Quilt No.1039JZ - Jenny Gianoula Zounis

Jenny Gianoula Zounis
Owner: 
Jenny Gianoula Zounis
Location: 
WA Perth
Maker
Maker: 
Stamatis Zounis
Made in
AUSTRALIA WA
Patterms
Wholecloth, Quilting as major design element
Date: 
1941 - 1970
Description: 
"Greek whole cloth quilt. Completely reversible. One side is sky blue satin and the other is coral pink satin. Is machine quilted with a central medallion of a circle with points surrounded by scallops. There is a fan shape in each corner. There is a border all around with scallops and three defining border lines. Is machine quilted with blue on the blue side and pink thread on the pink side." [Jenny Zounis] There is 2 cm thick padding, thought to be kapok. 2000 x 1720 mm.
History: 

The quilt was made by Mr. Stamatis Zounis in Perth WA in 1965 as a 'thank you' present for the mother-in-law of the present owner, Mrs. Jenny Zounis. It is not used.

Story: 

"This quilt has the distinction of being made by a man - Mr. Stamatis Spahis who was born in about 1935 in Greece. He came to Australia before his marriage in 1964. At the time of his wedding he was an apprentice mattress maker and his brother had taught him in Greece how to make quilts.
Mr. Spahis' bride had only recently migrated from Greece. Her brother had brought her to Australia and also wanted to get married but was obligated by Greek tradition to see that his sister was married first. However, the young couple suffered from a shortage of money so her brother's (Manuel Papadimitridor) father-in-law to be, Nikita Zounis, offered to pay for a double wedding. This happened to be the second time that Nikita Zounis had done the same thing under similar circumstances. And, as Greeks don't do things by halves there were about 300 guests at both double weddings. As a thank you to his brother in law's father in law for paying for the wedding, Mr. Spahis made him the quilt.
At the time Mr. Spahis would have been about 29 or 30 years old. It is apparent that great care was taken by Mr. Spahis as the quilting thread is blue on the blue side and pink on the pink side. The present owner of the quilt says it is the custom to sew a sheet to the border of a quilt to keep it clean. The sheet could then be easily washed." [Mrs. Jenny Zounis]

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Christine Taylor
Quilt No.459CT - Christine Taylor
Autograph quilt consisting of 372 x 100mm calico squares with signatures worked in green thread. There is a scalloped border. The backing is green paisley flannelette and the padding is an old twill sheet.
2200 x 1840mm
Motifs or Names, Signature, Wholecloth, Typically Australian
Mary Robertson
Quilt No.376MR - Mary Robertson
Domestic Wagga made from 3 bags joined (the bags feel lighter than the jute wheat or flour bags) and covered back and front with floral cotton featuring large roses in red and oranges. The cover is machined.
1750 x 840mm
Wholecloth, Domestic Wagga, Utilitarian, Typically Australian
Powerhouse Museum
Quilt No.756PHM - Powerhouse Museum
"A quilt or coverlet of natural cotton sheeting with appliqueed motifs cut from a variety of crimson cotton damask. The quilt is hand sewn and nearly square and has a 12 cm border made from the same crimson damasks. The applique motifs consist of a range of hexagons, rosettes, flowers, hearts and stars that radiate outwards from a large centrally placed star shape. All are the same shade of crimson red which suggests they were dyed in the same dye pot. The fabrics are now quite thin and soft which suggests that the quilt, or the fabric it was made from, was well used." [PHM]
1960 x 1950mm
Wholecloth, Embroidered and/or Appliqued
Dulcie Williams
Quilt No.324DW - Dulcie Williams
Wholecloth quilt, the cover made of blue and red paisley cotton cretonne, and filled with feathers. The cover is reversible. The machine quilting is a simple pattern of 2 diamonds, one within the other, in the centre, with 3 rows of stitching around the edge of the quilt, forming a wide border.
2033 x 1474mm
Wholecloth, Utilitarian