Wholecloth Quilts

Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Jean Cameron
White cotton quilt with blue embroidery. There is a lattice grid embroidered with 30 squares one way and 24 the other and in each square there is an embroidered signature or initial. In one is "The Home Missions Fete 1923" and in the centre "D.A.Cameron, Moderator" the date 1921-22 and 24 signatures within a more heavily embroidered rectangle. There is no padding and the backing is white cotton.
2120 x 1680mm
Griffith Pioneer Park Museum
Wholecloth quilt, yellow sateen both sides. Hand quilted in geometric and curvilinear patterns. Edges turned in, hand finished. Stuffed with flock-like material said by the donor to be wool. Approximately 2.5cm thick.
2500 x 2000mm.
Yiota Grigorakis
Wholecloth quilt. Top is gold sateen and the backing is gold cotton. Hand quilted in an overall large shell pattern within a border of three parallel lines spaced at 1000, 800, 700mms respectively. The padding is cotton wadding. 2000 x 1800mm
Kereake Wray
Wholecloth Greek quilt. "The fabric is a beautiful silk satin with a formal pattern of soft yellows and pinks on a turquoise background. Surrounding this is a 40cm wide border also of silk satin (cerise coloured). The quilt is machine pieced but hand quilted. The method of quilting is very interesting. A thick cream twist has been used and at first glance it seems that the quilt is tied as there are long pairs of stitches with gaps of about 4cm between them. However, either a long needle was used to make a pair of stitches OR each side may have been quilted separately with the needle only going half way into the wadding which is about 2 cms thick." [Kereake Wray] The padding is kapok approx 2 cm thick and the backing is deep coral pink satin. 2200 x 1960 mm.
Ella Jarvis
Wholecloth quilt of pink satin with machine qulting in squares across the main part of the quilt, and two rows of two lots of stitching around the wide border. The quare pattern on the quilt top is overlaid with a grid of applied thick white braid. Backing of cotton. Padding appears to be enclosed in white cotton. Fragile condition.
1650 x 1370mm
Effie Kalenderidis
Wholecloth quilt made from pink satin, with similar pink cotton backing. The padding is cotton wadding. It is hand quilted and the pattern is a large central circular motif of a leaf pattern. There is a fan design in each corner and the in-fill pattern is of curved and straight parallel lines. The external border is four parallel lines.
2030 x 2000mm
Mary and Max Robertson
Traditional Wagga rug made from 3 wheat bags joined along the long side by sewing with bag needle and twine. Machined twill cover was put on later in the 1960s. Originally no padding but now the bags are the padding. One of a pair(identical).
1790 x 1160mm
Robyn Oliver
Wholecloth quilt, yellow sateen both sides. Hand quilted, geometric designs; centre square cross hatch, corner spaces filled with diagonal lines, border of 4 lines of parallel quilting. Flock padding visible in holes - said to be wool. 5 cms thick.
2290 x 1950mm
Joan Bradford
Utility quilt with wholecloth top and backing of twill upholstery material. Machine construction. Padding is 2 layers of wool blanket. Stitched through all 4 layers.
1474 x 1093mm
Yvonne Renfree
One side of this wholcloth quilt is a single piece of cretonne or similar with a pattern of autumn leaves. The other side is patched pieces of curtaining. The padding is old clothing, mainly knits, tacked to random pieces of curtain material. The quilt is tacked together to hold all the padding in and machine stitched to the backing.
1850 x 1100mm
Joyce Wynn
Whole cloth traditional Durham quilt in sateen, pink one side and ivory the other. Elaborately hand quilted. It is padded but the type of padding is unknown. 2030 x 2030mm.
Maria Alexakis
Wholecloth quilt. Quilting pattern is a large 'feathered thistle' with thick stem, as the main design feature. The border is a combination of straight and curved parallel lines. Burgundy sateen with damask weave. All quilting is handstitched. Padding is cotton wadding and backing is tomato red cotton. 2150 x 1820 mm.
Irene Copping
Durham quilt. Hand quilted with Durham Feather Pink on one side and cream on the other. Cotton material with a slightly sheen cotton used for the quilting. Cotton wool padding.
2440 x 2150mm
Julie Atkinson
Reversible wholcloth quilt with elaborate hand quilting. One side is rose pink and the other black with quilting done in black thread. It is padded but the type of padding is unknown,
2250 x 2100mm
Narryna Heritage Museum
Cotton applique quilt in 'Kentucky Rose' wreath pattern. Cream background with applique flowers in deep pink with green stems and leaves. The wreaths, each with 4 flowers, are repeated across the quilt. It is extensively hand quilted. The backing is cream finished cotton and the padding is cotton.
2300 x 2250
Denise Frahn
Wholecloth quilt, machine sewn, made from cotton chintz with a pale green background and a floral pattern of bunches of pink roses and blue flowers, reversible. The centre is stitched in a diamond pattern with two outside borders, then filled with feathers, using a broom handle to force the feathers through. Cover made from 36" fabric, the pattern matched exactly. Excellent condition. Feather filling was collected by the makers from backyard poultry, geese, ducks, fowls. Called an eiderdown.
1830 x 1480mm
Heather Leonard
This 'Quilt' is made from an army great coat from the second world war. The seams have been unpicked and pieced together by machine zig-zagging the flat edges (with Singer treadle sewing machine). The pocket slits are turned back and seamed rather than being pared off. The outside edges are turned over and blanket stitched in red. It does not have a backing.
1620 x 1180mm
 Cynthia Mayes
Wholecloth quilt of fine cream homespun embroidered with red and white stranded cotton. It is a cross stitch design of roses pre stamped on the material. The quilting consists of a fern pattern medallion in the centre, straight lines and a fern pattern border. The padding is fine wadding and the backing is white sheeting with a small floral pattern,
2160 x 1650mm

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