Quilt No.127MOV - Museum of Victoria

Owner: 
Museum of Victoria
Location: 
VIC Melbourne
Maker
Maker: 
Elizabeth Hawkey
Made in
AUSTRALIA VIC
Date: 
1881 - 1900
Description: 
Hand pieced quilt with geometric repeat pattern on both sides. One side has a wide red border and geometric piecing in red, blue and pale coloured printed cotton fabric. The other side has a similar geometric pattern but is worked in paler fabrics in pink, brown and pale blue prints. Pieced sides attached to cream woollen blanket [filling] with parrallel rows of machine stitching.
2160 x 2160mm
History: 

Made by Elizabeth Hawkey in Clunes, Victoria. The quilt remained in the Hawkey family and was owned by Mrs Nancy Vibert, great grand-daughter of Elizabeth Hawkey. Mrs Vibert gave the quilt to Beth Chamberlain of the Goulburn Valley Quilters Group, Shepperton, in 1988. The Group donated the quilt to the Museum of Victoria in 1992.

Story: 

Elizabeth Hawkey was born in Cornwall in 1829 and died in Clunes (Vic) in 1909. She married Simeon Hawkey in Cornwall in 1850. Elizabeth came to Australia with four children on the 'Royal Standard' on 27th September 1866 and arrived on 17th December 1866. Simeon was already in Australia.
Simeon and Elizabeth had a store in Clunes and it is here she made the quilt.
"The quilt was the property of Mrs Nancy Vibert of Shepparton, great grand-daughter of Elizabeth Hawkey. Mrs Vibert recalls sleeping under the quilt as a child, as did her mother, it was well loved and used. However Mrs Vibert felt it had reached the end of its useful life and was preparing to 'throw it out' when her grand-daughter protested and said she thought it was of historical interest and 'surely someone would want it'! Mrs Vibert contacted Beth Chamberlain of the Goulburn Valley Quilters Group and eventually gave her the quilt.
Beth took the quilt to a meeting of the G.V.Q.G towards the end of 1988 and some of the members took it to a meeting of the Australian Quilters assn in Melbourne. Everyone thought it was a wonderful old quilt but nobody quite knew what to do about it.
In 'Quilts Down Under' Beth read about the conservation of the Elizabeth MacArthur quilt and discovered that the conservator, Glennda Susan Marsh, was now living in Yarrawonga. She visited Glennda with the quilt and subsequently received the � report.
Shortly afterwards Beth arranged for the qult to be seen by Elizabeth Willis, Curator, Social History, Museum of Victoria at a seminar in Benalla. Elizabeth wrote to say that it was a most interesting piece and well worthy of conservation.
The information was conveyed to the Goulburn Valley Quilters Group and several members indicated that they would like to take part in its conservation. It was decided to ask Glennda to join us � to advise us on how best to go about the conservation. ���.
After an initial meeting to plan our 'attack' and subsequent decisions were made, work really began on 4th Sept. People were able to come and go as they pleased bearing in mind Glennda-Susan's advice that an hour at a time was possibly long enough to work on it, as it was very painstaking. Fine long beading needles were used and very fine synthetic thread. Every tiny piece of worn fabric was carefully stitched down on to the blanket. Much of the blanket had to be darned before the pieces could be stitched down and this darning was done by Beth using unravelled threads of an old blanket that had been her mothers.
The quilt conservation was finally completed in December, 1990.
On Australia Day 1991 it was displayed on a bed in the Shepparton Museum, for a special Australia day Ceremony. During the year it was displayed at various quilting events including our own Exhibition in November.
We would have liked the quilt to stay in Shepparton but realized our Museum did not have the necessary facilities to store such a precious piece we were overjoyed when it was accepted by the Museum of Victoria.
[Extract from notes supplied by Museum of Victoria. Original source, The Goulburn Valley Quilters]

Related Quilts:

National Gallery of Australia
"This is not a true quilt, but a pieced coverlet with a lining. The entire front face of the quilt is of pieced hexagonal and part hexagonal printed cotton patches. Pieces are joined with hand sewn over casting stitches of many different coloured cotton threads. The joining of the patches forms a 'daisy' pattern in some areas and in others it is random. The edge of the front face of the quilt carries a 40mm strip of cotton Chinoiserie which is then folded to the reverse of the quilt and becomes part of the lining. The template for the hexagon patches remains in many of the patches: writing paper and news print." [NGA]
The work is not padded "The lining at the edge of the quilt (for approx.175mm) is a plain weave fabric of a Chinoiserie design. The centre field of the lining is a rectangular panel of a twill weave brushed cotton fabric with a striped floral design." [NGA] 2215 x 2070mm
Leila Craig
Patchwork quilt of hexagon patches in a variety of colours and fabrics, including cottons, wool, lace, nylon. Edging is of yellow cotton. It is backed but there is no filling or padding.
2470 x 2100mm
Helen Cornish
Patchwork quilt in the Log Cabin pattern, each square 14cm x 14cm, made of used cotton fabrics with a fine wool fabric as the centre square of each. Colours are mainly reds, blues, greens and maroon, and pastels, in prints and plains. Quilt has a wide border of dark blue cotton with mitred corners. The padding is black and white mattress ticking, and the backing is the same dark blue cotton as the border. Machine stitched.
1770 x 1170mm
Val Ireland
Utilitarian quilt. The top and backing are machine pieced scraps of curtain material and clothing pieces. The centre is an old blanket and possibly clothing pieces.
2033 x 1525mm
The Pioneer Women's Hut
Continuous 'sleeve' of hand sewn small hexagons, many woollen, some joined, some darned, plain and patterned. Several bands of plain coloured hexagons. The padding is ticking, an old cream blanket and part of a bedspread.
1960 x 800mm
Lyn Uppill
Scrap quilt made of vertical strips of rectangles alternating with narrow strips of pieced triangles. Colours are subdued, blues, pinks, red, browns and black, in small patterns and stripes. Fabrics are suiting, rayon, crepe, gaberdine, taffeta and blazer wool. The padding or middle layer is pieced from hessian and suiting fabric, knitted cotton. and khaki and brown twill (uniform material). The middle layer is then handsewn to the back.
1550 x 870mm