Quilt No.754PHM - Powerhouse Museum

Powerhouse Museum
Owner: 
Powerhouse Museum
Location: 
NSW Sydney
Maker
Maker: 
Hannah Reed
Made in
ENGLAND
Patterms
Wholecloth, Quilting as major design element
Date: 
1851 - 1880
Description: 
"The quilt is made from three panels of white cotton fabric, each about 800 mm wide and machine-stitched together. The quilting pattern consists of an all-over diamond ground with a central medallion of flowers and leaves and a border of scrolling feathers and flowers. The quilt is finished with a single row of machine stitching round the edge and marked 'T W Ritson' in ink on the underside of one corner and 'T W R' under another. The blue pattern markings are still evident on the surface of the quilt." [PHM] It is padded and backed with cotton.
2520 x 2430mm
History: 

"The maker of the quilt was Hannah Reed, born Coulson. The quilt was made in Hannah's home and the name of the farmlet was 'Swinhope Mill' of Swinhop, Sparty Lea, Allendale, Northumberland, England.
"The quilt was passed down through the family. It was left to the donor's aunt, Phyllis Jane. Then it was passed on to the donor's brother, Thomas William Ritson, next to the mother Ruth Ritson. Ruth brought the quilt to Australia in 1914 and passed it down to Lavinia McFadyen in 1919, just before she died. The quilt was not used, but kept as a treasure and donated to the Powerhouse Museum in 1983." [PHM]
The quilt is used for research and exhibition only.

Story: 

"Hannah Reed died at the age of 77 in 1892. At that time she was living with her daughter Ruth; her granddaughter Lavinia was 12 years old. On 8 February 1983, Lavinia McFadyen wrote:
'My Grandmother Reed was a thrifty, hardworking lady and was left a widow when Grandpa died at 55 years. I'd say she made and helped make several quilts in her time. She died at 77. When you read the quilting history I'm sending you'll see it was very time consuming. My aunties were all very good needlewomen and my mother taught needlework at a girl's school until she married and I had a beautiful display of quilts and much fancy work at my 2 sales. I gave a lot away until friends asked me to sell it.' "
[Lavinia McFadyen for the Powerhouse Museum]

Hannah with daughters Phyllis and Mary and Mary's child Ruth,'Swinhope Mill'
Hannah with daughters Phyllis and Mary and Mary's child Ruth,'Swinhope Mill'

Related Quilts:

Yvonne Hamdorf
Quilt No.1016YH - Yvonne Hamdorf
Wholecloth pram quilt with a top of pink cotton sateen, and the reverse is a more finely woven, ivory, fabric. All over quilting design as main feature, with stylised hearts, leaves and cross hatching. The padding is cotton batting. 870 x 660 mm.
Wholecloth, Quilting as major design element
John Tomkin
Quilt No.1005JT - John Tomkin
Hand stitched, cotton, appliquéd, quilt in a flower pattern on a plain background. Colours are shades of green, apricot and browns. This quilt was known as a 'Bride's Quilt'. Padding is thought to be layers of white fabric raised almost like a wadding. The backing is cotton material. 2470 x 2020 mm.
Wholecloth, Embroidered and/or Appliqued
National Gallery of Australia
Quilt No.973NGA - National Gallery of Australia
" This coverlet is composed of two pieces of dark blue cheese cloth joined with a row of running stitches down the centre of the coverlet (the seam faces the front face of the coverlet but is hidden beneath a row of appliqué).
The coverlet is decorated with rows of pieced work surrounding appliquéd and embroidered scenes. A panel down the LHS of the quilt and a smaller panel lower RHS depict animals and floral images. In the centre RHS an elderly couple sit beneath a tree. In the upper left a bride and groom accompanied by three flower girls are showered with petals from a wicker basket carried by a very large angel. Glass beads, sequins and a button have been used to highlight the appliqué and embroidery.
As with all of Mary Jane Hannaford's quilts, the work is stitched by hand and quite crudely, but the naivety of the images is overwhelming with their charm." [NGA] The quilt is not padded or lined. 1950 x 1690mm
Embroidered and/or Appliqued, Motifs or Names, Pictorial, Wholecloth, Typically Australian
Betty Gray
Quilt No.5BG - Betty Gray
Hand appliqued, embroidered and quilted, 1940s. Cotton quilt with yellow, pink and purple tulips and green leaves, has scalloped edging with green piping. Hand quilted.
2240 x 885mm
Wholecloth, Embroidered and/or Appliqued
Margaret Lyons
Quilt No.833ML - Margaret Lyons
Padding for a utilitarian quilt that originally had a wholecloth cover. The padding is up to 3 layers of woollen scraps and pieces of used clothing, including hand knitting. White cotton tacking and overcast stitches hold all layers in place. The backing is a cream wool blanket with woven stripes.
1580 x 1200mm
Wholecloth, Utilitarian
Ida Blenkiron
Quilt No.270IB - Ida Blenkiron
Wholecloth cot quilt of floral cotton in a pattern of pink roses, green leaves, and blue ribbons. Paddiong is old blanketing, and backing is a soft fawn twill. The cotton was the same fabric as the bedroom curtains. No quilting.
1010 x 840mm
Wholecloth, Re-used clothing or blanket, Utilitarian, Typically Australian