: 

"Ethel Kirsop was a resident of Chatsood for many years and a patron of the Australian Federation of Business and Professional Women Incorporated. A special award was established called the Ethel Kirsop Memorial Award, to provide support for a post-graduate female student of political journalism." [PHM]
When Ethel Kirsop gave her quilt to the Powerhouse Museum in 1980, she wrote the following statement:
"First saw a patchwork quilt in 1930s - two made by Women's Institute in England for Princesses Elizabeth and Margaret. Learned history of quilt making. Quilt is of half inch hexagons. It is estimated (by a mathematician friend) to be made of 7300 (+) hexagons. I set out to show design in a quilt rather than haphazard squares. It is entirely hand stitched. It was made over a period of 8 years, although not continuously worked on.
"Front is made entirely of scrap material. The main colour scheme ie centre and corners were off-cuts from dresses, dressing gowns made in a small factory owned by a friend. The rest of medallions are scraps from my friends' dresses - all my friends can recognise their dresses even now.
"The unbleached calico background is made entirely from scraps remaining after parcels for soldier friends (Middle East and New Guinea) had been sewn in calico (as was the practice) and later food parcels for relatives in Britain.
"Templates of brass were used - papers cut from old used shorthand books (ideal texture). When tacking was removed papers did not fall out as expected and had to be removed individually!!
"Expected to back the quilt with a standard unbleached sheet, I still had some ration coupons but found I had made the quilt too long. I wrote to the Actil Company and they very kindly cut a piece of sheeting to the correct size - no charge, still wartime restrictions, no coupons. I had this dyed pale blue and blind stitched the quilt to the backing.
"By this time friends had persuaded me to enter it in the Royal Sydney Show. Two days before the quilt had to be taken to the Showground for exhibition I finished the stitching and found to my horror that the front sagged away from the back.
"It was then I had to purchase the only bought material used - the rosette and diamond on the back - bought at (then) Farmers with my coupons - made in 2 nights - stitched through to the front to hold it and next morning met the deadline at the Showground.
"The quilt was exhibited in the first Royal Agricultural Show held after World War II, 4th/15th April 1952 and won first prize. An article on it was written in the Sydney Morning Herald.
"The Ku-Ring-Gai Agricultural Scty wrote to me and asked me to exhibit and also gave it 1st prize. It was also exhibited at two or three private exhibitions, but I ceased to do so because the Public were inclined to soil it and even pull patches apart."
[Ethel Kirsop for the Powerhouse Museum, 1980]

Related Quilts:

Gillian Erratt
Patchwork quilt made of pieced blocks in the 'Shoofly' pattern, in white cotton and a red, white and blue geometric cotton print. Alternate squares are in the print. The border is made of same size squares in the print. No padding. The backing is a sheet. Hand sewn.
1829 x 1829mm
Una Braby
Frame quilt pieced from square, rectangular and triangular pieces from plain and patterned cotton. The central motif of the rooster is appliqued in red cotton on white background with a border of red triangles. There is a white cotton backing.
2000 x 1925mm
Margaret-Anne M Thomas
Cotton quilt hand pieced and hand quilted. Eigth pointed star on a white background. 7 rows of 7 stars with a 70mm border. There is a padding or interlining. The backing is plain off white cotton twill.
2040 x 2030mm
National Trust of Australia (WA)
Silk and velvet frame quilt with centre patchwork block of squares and triangles with a top and bottom border of silk in Royal Stewart tartan. This rectangular centre frame is surrounded by plain and 'saw tooth' (triangles) borders. The outer border is dark grey silk embroidered in pastels in stem stitch in a meandering vine and leaf pattern. There is no padding or quilting. Backing originally of mustard wool material machine stitched along turned in edges. Dark red cotton is attached to original backing.
2015 x 1320mm
Annette Gero
Hand pieced hexagon quilt or table cover with centre motif of hexagons within hexagons. The remainder of the quilt is mainly hexagon rosettes. The materials are silks and brocades and it is pieced over papers in the English tradition.
1710 x 1600mm
Ann Hockey
Patchwork quilt made of small squares pieced from four triangles. Each square is 90mm and is joined to the others by a herringbone lacing in yellow rayon crochet thread, so making an open mesh between each square. The quilt is edged with thick yellow rayon corded braid. Each square is backed with gold coloured cotton. No padding.
1730 x 1430mm