Quilt No.265NPW - National Parks & Wildlife Service of SA

National Parks & Wildlife Service of SA
Owner: 
National Parks & Wildlife Service of SA
Location: 
SA Country
Maker
Maker: 
Louisa Fanny Catt
Made in
AUSTRALIA SA
Date: 
1881 - 1900
Description: 
Patchwork quilt of square and lozenge patches of silk, taffeta and ribbed silk patches in purples, greens, blues and reds, and pastels, in brocades, stripes, checks and plains. The block pattern is four lozenge patches around a centre square patch. A group of these patches in the dark bright colours form a central diamond, with pastel groups around. The darker colours are used to form the border of 'square' patches. Hand sewn, machine quilted. Backing of [silk], padding is cotton.
2450 x 2100mm
History: 

Believed to have been made by Louisa Fanny Catt (1841 - 1930), of Meadows (SA) around 1887. Previously owned by Mrs Catt's grand-daughter, Mrs J. Steuart, who donated it to Old Government House, Belair National Park (SA). Owned by the National Parks & Wildlife Service of SA, at Old Government House, Belair National Park. Displayed at Old Government House.

Story: 

The pattern appeared in 1882 in Caulfield's 'Dictionary of Needlework', as Pattern Mosaics 4.
The quilt was made for the Adelaide Jubilee Exhibition of 1887. As one of her 12 children owned a drapery shop, the fabrics may have come from there.
[More information available from the Display Co-ordinator, Friends of Old Government House, Box 2, Belair SA 5052]

Related Quilts:

National Gallery of Australia
" This well worn quilt is of pieced diamonds set into squares (221 make up the quilt). Thick woollen fabric has been used for the pieces. These are with plain dyed fabrics or tartans and checks. All work on the quilt is hand sewn. The quilt was lined with a fine blue cotton." [NGA] The quilt is not padded. 1835 x 1400mm
Charlotte Nattey
Cotton quilt of pieced hexagons and some diamonds made for a baby's basket. Colours are mainly blue and pink and two 'Punch and Judy's' are appliqued in the centre. There is no padding and the backing is a cotton floral in blues and greens.
760 x 660mm
National Gallery of Australia
"The quilt consists of 12 blocks of crazy patchwork with an embroidered border. The quilt is made of 167 different fabrics; most of these are silk. These velvets, printed silks and satins are beautifully embroidered with flowers, household items and Kate Greenway images of children at play. Many of the motifs have a strong influence from the Aesthetic Movement. The edge of the quilt carries a border in maroon silk decorated with tendrils and daisies in very fine embroidery.
The patches are joined with hand sewing and embroidery, however the 12 panels are joined with machine stitching (chainstitch machine stitching). The blue silk lining was hand sewn into position with silk thread." [NGA]
"The quilt does consist of three layers but the central layer is not padding. The crazy patch pieces were sewn together and this was lined with white cotton fabric prior to the embroidery at the edges of the 12 panels being placed. This in turn was lined with a fine blue silk." [NGA] 1810 x 1460 mm
Jean Gill
Pieced quilt featuring log cabin and tumbling block patterns. It is handsewn and has some appliqued flowers.Materials are mainly velvet with a small amount of cotton. There is no padding and the backing is cotton flannelette.
1525 x 1220mm
National Trust of Australia (WA)
Patchwork quilt in Grandmother's Flower Garden pattern, consisting of 7 patch rosettes with white 'paths'. Cotton dress and shirting materials have been used in blues, pinks, brown, turkey red and Prussian blue. The quilt is hand sewn and each hexagon is 25mm wide. The backing is cream twill cotton in three panels. There is a hand sewn binding in red/pink cotton. There is overall quilting in chevron or zigzag pattern.
2415 x 2110mm
Meg Orr
All over pattern of rows of hexagons with each unit made up of 4 hexagons each 45mm. Patterned and plain materials thought to date from the 1930s including cotton and linen dress materials, synthetics and synthetic crepe. It was an unfinished top and Meg Orr, the present owner, finished it by machine stitching some of the hexagon rosettes to the red twill background and stitching on a backing. There is no padding.
1740 x 1210mm.