Quilt No.1016YH - Yvonne Hamdorf

Yvonne Hamdorf
Owner: 
Yvonne Hamdorf
Location: 
WA Perth
Maker
Maker: 
Florence Ann Sharpe
Made in
AUSTRALIA SA
Date: 
1921 - 1940
Description: 
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
History: 

Quilt made by Florence Ann Sharpe in Adelaide, 1936. It is now owned by Florence's grand-daughter, Yvonne Hamdorf. It is not used.

Story: 

"This quilt was made in Adelaide by Florence Ann Sharpe for the birth of her grand-daughter, Yvonne Sharpe, in December 1936.
Florence Sharpe, nee Meadows, was born in 1869 in North Adelaide, South Australia. She was raised in her grandfather's home following the death of her mother, Charlotte, from diphtheria, when Florence was 7 years old. Ann, her grandmother, died in child birth before the birth of Florence so it is likely that her step grandmother, Elizabeth Meadowns, taught her to sew.
Florence was also pianist, accompanying celebrated Edwardian singers visiting Adelaide, at recitals in the town hall.
This quilt is of pink cotton sateen - the reverse ivory coloured in a fabric of finer weave. It measure 2ft 10inches (870mm) by 2ft 2inches (660). Stylised hearts set the quilting design.
It has been in my care always. [Yvonne Hamdorf]

Florence Sharpe in Adelaide c.1939
Florence Sharpe in Adelaide c.1939

Related Quilts:

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Melinda Smith
Wholecloth cover in synthetic rayon. Centre plain, drop slightly gathered, edging border is large saw tooth appliqued pieces in flannelette, striped seersucker, crepe de chine. Materials typical of the 30s through to the 50s. The appliqued triangles are chain stitched in yellow thread which also anchors them to the backing.
2450 x 1940mm
Romsey/Lancefield & Districts Historical Society
Wholecloth quilt made of royal blue satin, squares around a central panel. Seam lines are covered with a faggoting stitch. All names are embroidered in satin stitch, the central motif is hand painted. The border is quilted with a repeat scroll ing pattern in hellow thread, and edges are trimmed with a fringe of small pom-poms in burgundy, gold, blue and yellow, the colours mixed in each pom-pom. Quilt is backed with yellow satin cotton. Centre has embroidered: "Lancefield/ Presbyterian/ Sale of Gifts/ February, 1896'.
1880 x 1330mm
Agnes Pratten
Wholecloth quilt covered front and back with the least worn parts of old curtains. The padding is a carded wool sheet from Ipswich Woollen Mills placed between layers of cheesecloth.
1800 x 1225mm
Nancy Stinson
The padding consists of layers of pieced used clothing including; part of machine knitted child's wool dress (Nancy had this when she was 3 or 4); part of father's cardigan; parts of 'neck to knee' bathers in light green and dark green wool. The padding is all hand pieced and machined around the edge. There have been 2 wholecloth cotton covers to this quilt. It is one of a pair.
1870 x 1020mm