Quilt No.1016YH - Yvonne Hamdorf

Yvonne Hamdorf
Owner: 
Yvonne Hamdorf
Location: 
WA Perth
Maker
Maker: 
Florence Ann Sharpe
Made in
AUSTRALIA SA
Patterms
Wholecloth, Quilting as major design element
Date: 
1921 - 1940
Description: 
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
History: 

Quilt made by Florence Ann Sharpe in Adelaide, 1936. It is now owned by Florence's grand-daughter, Yvonne Hamdorf. It is not used.

Story: 

"This quilt was made in Adelaide by Florence Ann Sharpe for the birth of her grand-daughter, Yvonne Sharpe, in December 1936.
Florence Sharpe, nee Meadows, was born in 1869 in North Adelaide, South Australia. She was raised in her grandfather's home following the death of her mother, Charlotte, from diphtheria, when Florence was 7 years old. Ann, her grandmother, died in child birth before the birth of Florence so it is likely that her step grandmother, Elizabeth Meadowns, taught her to sew.
Florence was also pianist, accompanying celebrated Edwardian singers visiting Adelaide, at recitals in the town hall.
This quilt is of pink cotton sateen - the reverse ivory coloured in a fabric of finer weave. It measure 2ft 10inches (870mm) by 2ft 2inches (660). Stylised hearts set the quilting design.
It has been in my care always. [Yvonne Hamdorf]

Florence Sharpe in Adelaide c.1939
Florence Sharpe in Adelaide c.1939

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
Heather Leonard
Quilt No.695HL - Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Yvonne Renfree
Quilt No.694YR - Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian
Joyce Wynn
Quilt No.1088JW - Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Wholecloth, Quilting as major design element, Durham
Irene Copping
Quilt No.781IC - Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Wholecloth, Quilting as major design element