Typically Australian Quilts

Irene Pascoe
Utilitarian cot quilt. The padding is layered reused woollen materials, parts of old blankets, part overcoats. These are stitched together with string and knitting wools The top and backing are printed cotton. There is a frill all around and buttons have been used to anchor the padding layers to the outside cover.
1169 x 915mm
Rosemary Blake
Single bed quilt made from sugar bags stitched together covered with a ticking type fabric. This inner layer is then covered with muslin, dyed yellow. It is similar in construction to 80RB but much lighter as the sugar bags are lighter than the heavy jute potato bags.
1520 x 990 mm
Lorna Calder
Patchwork quilt of multi coloured silks and brocades. Crazy patchwork borders, mainly rectangular fabrics pieced together in diagonal patterns, radiating from a central frame embroidered with flowers. Many pieces are extensively embroidered in a great variety of stitches and motifs; butterflies, sunflowers, cats, daffodils, crown, pawn broker's symbol, 'money to lend', 'good night', the initials of family members and 'mater 1890'. The quilt has a deep border of maroon sateen. There is no padding visible but it is possibly a blanket. The backing is green/gold silk with a self stripe with red cotton damask showing underneath, possibly an earlier backing.
2165 x 2165mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
Annette Gero,
Wholecloth quilt originally covered with cretonne and recovered with orange satin. Machine quilted. Padding of wool.
1270 x 1160mm
Kristine Gray
Double sided frame quilt. All reused materials including corduroys, wools and light weight suitings. Machine made and not quilted There is no padding as already heavy and warm.
1780 x 1530mm
Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Glenda Wilkinson
Small quilt made from pieces of heavy weight wooollen coat material cut into strips and machined together. It is reversible. Each side is made from different materials but in similar colours of aqua, blue, green and beige. The 2 layers are quilted together with a few machined lines of straight stitching. It has a folded and machine stitched edge. There is no padding.
950 x 790mm
Rozanne Andrew
Quilt, single bed size, made from reused clothing roughly handstitched on to a backing of a wool/linen blanket type fabric in green, cream and brown stripes. Clothing is fronts and backs of old jumpers, vests etc as well as opened out sleeves in red, brown and grey. They are stitched together in several layers with long stitches. Another top may have been intended to cover the stitched down layers of clothing.
1500 x 1040mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
National Musuem of Australia
Patchwork quilt with alternate squares of green and fawn cotton headcloth. Various Australian wild flowers are embroidered in coloured threads in the green squares. In the fawn squares there is a stylised flower and leaf pattern outlined in embroidery. The border, front and back is green headcloth. The backing is printed cotton with a floral design. There is some padding.
1610 x 1610mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Elsie Roberts
Patchwork quilt has a centre of a square within a square, with rows of scraps added around it. The scraps are mainly cotton shirting fabrics and are cut in different sizes and shapes. The two long sides have a narrow red edging folded from the back. The other two sides have been 'bagged'. Filling is an unusual weave thought to be wool. Backing is a pink, red and beige floral cotton.
2080 x 1650mm
Joyce Lannin
Machine stitched quilt made from tailors' samples cut into squares. The colours are mainly greys, browns and fawns. There is no padding and the backing is a grey herringbone heavy woollen material with a white fleck. This is folded back to the front to make a 75mm border and finished with a dark grey braid where it meets the patchwork top. 1525 x 1225mm
Griffith Pioneer Park Museum
Patchwork quilt made from hexagon patches of cotton, silk, brocade, sateen and wool. Some silk patches are individually lined. Colours are mainly red, blues, purple, black, yellow and brown, with some pastels. Many silk patches have disintegrated, showing the paper templates. Quilt has a brown cotton inner lining, then a blue cotton backing, and is edged on the reverse with checked silk. Hand sewn by more than one person: one experienced sewer, one not so experienced.
1370 x 1170mm
Queen Victoria Museum and Art Gallery
Quilt has a centre panel of white velvet roses and green leaves with embroidered spider webs, on red velvet. Two side panels are in crazy patchwork in plain and patterned silks and velvets. All patches are edged with feather, herringbone or blanket stitch. Many patches are embroidered, including 'Minnie', 'Good Luck', birds, flowers, anchor, boat, fish, shell, spider web, crown,, 2 crossed flags, tennis racquets, Australian motifs including wattle. The centre panel has a row of ruched olive green ribbon each side and the whole quilt has a border of dark blue velvet. The padding is cotton wadding and the backing is cream cotton printed with red and pink chrysanthemums and green leaves.
2113 x 1995mm
Lurline Lydiard
Unfinished crazy patchwork quilt. Materials are mainly silk, velvet, woven ribbons, woven brocades. Hand embroidery using many different stitches also machine embroidery eg frog. Some individual patches have names, initials, dates probably relating to family members. There are also place names several of which may refer to Australia. Apart from the embroidery on individual patches there are overlaid a number of floral displays across parts of the quilt. Backing is flannelette with selvedges of blue and pink. 1300 x 1300mm
Ann Hockey
Patchwork quilt made from rectangles of samples of men's woollen suitings, in greys and blues and some browns. The rectangles were machine sewn together and then sewn in rows or strips. Originally the quilt had a rabbit skin backing, removed due to deterioration. No padding. Machine sewn.
1550 x 1420mm
Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm

Pages