Quilt No.303ASA - Art Gallery of South Australia
Owner:
Art Gallery of South Australia
Location:
SA Adelaide
Maker
Maker:
Rebecca King
Made in
AUSTRALIA SA
Patterms
Date:
1881 - 1900
Description:
Patchwork crazy quilt in silks, cotton and velvet has an appliquéd golden brown velvet star with black points in the centre. All seams have embroidery, mainly herringbone or feather stitch. The outer border is a light tan velvet. Quilt has a variety of appliquéd and embroidered motifs, including horseshoes, tennis rackets, kettle, cross tombstone, butterflies, hearts and an emu. Backing unknown. Handsewn.
2025 x 2680mm
2025 x 2680mm
History:
Made by Rebecca King, c.1890-1895, near Georgetown (SA). Owned by her neice, Dr A.W. Wall. Donated to the Art Gallery of South Australia, Adelaide, in 1972 by Dr Wall.
726A4A\Y
Story:
Rebecca King was born in Morphett Vale (SA) in 1859, and lived most of her life on a farm near georgetown (SA). She was a painter as well as a quilter, and was the great-aunt of ceramic artist Margaret Dodd. In 1901 Rebecca married Thomas Hynes, and died in 1915 in Katanning (WA).
Related Quilts:
Double sided quilt made from woollen suiting pieces some of which have hand worked eyelets. Many of the rectangles are irregular. Both sides use similar pieces but arranged in different patterns. There is no padding.
2160 x 1524mm
2160 x 1524mm
Unfinished crazy parchwork quilt using a wide variety of mainly cotton scraps in patterns and plains. Machine sewn on to calico base.
1956 x 1677mm
1956 x 1677mm
Cotton quilt with central frame and radiating borders mainly in squares in pinks and blues, printed materials and plain. The padding is cotton wool and the backing is off white cotton.
2040 x 1800mm
2040 x 1800mm
Grandmother's Flower Garden quilt. Hexagons are from cotton and polyester material mostly from 'Reverse Garbage' Melbourne. Hand pieced by Rita Fiddian, the owner. Hand quilted. The padding is wool and the backing cotton.
3049 x 2109mm
3049 x 2109mm
"This quilt follows the traditional hexagon patchwork pieced pattern, which are then joined and sometimes edged with a contrasting border. The edges of the quilt have been turned and then scalloped edges made of identical patches to the main body of the quilt have been attached to the edge. The quilt is fully lined, and the lining is visible front the front face through the gaps between the scalloped edge. The lining is attached to the patchwork with a row of stitches along the edges; there are no stitches in the centre field. The fabrics of the quilt are plain weave cotton in simple floral and geometric designs. Most of the fabrics are monochromatic. Several different colour ways of the same fabric are evident which could suggest some fabrics were from manufacturer samples. The lining is a William Morris print.
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Each of the patchwork pieces (there are several thousand present) are sewn together with very fine overcasting stitches. The quilt is entirely hand sewn. There is some evidence that templates from the hexagon pieces possibly blotting paper, remain in situ���The quilt is not padded or quilted. The lining is fine twill weave cotton printed in pink and pale purple. The design follows William Morris's 'Strawberry Thief design'." [NGA] 2075 x 1911mm
Double sided silk quilt. One side is paisley designs and the reverse plain silk . Machine pieced. There is a thin padding possibly sheeting.
2694 x 2287mm
2694 x 2287mm