Quilt No.64MC - Mare Carter

Mare Carter
Owner: 
Mare Carter
Location: 
NSW South East
Maker
Maker: 
Eva Leota Towe
Made in
USA
Date: 
1901 - 1920
Description: 
Patchwork quilt, all cotton including cotton filling. Pink and white. Large plain pink blocks with white pieced blocks in between in arrow type pattern based on rectangles. Hand sewn and hand quilted
1931 x 1728mm
History: 

The quilt was made by Eva Leota Towe in southern California pre 1920. In 1950 her grand-daughter Mare (Carter) came to Australia to live. In 1953 Eva Towe died and in 1960 "my mother brought me Grandmother's legacy, her hand-works including the quilts, when she visited Australia". Mare Carter now owns the quilt one of a collection of 16 made by her grandmother.They were used frequently as family quilts and now occasionally.

Story: 

"VINTAGE QUILTS 1898-1938
These quilts were made by my grandmother, Eva Leota Towe. Her maiden name was Tussey and she came from Missouri, U.S.A. In early 1900 grandmother moved to Washington State and later to Southern California.
Patchwork was our family tradition. It provided a frugal means to "dress" a home and to make cosy beds which were also pretty. I rarely saw grandmother without her bag of patches and templates handy, rarely saw her sitting idle; usually while chatting or listening to the radio, she'd be quietly piecing together patches which were cut mostly from used garments. Her scissors were kept sharp by my grandfather, she wore out countless thimbles, her needles were regularly pushed in and out of a little sock of sand to ginger up their points. The actual quilting was often done in company with friends who belonged to the Rebecca Lodge. At least one of these quilts is a Friendship Quilt made and signed by those women in 1933.
Grandmother also embroidered, to decorate her tables, her aprons and also her tea-towels which were always made from bleached flour sacks. It embarrassed my Mother and her sister that their underclothes were made from the same materials. Maybe this is why sewing and handcrafts skipped a generation in my family. The contribution my mother made was to keep these things safe and gradually pass them along to me.
My children suffered from allergies. Wool was too itchy, and too hot. The cotton quilts of my grandmother were perfect for our beds here in Australia. Thus we used our legacy to good purpose. Sadly, most of the quilts are now tattered and worn, but much loved for that, and for the affection which she sewed into them. She never made things to be preserved as objects of art. They represent her creativity, her duty as a woman and a home-maker, and her principle means of recreation and sociability."
[Mare Carter, Foxground 1998]

Eva Leota Towe c 1940
Eva Leota Towe c 1940

Related Quilts:

Jeanette McGeoch
Crazy patchwork quilt made from pieces of silk, velvet, silk ribbon and brocade in a variety of patterns and plains, in a range of colours. All patches are edged with embroidery, in blanket, feather, herringbone and other stitch variations. Many patches are embroidered with flowers, butterflies, leaves and initials of family members, and there is some beading. 1901 is embroidered in one corner. Quilt has a wide border of gold velvet. Patches are stitched to a base fabric. Backing is dark green sateen.
1470 x 1060mm
Gundagai Historical Museum
Patchwork cot or pram quilt made of diamond patches in the Tumbling Block pattern. Patches are made from cotton, corduroy and velvet, with red, black, teal blue, green, brown and cream predominating. No padding. Backing is of green wool and the quilt is bound with dark red crushed velvet.
780 x 560mm
Gabrielle Carter
Crazy quilt of velvet upholstery fabrics, and cigar ribbons with surface embroidery. Patches are outlined in embroidery stitches, and one patch has 'Dec 12 1886' on it. There is no padding, and the backing is cotton. 1720 x 1580 mm.
Val Ireland
Utilitarian quilt. The padding is pieced used clothing and possibly reused blanket. The top and backing are machine pieced cotton scraps in a wide variety of pattern and colours.
1626 x 1601mm
Red Cliffs Historical Society
Hexagonal log cabin quilt. Hexagons constructed of strips with half hexagon dark and half light. These hexagons are then joined to form diagonal light and dark stripes. Machine and hand sewn. Materials are wools, printed cottons, velvets, corduroys, rayons, flannelettes, brocades, pique and taffetas. The backing is a single piece of brocatelle (rayon brocade). There is probably a thin layer of padding.
1400 x 1200mm
Queen Victoria Museum and Art Gallery
Patchwork quilt made from silk and challis and velvet hexagons set to form diamond shapes. The centre shape has 8 hexagons surrounded by a row of 16 hexagons. The outer border of the quilt is 2 rows of 'Tumbling Blocks' set amongst a variety of black silk and satin patches. There is a wide fringe in red, green, blue and yellow. There is no padding and the backing is a recent addition in red cotton, synthetis mix.
1770 x 1740mm