Quilt No.359MS - Margery Smith

Margery Smith
Owner: 
Margery Smith
Location: 
NSW Riverina
Maker
Maker: 
Margery Smith
Made in
AUSTRALIA NSW
Date: 
1941 - 1970
Description: 
Patchwork cot quilt made from hexagons 63mm across in a variety of cotton prints and plains. The bright coloured patches came from children's clothes and dressmaking scraps. No padding. Backing of unbleached calico. Hand sewn.
1524 x 1169mm
History: 

Made in the late 1960s - early 1970s by Margery Smith of Tumut (NSW), and owned by her.

Story: 

"The quilt was completed on 23/7/1973 when the date was stitched on. The project took about three years using what time I had available.
At that time I had a terminally ill daughter. Each afternoon when the weather was suitable I laid her on a bean bag with her legs in the sun to strengthen them. Whilst I sat talking to her I made the patchwork quilts.
I had bags of scraps from many years of sewing for my daughters and myself. This was a way to utilize them.
First I cut a stiff cardboard template then using it as a pattern I cut hundreds of stiff paper hexagons (I had all my family saving stiff paper, glossy magazines were great.) Next all the material scraps were sorted and pressed. The template was again used to cut each piece to shape leaving a turning all round.
Each piece of material was carefully turned in and tacked to a prepared paper pattern. As all pieces of a material were used they were put into boxes. I had decided to keep to a theme in order to distribute the various materials through the quilts. This stage seemed to take forever. I had worked out approximately how many 'patches' I would need.
So to the more interesting part, and it really did take forever! A centre was chosen usually checked gingham as I had a lot of those, six patterned pieces were hand stitched around each centre. I soon got back to using a thimble as the finger developed a 'hole'.
When these were done all had to be joined and the missing patch inserted, again usually the checked gingham. Removing all the tacking and papers was no small chore but the quilts were taking shape.
After that came the unbleached calico linings, stitch, stitch, stitch, then presto all was done.
I had made a separate 'sham' to cover the pillow for the bedspread, a large cot cover and also a top for a bedroom stool.
Nowadays my daughters look at the quilts and pick out their school uniforms, dresses they wore to birthday parties, socials and other nostalgic occasions. Their sister's frocks too, especially a blue one that matched her eyes. When she had her black curls tied back with a matching ribbon my middle daughter used to say, 'Oh you do look nice when you are all clean and paid for'. That saying came from my Grandmother. Really a patchwork quilt is one way of recording family history."
[Notes from Margery Smith, 1998.]

Margery Smith with grandchild
Margery Smith with grandchild

Related Quilts:

Shirley Maywald
Patchwork crazy quilt in velvets and silks, no pieces over 4" long. Colours are black, maroon, pinks, blues and pastels, and all seams embroidered with coloured silks in herringbone stitch. Backing is green, there is no padding. Quilt is bound with black velvet 1/2" wide. A patch near the centre is embroidered: '1909' and '1948'.
940 x 915mm
Barbara McCabe
Patchwork quilt made from rectangles of mostly woollen fabrics sewn in strips and then stitched together. Fabrics left over from dressmaking projects. Machine stitched. Colours mainly green, purple, blue, pink, pastels, in plain, checks and spots. No padding or quilting. Lining is an old bedspread.
2200 x 1440mm
Powerhouse Museum
"A tied patchwork wagga quilt made from swatches of men's wool suiting fabrics in blue/grey and pink/brown tonings. Rectangular swatches have been cut in half diagonally, and the resulting right-angled triangles paired to form larger equilateral triangles which alternate dark with light across the field. The quilt has been machine and hand pieced, then machined in vertical stripes.
The centre field is bounded by two strip-pieced borders at top and bottom, and three down each side. These are sewn from rectangles, using light pink/brown tones for the inner border and darker colours for the outer borders. The quilt is padded and backed and the side seams are secured with black herringbone stitch. The three layers are tied together invisibly with lazy daisy stitches in black cotton from the back." [PHM] The padding is a wool blanket and the backing is two pieces of cream twill cotton.
2030 x 1440mm
Mrs. F.A.C.Clemons
Quilt made from blocks in a fan pattern, 5 blocks across by 6 down. Fans are set on a black background, materials are wool and cotton in a mixture of plains and patterns. Edges of fans are decorated with cream herringbone stitch. Machine pieced with hand stitched repairs.Cream cotton backing folded over to make binding, stitched with pink herringbone stitch. Tied regularly with pink thread. The quilt is padded with wool.
2000 x 1720mm
Doncaster-Templestowe Historical Society
Patchwork quilt made of hexagons in silks, satins and brocades. Colours are soft, mainly creams and pastels, with some deep pink, yellow, dark grey and bright blue. Quilt is bordered with a wide band of light navy moire or faille. Padded, possibly with a blanket. Backed with cotton twill.
2420 x 1900mm
Jeanette McGeoch
Crazy patchwork quilt made from pieces of silk, velvet, silk ribbon and brocade in a variety of patterns and plains, in a range of colours. All patches are edged with embroidery, in blanket, feather, herringbone and other stitch variations. Many patches are embroidered with flowers, butterflies, leaves and initials of family members, and there is some beading. 1901 is embroidered in one corner. Quilt has a wide border of gold velvet. Patches are stitched to a base fabric. Backing is dark green sateen.
1470 x 1060mm